Trust Is Like the Soul

About a month or so ago, my older sister, J., sent me a direct message on Twitter (stupidly renamed ‘X’ by Elon Musk, proving once again that the wealthiest in the world aren’t necessarily the smartest, just the most exploitative…but I digress). She has apparently read some of my blog posts on my family issues back in Canada. I don’t know which ones she read: there are so many of them that I doubt she had the time, let alone the patience, to get through anywhere even approaching all of them, but she seems to have gotten the basic idea of why I’m so upset with her and our two older brothers, R. and F.

I must say that this reading of hers is perhaps the first time she’s ever meaningfully paid close attention to my side of the story regarding my relationship with the family. Over a period of decades of never taking my point of view about anything seriously, her response to what I wrote is a precedent that I find quite…impressive.

Since she knows she has to choose her words tactfully in an attempt to hoover me back into the family, and my living on the other side of the world means that her choosing her words foolishly will only strengthen my resolve not to end my NO CONTACT status with her and our brothers, she expressed herself with the usual honeyed words. ‘I’ll always be her brother, and she’ll always love me.’ Pleasant words to read, no doubt, and the kind of thing a love-starved man like me needs to hear…but not the kind of thing that will make me easily forget decades of emotional abuse from her, our brothers, our dad, and most of all, our–in all likelihood–malignant narcissist mother.

I’m sure J. sincerely believes she loves me, but there are a number of things that need to be understood about this love to put it in the right context. I’m her younger brother: she has to love me. I’ve discussed in other posts how she, as the golden child of the family, was pressured by our mother to personify an idealized version of Mom: J. had to be the ‘perfect’ daughter, has to be the ‘perfect’ sister to R., F., and me, the ‘perfect’ aunt to our nephew and niece, the ‘perfect’ mother to her two sons–she has to be the ‘perfect’ family woman, all to please our mother and be ‘worthy’ of Mom’s love. Remember that a narcissistic mother makes her sons and daughters compete for her very conditional love, so they aim to please her in every way.

Now, to be fair to J., none of this pressure or her caving in to it was her fault–it was our mother’s. By placing these impossible-to-fulfill standards on J., and by manipulating her into believing she must embody–and has successfully embodied–these lofty ideals, Mom was not doing her job as a mother. In fact, J. should be infuriated with Mom for putting her through all of that. It was never J.’s job to be Mom’s ‘perfect’ daughter: it was J.’s job simply to be herself. But let’s at least be honest about all of this. J. ‘loves’ me because she has to, not because she deep-down wants to.

I, too, was assigned a phony role to play in the narcissistic family: I was the scapegoat, or identified patient. I was manipulated by Mom, through gaslighting, into embodying everything she hated about herself and therefore projected onto me–hence the autism lie, which was a projection of Mom’s narcissism (recall the early definition of autism, which is hardly applicable today). This role that I was forced into playing is why the family ‘loves’ me, but has never really liked me–and that includes J., who always tried to change me into a more ‘acceptable’ person. She thinks this kind of changing people is a form of love (she got this, no doubt, from Mom having done it to her), rather than thinking that accepting a person as he is will do a much better job of making him feel loved, which would in turn inspire him to change himself and rid himself of his dysfunctional habits.

J. is the only family member who makes any attempts at all to contact me, and that has far less to do with any genuine feelings of affection for me, and far more to do with her need to salvage what’s left of the family she’s lost over the years (her husband–for whom I composed this short piece of music–our parents, and me out of estrangement). She wants to keep alive her fairy-tale, romantic notion that we’re all a ‘happy, loving family’: this is all tied in with her being the golden child, as I described above. The point I’m trying to make here is that I exist, to her, only as a family relation–that is my whole value to her. As a unique, individual person, I mean nothing to her. Recall what she said: I’ll always be her brother, and she’ll always love me (my emphasis).

I mean absolutely nothing to R. and F., my two ‘brothers.’ I could rot away in a leper colony, and they wouldn’t care; they’d blame me for getting into the predicament rather than pity me for my misfortune. As I said in my post, False Families, they’d probably be amused at the idea of my home becoming a war zone from the US provoking a war with China over Taiwan, the way the MIC and NATO provoked Russia into a war over Ukraine. There is no affection between R. and F. on their side and me: I feel none for them because, in their constant bullying and belittling of me as a kid, teen, and young adult, they destroyed any foundation for a normal, healthy, brotherly relationship between us. Mom sat back and let it all happen, too, perfectly aware that her flying monkeys were hurting me. Dad didn’t do much to help me, either. R. and F. feel no affection for me because they regard me as a worm: why would I be OK with that?

The childhood trauma I suffered from the family’s abuse resulted in a number of dysfunctional habits of mine at the time, which existed as trauma responses, but which our mendacious, ignorant mother labelled as ‘autism symptoms’: these trauma responses included maladaptive daydreaming and social isolation. If no other people are around, I can feel safe, because my family’s treatment of me as a child taught me that people are mean and hurtful. Bullies at school and in the neighbourhood only made my problem worse, and I got no relief when I got home.

When your family betrays your trust, it’s hard to trust anybody, because as object relations theory teaches us, those primal family relationships you have as a child are like the blueprints for all future relationships you’ll have with anyone else. The bad relationships with family members become bad internal objects that haunt you like demon possession (<<p. 67 here). Alienation thus becomes epidemic: if those early family relationships go sour, you learn to believe all future relationships will go sour, too, because you don’t know any other way to relate to people; even if you try your best to fit in, you’ll unconsciously do something wrong to sabotage the relationship. As an adult, I have C-PTSD because of what happened when I was a kid, and I’ll always feel as though I can’t fit in, however hard I try.

Publilius Syrus once said, “Trust, like the soul, never returns once it is gone.” I first heard that quote in Child’s Play (not the Chucky movie), which I watched with my mother when I was a teen. I can never return to the family that betrayed me with lies, abuse, and gaslighting. I’m trying to heal, currently through the application of Jungian concepts like Shadow work and Active Imagination to get to the darkest recesses of my unconscious to find out what’s making me sabotage my life so much–I can’t heal by being in any way involved with the very people who made me sick in the first place.

If I were to be around R., F., and J. ever again (even if just online), I would be subjected to their little digs at me again. Those little digs may typically be small, by any objective measure, but even the minor ones would trigger in me memories of the nastier moments I endured with them when I was a kid. Also, I have good reason to believe that the three of them, as well as our mom when she was still alive, were doing so many smear campaigns on me–whenever discussions around the dinner table, for example, drifted towards me as a topic–that the younger generations have been taught to have at least slight regard for me, if not outright loathing.

You see, it isn’t so much that they ‘did this’ to me forty years ago, or ‘did that’ to me thirty years ago; it isn’t just the things that they did; it’s more about who they are that made them do these things, because I know that–them being who they are–they are sure to do those kinds of things again. I’m not just wallowing about in my remote past: I’m trying to protect myself from future re-traumatizing.

To regain my trust of R., F., and J. would be a Herculean task for them, especially with the limitations of the internet, and I simply don’t think the three of them regard me as worth the effort (R. and F. wouldn’t regard me as worth even a slight effort). For these reasons, I must maintain NO CONTACT with them, however well-intentioned my sister may seem.

“Marble,” a Modern Myth to Encourage the Discouraged

My name is Casey. I have been trapped in a huge block of marble for as long as I can remember; and I have been struggling to break out of it for what must be years, even decades.

A conspiracy of sorcerers put me in this prison. How did they construct the marble in which they encased me? They performed repeated rituals, ceremonies of shame. They made me believe that I deserved to be held forever in this cell of marble, that I am ugly, repellant, of no worth at all. I believed it, and wept in my petrified confinement.

A while back, however, I began to doubt the cruel beliefs my captors put in my head. In my first doubts, I found myself able to do something I hadn’t been able to do in years, decades, even.

I budged.

Just a bit, at first.

Then I doubted a little more, and I could move a bit more.

I’ve continued doubting, and since this growth of doubting has slowly but steadily bloomed, I’ve become able not only of more and more movement inside this casing, but I’ve also been able to make this large block of marble shake on the ground where it’s sat all this time.

How do I doubt? I just keep thinking to myself that it isn’t I who am ugly, repellant, and worthless, but rather that it’s the marble I’ve been encased in that is ugly, repellant, and unworthy.

It seems that everyone outside, looking at this huge block of marble I’m incarcerated in, thinks the marble is beautiful, protecting the world from my hideousness.

But more and more, I know better.

Attempts are made, all the same, by those outside, to make me believe that there’s nothing good in me to make it worthwhile to break free. Once I come out of my fetter of engulfing rock, I’ll realize that I can’t do anything useful for the world, or so they’d have me believe. It’s best that I stay inside, apparently…

No! I must never believe those lies!

You may be wondering how I’ve been able to live and breathe while immobilized in this marble for so long, with no oxygen, food, or even an ability to relieve myself. The explanation is simple: the sorcerers who put me in this predicament used their magic to ensure that I’d never need to breathe, eat, or do any of the normal things that people outside do all the time and take for granted.

The fact that my tormentors are keeping me alive is part of how I know that I must have a secret worth that they don’t want to be known to the world. I have special abilities that they feel threatened by; if I were free to use those abilities, my enemies would be reduced to nothing.

Still, why not just kill me? Perhaps my abilities include a defying of death: maybe they can’t kill me, so encasing me was the best they could do. Perhaps they get pleasure from the idea of so capable a man as I being convinced I’m worthless that my powers would never be used, because I don’t believe in them. They laugh at how I’m so close to greatness, yet so far away, too.

Hence all those voices outside trying so hard to discourage me from trying to break free, all deliberately made audible to me, in spite of my confinement, through the sorcerers’ magic. But I’ll show them all!

Umph! I’ve…got…to break…out!

I can feel the marble block moving, wobbling a bit from side to side. Gradually, as I push left, then right…forward, then backward, I can feel the wobbles get slightly bigger over time. I am making progress!

The space between my body and the surrounding marble was originally so tight that it was pressing into me. With my years of struggling, the tightness is gone, and now there are a few millimetres of space all around between my body and the marble. Tiny pieces of it have broken off and fallen to my feet, erosion from my struggles!

Grains of marble from the outside must be breaking off, too, hence my ability to move the block more and more, and hence the voices of the people trying to discourage me, their voices louder and louder, and more and more agitated at my progress and determination.

I am an angel trapped in this marble, and it must be carved, as it were, until I set myself free! I must become the angel that I already am!

Ungh! I…must…keep…rocking…this…block!

CRACK!

What was that sound?

How big of a crack did I just make?

Instead of small, slow bits of progress, am I about to start making large ones?

I can hear the voices outside, moaning in surprise and…apprehension? Do they fear the coming of my success?

I…must…push…harder! Oof!

CRACK!

That one sounded much bigger. I’ll be free soon!

Hey, there’s a big crack in front of my eyes now. I can see outside, and I can hear the people out there much better. Quite a crowd is gathering, making a lot of noise.

Unh! I’m…gonna…keep…on…shaking…this…thing–Oh! Until…I’m…free!…Aah!

CRACK!

“Don’t do it, Casey!” I hear a male voice warning me. “If you come out of there, you’ll only realize, without any doubt, just how worthless you really are! Just stay in there, and spare us all the irritation of your presence!”

No! I mustn’t listen to voices like that! They’re lying!

Angh! I’m…getting…closer…to…breaking…free!

CRACK!

A huge chunk of the marble just broke off! I can see all the people to my front! There are at least a dozen men and women watching me break out. Some, with worried looks on their faces, are shouting at me to give up. Others, with hopeful looks, are cheering for me!

(In fact, I remember when I had my very first doubt, I heard the voice of a woman trying to encourage me to break out. That might be her voice that I’m hearing now.)

“Come on, Casey!” a woman is shouting. “You can get out of there!”

“Shut up!” a woman beside her is saying. “Don’t encourage the imbecile. He’s dangerous. The coven warned us about him!”

Speak of the coven, and they appear.

Indeed, I can see the group of cloaked sorcerers approaching the crowd; these were the six men and women who encased me in this marble I’m almost out of.

Under their hoods, their shadowy faces are showing great fear. I find this most encouraging!

Nnhk! Gotta…shake…this…thing, and…get…out!

CRACK!

What’s this? A big piece of marble just broke off from behind me! I can turn my head, and I see the crowd from back there now!

The coven is chanting in their ancient, mystic language. I don’t know the meaning of the words, but I know the intention: to cover me in a new, hardened prison, and to make me feel unworthy of ever trying to free myself again.

I must…resist them…Urgh! I must…break out…

CRACK!

Though another piece broke off, a big one to my left, just under my cheek, I can feel a soft, liquid form building up to fill in these holes. I…must…push through them…before…they harden…and become…new marble! I’m…so tired…I don’t have…much strength left…

The coven’s chanting is getting louder and more intense. More of that liquid is filling in all the spaces. I won’t be able…to get out…before it hardens…

“Stop it!” a woman’s voice cries. “Leave him alone! Let him break free! Stop hurting him!”

“Shut up!” a second female voice shouts. “Let him be sealed up! He’s no good to us! He’s a danger! Can’t you see that?”

“No, he’s not!” the first woman shouts. “Free him!”

“The coven says he’s a danger to us all!” the second says.

“He’s a danger only to the coven!” the first says. Out of my half-open right eye, I see her running off. In my exhaustion, I’m barely conscious. She’s come back…with a pick-axe! She’s chipping away at the marble with it! She’s helping me! She’s freeing me!

With her help, I feel valued for the first time in my life. Hers must have been that first encouraging voice I heard so many years ago. Now I have the courage to keep trying. She’s given me new strength. Nnmph! Now…I…can…break…out!

SMASH!

Fiery light is flashing out of me in all directions, now that I’m finally free. My light is burning the coven to a crisp. They are screaming in agony as they slowly die. Their blind supporters are weeping to see my enemies destroyed.

They are but ash now, blown away by the wind.

I’m free, my helper is free…we’re all free.

Free of the coven’s power over us, as their supporters are beginning to realize.

My light is shining for everyone.

Even the coven’s supporters are realizing that I’m not without value.

I am the good that the coven tried to hide in marble. I am the beauty that they called ugliness, because it was they were were truly ugly.

All the people who were lied to about me are no longer ugly. They’re beautiful, too.

We’re all beautiful, and valuable.

We’re free.

False Families

False families are primarily concerned with their public image, as ‘virtuous,’ ‘upstanding,’ ‘admirable,’ ‘moral,’ and ‘loving.’ Maintaining this image is far more important to them than actually striving to live up to such ideals, since doing the latter is, of course, far more difficult.

One doesn’t just put on an act of virtue and goodness, while secretly knowing that one isn’t the good family member one pretends to be. These people lie to themselves as successfully as they lie to the public. Contemplating the truth is much too intolerable, an unbearable blow to their inflated egos; so they must convince themselves that the theatre of virtue put on is real.

Conflicts and feelings of resentment are inevitable, even in the best of families, but the better ones will at least try to resolve these problems as fairly as they can. Toxic families, on the other hand, will find ways of ‘resolving’ these conflicts so that they can maintain an illusion of blamelessness for most of the family, while projecting the unavoidable blame on one, or a few, scapegoat(s).

A healthy family will, paradoxically, acknowledge fault, blame, and ill emotional health in all the family members who are at fault in the conflict, and they will reserve judgement fairly and in proportion to how much fault each member involved has. A false family, or toxic one, or emotionally abusive one (whichever name you wish to use to describe them), will dump all or most of the blame on the scapegoat(s), while absolving of blame other family members who may bear much, if not most or all, of the blame, thus maintaining the illusion of family health for the majority of the members.

A false family has a black-and-white view of the family members. Generally speaking, and with at least relatively few exceptions, certain members are seen as largely good: the narcissistic parent (the ringleader of the toxic family structure) and his or her golden children, his or her flying monkeys. On the other side are those deemed largely ‘bad’: the codependent parent and the scapegoat(s) or identified patient(s). Any reasonable person would know that everyone is a lighter or darker grey between the good and bad extremes, but the group narcissism of the toxic family will admit to little beyond the black and white.

This is the kind of family that I had to endure growing up with. To be sure, I have plenty of glaring faults, but I hardly deserved to be scapegoated because of them. In fact, a reasonable argument can be made that the exacerbating, if not largely the origin, of most of my faults was because of the emotional abuse that I suffered under my parents’ mismanagement of the family.

I have already described in detail, in the links given above as well as such links as these, the whole story of how I was bullied, belittled, lied to, and subjected to gaslighting by my late parents and older siblings (my brothers, R. and F., and my sister, J.). If you have either already read some or all of those posts, or if you don’t care to do so much reading, Dear Reader, then please just go along with what I’m saying to you now: that my having gone NO CONTACT with the family for the past seven years (as of this post’s publication) has been perfectly justified, for the sake of protecting myself against being subjected to any further emotional abuse in the future, something guaranteed from those three surviving siblings. When trying to heal from C-PTSD, one cannot do so while in contact with any of the abusers.

One of the family’s chief rationalizations for bullying me and treating me with contempt is one of those glaring faults I referred to above: namely, my self-centredness (something supposedly based on ‘my autism,’ or really their distorted, outdated definition of autism, which is a mental condition I learned from psychiatrists that I don’t really have, but was rather one of my late mother’s many fabrications). As far as I’m concerned, only my wife has the right to complain of my selfishness (which was really the result of my alienation from an emotionally neglectful family), for unlike the family, my wife is truly selfless.

As I said above, the selflessness of a false family is just that…false. It is an outward show, meant not only to impress and fool the public, but also for the false family to fool themselves into thinking they’re genuinely good people. One only has to use one’s instincts, though, to realize that there’s nothing good about bullies and narcissists. Accordingly, highly sensitive people like me can see through the family bullshit, and they as a result get scapegoated…to protect the lie.

When my mother was dying of breast cancer, she was nonetheless healthy enough to tell me a slew of lies online (see the links above for details), after I’d already known of other lies of hers (e.g., the autism lie mentioned above). When you know someone has lied to you, you cannot trust the liar ever again–this is ancient wisdom. I, living on the other side of the world and already refusing to communicate with her for fear of more manipulating, had no way of knowing if the messages by phone or email about her dying were real, or just another fabrication to make me feel guilty and manipulate me into making a visit to Canada that I vowed never again to make.

My brother R. wanted me to phone Mom, who was in hospital and on her deathbed, to make regular phone calls and chat with her, something I absolutely didn’t want to do, especially given her ever-impenitent attitude. R. wanted me to put on a show of love, which I refused to do.

He later stumbled upon a YouTube video I’d made about seven years before her death, in which I bitterly recited “This Be the Verse,” by Philip Larkin. The combination of my refusal to call her with my recitation of a poem with a four-letter word made him (freshly grieving over her death) so angry that, instead of letting himself calm down and then later asking me, in the comments section, what Mom had done to make me so mad at her, he made a snarky comment to the effect that I’m apparently mentally “disturbed,” and that I should be ashamed of myself for not loving a mother who, apparently, “loved [me] more than anyone else on the planet.”

No attempt was made at an investigation to find out what happened between Mom and me: there was just an assumption that she was ‘all-good,’ and that I am ‘all-bad.” This is the typical attitude of the false family, which idealizes the narcissistic parent and his or her golden children/flying monkeys, and a further vilifying of the family scapegoat.

The way I acted at her death, combined with my continued enforcement of the NO CONTACT rule, is essentially the family’s motive for never trying to contact me since, save for two or three puny attempts by my sister J.–the number one golden child of the family, who is obligated ‘to love’ her younger brother (for the sake of a show of family virtue, remember)–to contact me by email, Facebook, and Twitter. I never responded to this hoovering, of course.

The thing is, for the great majority of the family, save J. and Mom when she was alive, there was never an interest in contacting me, with ever so few exceptions, for the whole time I’ve lived in Taiwan. R., my other brother F., and all the others have never needed my reaction to Mom’s death as a reason never to contact me.

In our family, the word love is meaningless; the words like and dislike, however, do have meaning. Love for them just means family obligation. While love is supposed to be unconditional (i.e., we can be mad at or resentful of family members because of certain faults of theirs, but we won’t stop loving them for that), this family is selective about whom they care about. R., F., and J., and their spouses and kids (minus any new scapegoats intended to replace me and my cousins) are loved and cared for because they are liked.

As for us scapegoats, though J. pays lip service to caring about me (and is convinced that her fake love is genuine, as was Mom), we could all rot in a leper colony for all R. and F. care. I grudgingly respect my brothers’ attitude to me, since at least there’s a dram of honesty in it.

I’ve known the truth of the above for years, but recently I’ve discovered further proof to consolidate the accuracy of my judgement of them. This new proof lies in their total non-reaction to the growing crisis between China and the US regarding my home here in Taiwan.

It doesn’t matter if the family believes the lies and propaganda being spewed from the mainstream Western media about China wanting ‘to invade’ the ‘nation’ of Taiwan, or if they know the truth that I’ve known, which is that the American government has been trying to provoke China into invading, the way the US and NATO provoked Russia for years into invading Ukraine. My home is in danger of becoming a war zone, in which my wife, her family, and I could suffer and die.

…and my ‘morally superior’ family hasn’t lifted a finger to contact me and offer to get us to safety.

[It is totally unfeasible for me to return to Canada, since apart from my estrangement from the family, my limited skill set–teaching English as a second language–will not find me much of anything in terms of employment there; the vast majority of such jobs, teaching immigrants, are presumably already snatched up. My wife and I moving to Canada would almost guarantee us a future of homelessness. In any case, I have high hopes that the American empire will crumble before it even has a chance of bringing about a war with China.]

Now, a number of objections to what I’ve said need to be addressed and put into proper context. I haven’t exactly made it easy for the family to communicate with me–such is the nature of going NO CONTACT. I blocked them, for example, from sending emails to me; and as I mentioned above, I refused to answer J. in her attempts to contact me through Facebook and Twitter.

That said, though, attempts to contact me are far from impossible. Since they know my internet/pen name, they could contact me here in the comments section. They could contact the Taipei Economic and Cultural Office, who in turn could contact me by email or phone. The family could phone me themselves! A simple Google search of Mawr Gorshin could bring up a slew of websites where I can be found, and if I never answer their messages, they can pester me over and over again until I finally relent.

It’s not that they can’t contact me. They just don’t want to.

Please don’t misinterpret my meaning, Dear Reader. I’m not saying that I want them to contact me…No! I’d find such attempts at communicating with me to be nothing less than triggering. But this isn’t about what I want: it’s about what they want.

If my mother were still alive, to her credit, she would have stopped at nothing to break through my defences and get to me. My siblings’ attempts have been less than feeble…and they imagine themselves better than I, a mere scapegoat.

The point I’m trying to make here is that this lack of a response proves that they don’t really love me. There is a continuity between this callous disregard for my safety here in East Asia, and back in the day when I was a kid, when F. used to spit on me and hit me, J. played disgusting games with me when I was about eight or nine, and these two and R. shouting one four-letter word after another at me, usually over minor things I’d done to annoy them.

It simply doesn’t occur to them that I am a human being, with a heart and feelings, who has the same basic rights as everyone else. I’ll bet that R. and F. would smile at the thought of me trapped in a war zone…those two fucking bastards! J. calls them ‘brothers,’ by the way. Anyway, all of this only further justifies my continued estrangement from them.

Another objection to the conclusions I’ve drawn is that the family may mistakenly believe that I’m dead (from Covid, presumably–a virus the vast majority of those having died from being either people in their 70s or 80s, or people who had other health problems, neither of which apply to me). After all, J. sent me her direct Twitter message around that time, and as I said above, I never responded to it.

Aside from the overblown media hysteria around Covid, though, why would my not responding necessarily mean I died? Does J. think someone hacked my Twitter account? All she has to do is follow me there, find my many blog articles posted there, and read some of them to know, by my idiosyncratic writing style (and photo at the top!) that it’s really me. My politics have changed radically since the days when we were still talking to each other, but changing one’s political opinions (in my case, from centre-right to hard-left) is surprising, but far from impossible.

But again, this issue leads back to my argument before: if they really need to know if I’m alive or dead, they can just keep pushing and nagging online until I finally respond, or get the Taipei Economic and Cultural Office to contact me. If I’m dead, have they received proof of it? Did they get a death certificate? Has a corpse been produced?

Merely assuming I’m dead is just an excuse not to try to find out for sure. Again, it’s not that they can’t find out for sure. They just don’t think I’m worth the effort…these people who routinely bullied and belittled me when I was a kid, who deliberately undermined my ability to develop self-confidence, and whom Mom never reprimanded for it.

…and it justifies my estrangement from them all the more.

Their reason for not loving me is not because of my faults: everyone has faults, but some people’s faults are put under a magnifying glass (mine and my cousins), while others’ faults are swept under the rug (R.’s, F.’s, J.’s, and our parents’). It’s a vicious double standard, and it’s proof that my family is a false one.

Now, what I want to say to you, Dear Reader, is that if you find yourself the scapegoat of a false family, know that it’s not your fault that they don’t love you (though they may pretend to); it is their fault. They are supposed to love you, and it is their failure, not yours, that they don’t truly love you.

So give yourself heaps of love, to compensate for what they so cruelly denied you, because you’re worth it.

[Postscript: If by chance any of my elder siblings, or anyone else in the family back in Canada, should contact me here in the comments section, my response would be a quote I heard from my condescending sister decades ago: “You’ve left it a little late, haven’t you?” The US has been banging the war drums against China for years now. It’s been a hot item in the news for at least about a year, since Pelosi’s provocative visit to Taiwan last summer…and only now do they contact me, if they ever plan to?]

The Highly Sensitive Person

In previous posts, I’ve discussed how I suffered emotional abuse at the hands of a family whose members have had, in varying degrees, narcissistic traits of at least significant, if not pathological, levels. Because of my trauma, I as a child acquired a number of dysfunctional habits, including maladaptive daydreaming.

Instead of feeling empathy for me, and using such empathy to direct and motivate her towards getting to the root cause of my problems, my mother–the head narc of the family–claimed that psychiatrists who’d examined me diagnosed me with autism. Now, she’d described this “autism” in such extreme language that I find totally implausible. She claimed that the psychiatrists who’d examined me as a little kid had said I was, apart from being autistic, mentally retarded and that I should be locked up in an asylum, throwing away the key!…and by a “miracle from God,” I grew out of this extreme mental condition!

Combining the above with observations made by two psychiatrists I saw a few decades later, each of them concluding after examining me over a period of months that there were no signs of autism in me, and with far-too-low scores I got on the “Autism Quotient” test, I can say that my mother’s version of events were, to say the least, totally unreliable. To say the most, she was outright lying to me.

That she was lying to me I find to be the only logical explanation for her claims; the purpose of the lies was, as I see it, not only to project her own narcissism onto me (she tended to go by an old definition of autism as meaning ‘excessively self-absorbed,’ like narcissism), but also to avoid taking responsibility for the effects of the childhood bullying I’d suffered, at its core, from my elder siblings, against whom I, as a little boy, was helpless in a power imbalance.

In other words, the autism label was meant to indicate that I was ‘born that way,’ rather than correctly describing my maladaptive childhood habits (self-isolation, talking to myself, etc.) as trauma responses, as attempts to self-soothe and ease my anxieties. In point of fact, my real mental condition is C-PTSD, brought on by all that emotional abuse, bullying, belittling, and gaslighting.

Now, as true and valid as all of the above is, it doesn’t mean that I can’t locate any source of these dysfunctional behaviours as my having been ‘born that way.’ I’m convinced that there’s a particular, innate psychological condition that I have that’s contributed to these problems of mine in a significant way.

I am a highly-sensitive person (HSP).

I consistently get high scores on HSP tests. HSPs react more intensely to external stimuli, including discomfort and pain, than the average person. We’re also more empathic that most people (though being an empath and an HSP aren’t necessarily the same thing); we tend to internalize what’s around us more, including criticisms. Bullies can smell such traits in HSP children, and they’re quick to take advantage of our disadvantage.

Narcissistic mothers tend to make their sons and daughters play roles: the golden child (my elder sister, J.), the lost child (arguably, my elder brothers, R. and F.), and the scapegoat, or identified patientme. The narc mom chooses her golden children and other flying monkeys (all three of my sibs) based on how well they’ve learned to please her, or to give her narcissistic supply. She chooses her scapegoat based on how much narcissistic injury and rage the kid(s) cause(s) her.

Very often, that narcissistic injury and rage are caused not so much by how blunt or sassy the child is to her, but rather by that child’s display of qualities the narc mother knows she can only fake: sensitivity, empathy, and a sincere wish to confront and do away with wrongdoing, which includes phony displays of virtue…a narc’s special talent.

You see, the thing about the scapegoat, or identified patient, or black sheep–whatever you want to call the unfavoured family member–is that this person is the one who can see through all the family bullshit. He or she has the sensitivity to be able to tell the difference between real and fake love. For if the charade of love that is performed before our eyes is real, then why do we scapegoats get so short-changed?

It’s not as though we have a monopoly on human fault: the golden and lost children have plenty of faults of their own; but a double standard is clearly at play here–the flying monkeys’ faults are usually swept under the rug, as are the narcissistic parent’s faults, while those of the scapegoat are put under a magnifying glass. Not exactly fair, is it?

I’m not denying that I have faults; I have a whole slew of them (just ask my wife). The problem is that the family treated my faults as if they were the essence of who I am, rather than something that I have, just a few facets of the totality that I am, among other facets raging from neutral to quite good. And when you focus on the negative in somebody, you bring out that negativity all the more.

The scar to the narcissist’s ego, at the sight of the empathy and sensitivity of the target of his or her rage, comes from envy. The narcissist can’t bear to see another with virtues that he or she can only pretend to have, and narcissists are known for envying others, while imagining that others envy them (i.e., this envy is projected onto others). Hence, the narcissist feels a consuming need to destroy those virtues in the target, to create the illusion among everybody that the sensitive person’s empathy doesn’t exist.

Remember that in the narcissist’s world, appearance and reality are confused, swapped, even. So if the narc can make him- or herself look kind, generous, thoughtful, and altruistic to the public, while making the HSP seem self-centered and indifferent to the suffering of others, then he or she has come as close to reality as needed. One of the crucial manipulative tactics that the narc uses is projective identification, which goes beyond usual projection’s mere imagining that one’s own traits are in others, but which manipulates others into manifesting those projected traits, creating the illusion that the others really have those traits while the narc never had them at all.

I believe that my mother, with her flying monkeys’ help, did this kind of projecting onto me…and she did it with remarkable success! Any inclination in me to want to help others, or to connect with others, was crushed in me, suppressed, denied, and discouraged. To allow me to demonstrate such inclinations would make me step out of my assigned role as family scapegoat; I’d no longer seem “autistic,” and Mom couldn’t tolerate that!

When someone believes that he or she has this or that kind of personality, he or she will behave accordingly. To ensure that I behaved in a self-centered or uncaring way, Mom had to drill into my head the belief that I have such vices. So instead of telling me that I needed to change from my selfish ways, she just said that I am selfish…as if the vice were an absolute, unchanging trait in me, never to be corrected.

If I tried to do good, the family would twist things around so it would look as if I meant to do wrong. I’ll give a few examples, stories I’ve discussed before (links above), but I’m repeating them here to illustrate this point.

Over thirty years ago, it was my mother’s birthday, and I was having difficulty finding a suitable gift to buy for her, so I was late with it. My good intentions would have been clear to her and my sister, J. (I’d spoken to them of how I’d searched all over the city, with no luck), but J. decided to act as though I’d made no such efforts. After all, only the physical appearance of a gift matters, not the thought behind it. And besides, J. had to demonstrate as the golden child that, by having given Mom a gift on time, unlike me, the scapegoat, she was a better daughter than I was a son.

I gave Mom a birthday card, which she received warmly. I was anxious to buy her a gift as soon as possible, so as to avoid being late with it (it was her birthday that very day!). J., however, decided to interpret my intentions as me just wanting to get the buying over with, so I could enjoy the rest of Mom’s birthday as a “me-day,” to use J’s words (actually, since J. had already given Mom a gift, she was now free to get together for a dinner date with a woman-friend, to have a “me-day” of her own!).

I went to J. and joked about the card I bought Mom as a kind of “down payment” on her gift, since Mom warmly said she didn’t mind the gift being a little late. But J. got all snooty with me for being late with it, and this provoked me into getting into a fight with her. In response to J.’s ‘Thou shalt not be late for Mom’s birthday’ attitude, I inadvisably said, in all sarcasm, “…and a birthday is this god we have to worship!”

I meant this remark not out of disrespect to Mom, but to point out how needless J.’s insistence on standing on ceremony was. Nonetheless, Mom, overhearing what I’d said, took my words as disrespectful, and she blew up, shouting a barrage of four-letter verbal abuse at me. I immediately realized my verbal faux pas, and fell over myself trying to apologize, saying I never meant to hurt her…to no avail, of course.

Looking back on what happened, I have the creepiest suspicion that both Mom and J. had set me up to be the scapegoat for a forgetting of the birthday that, in fact, Dad and my brother, F., had actually forgotten. You see, J. had known that I was trying to find a suitable gift, since I’d asked her a night or two before Mom’s birthday what I should buy. J. knew I’d never forgotten, but she acted as if she thought I had.

And how could Mom have gone from a whisper to a scream like that, from so warm to so psychotic–so quickly? I suspect that Mom, in a private conversation with J. prior to the incident, lied to her about me ‘forgetting’ along with Dad and F.; and J., like a good flying monkey, just went along with the charade, because Mom wanted her to do so.

Another occasion when my good intentions were twisted into bad ones was when–again, about thirty to thirty-five years ago–all the staff of my parents’ restaurant, Smitty’s Pancake House, closed it up on a Saturday or Sunday afternoon (Mom and Dad were on vacation at the time) because some fumes…or something, I don’t quite remember now…were making the cooks too sick to work. F. came home that day and asked me why Smitty’s was closed. I simply explained what happened, matter-of-factly.

Apparently, I should have answered his question with all manner of histrionics, for F. told me that the way I’d answered his question sounded as if I didn’t care about the sick staff. His claiming that I don’t care about anyone but myself had been his favourite excuse to bully and harangue me at that time (i.e., over those past several years), and the fact that it was much more of an excuse to attack me than a legitimate complaint of my faults was made nakedly clear (not that he’d have ever noticed, let alone admitted to, it) in this choosing to hear my reaction as ‘uncaring,’ as opposed to my simply answering a question.

Since when did my answer even need to be ‘caring,’ anyway? Was my ‘caring’ going to help the staff recover faster, or something? F.’s constant bullying of me when I was a little kid, with virtually never any defence of me from the rest of the family (with only a few ever-so-rare exceptions from my parents), indicates that the family rarely cared about me in any meaningful way beyond the bare minimum (i.e., feeding me, clothing me, giving me shelter). Such a lack of caring is called childhood emotional neglect; this, combined with the emotional abuse I was suffering from all five of them, taught me that the world is an unsafe place, that hell is other people (I’m misusing Sartre‘s dictum on purpose here, though his original meaning applies to my situation, too), and that self-isolation was the only way I could feel safe.

…and if I was uncared for, then the family shouldn’t have been surprised to see me return that uncaring attitude to them.

Even still, I tried at times to be caring to them, even when they’d continued to hurt me. After J. made it clear to me that she didn’t approve of my marrying the truly caring person who is now my wife (indeed, Judy is the best thing that ever happened to me), I’d been loath to forgive J. for not keeping her disapproval to herself. Nonetheless, when I heard that J.’s husband was terminally ill with cancer, I allowed my ability to feel empathy and compassion to overrule my anger.

I offered to make a flight back to southern Ontario (I’ve lived in East Asia since the summer of 1996) to see J. and her husband one last time. Had I done it, paying for the trip would have broken the bank for me, but I was still willing to do it. This was in the mid-2000s.

The family should have been encouraging of me to do this selfless act…if selflessness is really what they wanted of me. Instead, Mom e-mailed me, telling me not to come, out of fear that my “tactless and insensitive” nature would have resulted in me putting my foot in my mouth in front of J.’s then-emotionally-vulnerable husband, agitating him.

I was furious at this rejection; yet, instead of simply admitting that she’d made a bad call, Mom continued to rationalize her arrogant position with the usual references to “my autism” (or Asperger syndrome, as she now liked to call it), all to make me feel further alienated from the family. Note how neither she nor the rest of the family ever considered, let alone took any responsibility for, causing the very alienation that has made me so cold to them ever since.

And since, as I explained above, the autism story had to have been a lie, Mom’s basis for rejecting my attempt to show solidarity with the family was also built on a lie. Another thing we must remember about narcissists and their relationship with the HSP as family scapegoat: since narcs are pathological liars, they will be paranoid of anyone exposing them as such. HSPs abominate liars, so narcs know that, in order to protect themselves, they must do a kind of preemptive discrediting of the HSP.

I’m convinced that my mother did exactly this to me behind my back, and that this discrediting, in the form of smear campaigns, triangulation, and divide and conquer, is the real reason that I, as the family scapegoat, never got along with Mom’s flying monkeys, my three elder siblings.

Her constant bad-mouthing of her youngest nephew, my cousin G., is what makes me believe she did the same to me. One time, during a phone call I had with her about a dozen years ago, when she was giving me a flurry of G-bashing, she raised her voice in an angry crescendo and claimed that G. must have had Asperger syndrome…exactly what she insisted I have. This disorder was meant to explain how G. is so ‘unlikeable’ (he’s a bit awkward, to be sure, but he’s nowhere near as bad as Mom characterized him). It’s not a leap of logic to assume that she was using “my autism” to tell the family that I’m similarly unlikeable.

As her health was deteriorating in the mid-2010s, she pulled more of her malignant, manipulative crap on me, in revenge–it’s safe to assume–on me for not ever wanting to communicate with her during the first half of that decade. (The above links give the full story, if you’re interested, Dear Reader.) I’ll try to make this brief.

In a series of emails and one phone call, Mom made a number of assertions that ranged from “Why should I believe a word of this?” to “That is most unlikely,” to “That couldn’t possibly have happened,” making all of it dubious in the extreme. And this was after I’d already established an understanding of her as a habitual liar, and not just about the “autism” story.

I told her so, most bluntly in an email explaining why I didn’t want to fly over to Canada to visit her. Predictably, she pretended not to know what I was talking about when I’d accused her of “Lies, lies, and more lies” in my email. Predictably, she made me out to be the villain and herself out to be the innocent victim when discussing my email to the family, who–predictably–believed her every word without question.

Well, of course the family believed her every word without question: they’d been conditioned to for years…decades!…to discredit any observation I made about anything that didn’t jive with their preconceptions about the world. Mom had preemptively discredited me, so my accusation of her lying wouldn’t be given a millisecond of consideration by them. Mom may have been dying, but her reputation was safe.

With her death, in the spring of 2016, the hope of a confession from her similarly died. Her last words to me, spoken on her death bed over the phone to me, were all about how my accusation “hurt” her (translation: caused her narcissistic injury–note how she was permitted to refuse a visit from me, but I wasn’t permitted to refuse visiting her), none about how the truth and validity of what I accused her of had hurt me. She didn’t even try to be fair, and acknowledge that there were many times in my life that she’d hurt me, and that she was sorry for that; instead, I got a pity party about how much of a bad son I was, and to add insult to injury, she congratulated herself on what a ‘good mother’ she’d been, apparently having given me “the most love,” of my siblings and me…during those very years (just before and around my pre-teen years) when she’d contrived the autism lie!

In short, she dumped a huge guilt trip on me while pretending she’d never done me any wrong–classic narcissism. Here’s the thing: if I’m so ‘uncaring’ of other people, why dump all this grief on me? It would make no difference to me–I’d just shrug it off, easily, wouldn’t I? The fact is, the family all know that I internalize all the abuse they ram down my throat–they know I feel the pain. The whole purpose of dumping that guilt on me is to manipulate me into doing what they want me to do, to control me…or at least to try to control me.

I feel so hollow now, so empty, the shell of what I once was, or could have been. Such is what narcissistic abuse does to victims: the vice of narcissism is projected onto the victim, who is fully misunderstood. We are made to live a lie of the narcissist’s making. It’s a terrible feeling, knowing your family doesn’t truly love you, that their ‘love’ was all an act, to make themselves look good publicly, or just family obligation.

Still, I can’t go on just feeling sorry for myself. The damage has been done, but there’s no one out there to do the repairing for me, so I’ll have to do it all myself (I don’t have the money for therapy.). I’ll have to find that sweet, sensitive little boy inside me, buried deep down under all of this pain.

Since I follow the Freudian (actually, post-Freudian) school of psychoanalysis, I don’t usually go in for Jung‘s ideas, but there is one of his that I’ve recently been interested in: his notion of the Shadow. As a result, I’ve been looking into what’s called Shadow work as a form of therapy to confront all this repressed trauma and self-hate, and therefore to heal me.

Since I assume, Dear Reader, that you’re reading this blog post as part of an exploration of the problem of narcissism to heal your own emotional wounds, then I hope that what I have to say here about Shadow work will help you find resources in your own healing journey.

There are so many different ways to describe what Shadow work is, and how to do it, that space doesn’t permit me to go over it all in encyclopedic fashion, but I can give you a basic idea of what it’s about, if you aren’t yet familiar with the concept.

According to Jung, we all have a Shadow aspect to our personalities, a dark, unpleasant side that we try to hide because it includes shameful and traumatic elements. We try to repress it, but we mustn’t; for after all, what is repressed returns to consciousness, though in an unrecognizable form…and this return of the repressed can come in quite nasty, regrettable ways. This repressed, ego-dystonic material must be confronted if we are to heal–Shadow work is this confrontation.

There are many ways to do Shadow work. The most common ways include journalling every day, putting our trauma into words. Other ways can include expressing your pain through art or music. Meditation is also helpful, including EMDR therapy…and there are lots of YouTube videos on these subjects. One of the websites I added a link to above recommend having a ‘dialogue’ with one’s Shadow: asking it questions and listening for answers in a contemplative silence. What’s most important is feeling that pain again (though not overwhelmingly so, of course!), as scary as that sounds, for the only way to heal is to process the trauma properly.

If you don’t feel that pain, you’ll try to repress it or project it, as my family did onto me. I’ve already explained the catastrophic results of that.

Clouds

Sometimestheskiesaresogreyandthe
cloudsaresothickthattheyseemlikethe
fogmachineBromdencomplainedofYou
can’tseeathingyouarefrightenedandblind
Willyoueveragainseethelightandtheblue?

Then, one day, you’re
surprised by some hope, for
instead of one infinite blanket of
grey, you see broken-up clouds,
with blue holes and white rays.

The grey breaks
up some more,
the blue widens, and
the sun smiles
her light.

Now,
the clouds
are just small spots
of ever-so-slight
imperfection.

The
blue
gleefully
rules,
and

the
sun
enkindles
our
joy.

No

more

grey

’til

the

next

rain

is

on

us.

Analysis of ‘One Hour Photo’

One Hour Photo is a 2002 psychological thriller written and directed by Mark Romanek. It stars Robin Williams, Connie Nielsen, and Michael Vartan, with Gary Cole, Eriq La Salle, Clark Gregg, Erin Daniels, and Dylan Smith.

One Hour Photo was both a commercial and a critical success. Williams’s performance earned him a Saturn Award for Best Actor.

Indeed, it was gratifying to see him in a dramatic role for a change, finally going against his usual typecasting as a zany character in such superficial, feel-good films as Patch Adams and Bicentennial Man. In playing a mentally-ill man in One Hour Photo, Williams demonstrated the range of his acting talent; if only he’d done roles like Seymour “Sy” Parrish more often.

Here is a link to quotes from the film.

Sy is a lonely photo technician in a one-hour photo in a big box store called Sav-Mart. He has no family, friends, or partner. He values his job above and beyond anything else in his life, believing he’s providing a “vital service” to his customers in developing quality photographs. This job gives his life meaning in the absence of loving human company.

Photos are of extreme importance to him for reasons to be discovered in full by the end of the film. At the beginning of the story, he idealizes photography, insisting that one takes pictures only of the happy moments in life, never the sad ones. By the end of the film, though, we discover that this idealizing of taking pictures is a reaction formation against the fact that, as a child, photos were taken of him in extremely unhappy, traumatizing circumstances.

He also points out that no one takes pictures of the banal, mundane, “little things” that we don’t normally pay attention to…yet at the end of the film, after he’s revealed to Detective James Van Der Zee (La Salle) the source of his trauma, we see his recently-taken pictures of such banal things as the objects and furnishings of a hotel room. It seems that, with these pictures, he’s sublating the thesis of happy photos with the antithesis of traumatizing ones.

The trauma he suffered as a child was to have been exploited as a participant in child pornography photography, exploited by his own parents. This trauma explains his loneliness: his parents betrayed his trust at such a tender age, and so he has distanced himself from them. Since one’s primary caregivers are, as internal objects, those blueprints, so to speak, for all subsequent relationships in life, this alienation from one’s parents tragically leads to social alienation in general.

Still, Sy must try to pull himself together, to rebuild some sense of psychological structure, since with such extreme trauma as he’s suffered, the threat of psychological fragmentation is never far away. Heinz Kohut‘s model of the bipolar self is useful for understanding Sy’s personality. One pole is that of the grandiose self, which we see in the pride Sy takes in his photo developing. The other pole is that of the idealized parental imago, which he can’t get from his own parents, of course, so he has to do a transference of them onto the Yorkin family.

Nina (Nielsen) and Will Yorkin (Vartan) are Sy’s idealized mother and father transferences, and their son, Jake (Smith), represents the kind of happy boy Sy wishes he had been when he was a kid. His idealizing of the Yorkin family comes from all the ‘happy’ photos he has developed for them over the years…while keeping a copy of each one for himself to put up on a wall in his apartment, too.

This wall of Yorkin family photos is Sy’s altar, so to speak, where he can worship his idealized conception of the family he wishes he had. The photos, as idealizations, are collectively a metaphorical mirror reflecting his love of them back to himself. This ties back to his job as a mirror of his grandiose self.

Recall the scene of him in front of the bathroom mirror in SavMart, where he looks at himself, and words on the glass remind him and all other staff to “check [their] smile” at work. He internalizes this capitalist ideal for the worker, and so it becomes his Lacanian ideal-I. This ideal-I is extended to photographs in how he takes Nina’s camera and, not wanting to waste a shot, takes a picture of himself for the Yorkins to add to the family photo collection. His ‘selfie,’ as it were, is a metaphorical mirror adding himself, “Uncle Sy,” to the Yorkin family.

These images, frozen in time, of the Yorkins on Sy’s apartment wall are thus, as a collective metaphorical mirror, Sy’s reconstruction of the Imaginary, his need for narcissistic acknowledgement and recognition. “Man’s desire is the desire of the Other,” Lacan once said, a desire to be desired by other people, for recognition from other people. This is what Sy needs from his idealized conception of the Yorkins, and this is why he obsesses over them.

His idealization of them is, of course, an illusion based on wish-fulfillment, for the Imaginary Order, established by the infant when seeing itself in front of a mirror for the first time, gives form to an illusory ego. As a narcissistic psychological state, the Imaginary’s setting up of the illusory ego, the ideal-I one strives one’s whole life to live up to but ultimately never succeeds at, is seen in an extreme form in Sy’s idealizing of his job as a “vital service.” His job is his narcissistic False Self.

Another part of his False Self, a defence against fragmentation, is his persona of mild-mannered innocence (a defence against the molestation he suffered as a child), given physical, symbolic expression in the predominantly white and light grey colours we see him wearing. This whitish innocence is extended to his light blond hair (we can see how dark-haired Williams most obviously dyed his hair, to the point that it seems as if Sy dyed his, too) and the whites and light greys of his apartment and car, as well as the predominant whites and light greys of SavMart, his idealized place of work.

When he leaves SavMart to go home one night, though, we see a greenish-yellow light (colours of envy and jaundice) as he goes to his car, the windshield glass of which is smashed. This reflects the bitter reality of his life, which hides behind his idealized fantasy world.

Like Lacan, Buddhists understand that the self is an illusion, for the world is too fluid, transitory, and impermanent to include the existence of permanent souls or egos. Sy’s False Self is just such an illusory ego, and those frozen moments in time, his photos of the Yorkins, are also such illusions, making us forget about the eternal flux of life.

He’s nowhere near as good at his job as he imagines himself to be, not by his boss’s standards, or by any reasonable standards. The photos he gives Nina early on in the film are larger than what she wants, and the SavMart manager, Bill Owens (Cole, who here plays a kind of serious version of Office Space‘s Bill Lumbergh), is full of complaints about Sy.

In Sy’s obsession with the Yorkins, his collection of copies of their photos means he’s printed far more photos than have been ordered and paid for, a discrepancy that Bill cannot tolerate. Sy has also spaced out on the job, taken ninety-minute lunch breaks, given Jake a free disposable camera for his birthday, and had a loud altercation with the repairman for the photo developing machine, an altercation heard by the customers all over SavMart.

While some of Bill’s complaints reflect real faults of Sy’s work performance, others reflect the kind of conflict between boss and employee typical of what Marx described in his theory of alienation. Sy’s job is practically a religion for him. It gives his life meaning, it’s part of his species-essence; whereas for Bill, Sy’s mundane job is just one among many to be overseen in SavMart; Sy should just do it right and not make waves. Bill’s pragmatic attitude to Sy’s job-as-mission thus alienates Sy from his species-essence, which only adds to Sy’s alienation in general.

Bill fires Sy, which devastates him because not only can’t he do the Yorkins’ pictures anymore, he’s also lost one of the two poles of his self that give him psychological structure–he’s lost his grandiose self, that False Self of the photo developer performing a “vital service” to customers like his idealized Yorkins.

Sy has been a victim of capitalism through his conflict with Bill as described above, and he was a victim of it as a child when exploited and commodified by his parents through kiddie porn photography. The commodification of photos links both experiences for him in how photos are fetishized commodities. The customer sees the finished product and pays for it, but he or she doesn’t see the process the workers went through to produce the commodity.

In the case of kiddie porn photography, the drooling pervert masturbating to the disgusting pictures sees only the fantasy that’s presented in them; he doesn’t take note of the pain and fear in the naked children’s eyes as they’re forced into doing the shameful things they do in front of the camera. Similarly, and in reverse fashion, though Sy is the seller, not the buyer, he sees only the happiness of the Yorkins in their photos; but he knows nothing of the very real problems in their far-from-ideal family. Of course, he’ll learn of those problems soon enough.

When Maya Burson (Daniels) shows up at SavMart and gives Sy her photos to be developed, he recognizes her from somewhere (actually, in one of the photos in his Yorkin ‘altar’). He later flips through them and discovers some of her with Will Yorkin, having an affair. His whole image of the ideal Yorkin family has been shattered. The other pole of his self has been compromised. He’s now in danger of fragmentation.

Because of the extreme abuse he suffered as a child, Sy would have engaged in the defence mechanism of splitting from right back in those early years. This means that, instead of regarding his parents in the normal way, as a complex combination of good and bad traits, he’d have seen them as just the bad father and bad mother. No grey or white, only black.

Sy nonetheless needs to believe in the idea of the good father and good mother, for the paranoid-schizoid position that he feels himself permanently trapped in demands a white, or at least light grey, area to counterbalance the black area that he cannot deny.

This counterbalancing is what the Yorkin parents are meant to personify in Sy’s fragile inner mental life. Other ways in which he tries to achieve this white counterbalance include the old black-and-white photo of the pretty woman he buys; significantly, he later shows it to Nina, of all people (the good mother of his transferred idealized parental imago), telling her that this woman is his mother. This would be the good mother meant to offset his emotionally neglectful bad mother, who allowed Sy’s bad father to take those obscene photos of him as a child.

His notion that photos are always of happy occasions, never of things we want to forget, is his white counterbalancing of those black photos taken of things that he most intensely wishes he could forget. All of this black vs white opposition is a reflection of his psychological splitting, the paranoid-schizoid position, as Melanie Klein called it. “Schizoid” refers to the splitting into absolute good and bad, or black vs white; “paranoid” refers to the fear that the rejected, bad internal objects will return to persecute Sy again.

Since Will has proven to Sy that he isn’t the good father Sy needs him to be, in his paranoid-schizoid mental state, Sy can regard Will as only the bad father. Of course, we the audience have known of Will’s faults almost from the beginning: we saw his argument with Nina about his emotional neglect of her and Jake. Since he rationalizes his preoccupation with his work at their expense (and there’s some truth to this, though he can carry this excuse only so far), we see again how capitalism contributes to the problem of alienation (i.e., he has to work to pay for everything to make his family’s life more comfortable).

His mistress, Maya, however, cannot be included in his excuses for not being as emotionally available to his family as he should be; hence, Sy deems him a bad father, and he scratches Will’s face off of all the photos on his ‘altar.’ Not only has Will become the bad father, though: photography for Sy has changed from being a white source of happiness to a black form of predation.

Indeed, Sy discusses the origin of the term “snapshot,” which he says wasn’t at first associated with photography, but with hunting–that is, quickly firing a snap shot from a rifle at an animal without taking the time for careful, preparatory aim. Sy’s camera has become his weapon, his gun…just as his parents’ camera was a weapon used on him as a child.

Now that Sy can no longer hide behind his False Self as the white-and-grey-clad, mild-mannered photo developer doing a “vital service” for customers he can no longer work for, and now that his system of white idealizations has been sullied by Will’s black adultery, Sy must face his own darkness, all that blackness inside himself that he’s been repressing, splitting off and projecting outwards.

First, he gets a little revenge on his former boss by taking predatory photos of Bill’s daughter. This taking of photos of her–though she’s fully dressed, playing innocently with her dolls, and is insouciant of any voyeuristic danger–nonetheless anticipates the revelation of, and cruel meaning behind, the photography of Sy when he himself was little and defenceless.

Since Sy can no longer use his grandiose self and idealized parental imago to shield himself from his childhood traumas, he must find a way to release and eject the emotional tension he feels from that trauma. A common way to do that is through projection, and projective identification, which ensures that those who receive the projections internalize and embody them.

So Sy steals a large knife from SavMart, a phallic symbol representative of the rapes he suffered as a child. He tracks Will and Maya down to a hotel where they’ve planned to have a sexual encounter, and there he’ll use his camera on them the way his parents used their camera on him: to shame the adulterer and his mistress by capturing their sexual encounter in a set of pornographic photos.

Sy not only forces Will and Maya to pose nude and simulate sexual acts; he’s also verbally abusive in the orders he gives them, behaviour diametrically opposed to his usual, mild-mannered False Self. This verbal abusiveness, it is safe to assume, is derived from the verbal abusiveness he as a child must have received from his photographer father. Sy must release all this pent-up pain by taking it all out on Will and Maya, by projecting it onto them.

After taking the photos, he leaves his traumatized victims and goes into a neighbouring hotel room he’s booked for himself. There, he lies on his back on the bed and looks up at the ceiling; he seems temporarily relieved, having gotten so much of that tension and pain off his chest.

He’s also taken photos of such banal things as a closeup of the rings on the curtain rod on his room’s shower curtain, as well as closeups of taps on the bathtub and bathroom sink. After all the good photos of the Yorkin family, then the bad photos of Will and Maya, he needs to take these neutral photos, to sublate the good vs bad dichotomy. This sublation is part of his healing shift from the black-and-white duality of the paranoid-schizoid position to the grey neutrality of the depressive position.

Switching from paranoid anxiety to depressive anxiety–the fear and sadness coming from losing our internal objects–is crucial for Sy’s healing process, and it’s related to the grey sublation of the black vs white mentioned above. The depressive position involves acknowledging how our caregivers are actually a complex combination of good and bad, and we must accept both the good and the bad in them. One must also mourn the abusive parents who failed us as children, our lack of good parents, as when we see Sy break down and cry when revealing to Detective Van Der Zee how he as a child was sexually abused.

Sy cannot see any good in his parents to counterbalance the bad, nor can he see any good in Will Yorkin. He can, however, still see Nina and Jake as good people (even though he’s frustrated to see her not showing anger at Will after seeing the photos of his affair with Maya). He also feels convinced that Van Der Zee must be a good husband and father. So these conclusions are enough for Sy to reconcile the good and bad in parents in general.

Now we can end the film with him looking at his banal photos of closeups of bathroom objects, their banality being his resolving of ideal vs shameful pictures.

Though called a psychological thriller, One Hour Photo actually has a rather sad tone, for though we would never condone what Sy does, we can’t help feeling empathy for him and the troubled life he’s lead. This kind of empathy, even for those who do ‘creepy’ things, is important for us to be able to heal collectively from all of our own traumas, for we all need to help each other process our grief. (Recall how Williams suffered from depression and committed suicide.)

‘Between the Divide,’ a Poem by Jason Ryan Morton

Here’s a new poem by my Facebook friend, poet Jason Ryan Morton, whose work I’ve looked at many times before. As usual, I’ll put his writing in italics, to distinguish his words from mine. Here’s the poem:

frenzied and lost
a shadow of what i was
lost in a second
fulfilled at any cost

the parallel lines
turn to parallel lies
I keep seeking the divine
but fall between the
divide

answers hurt to
questions unasked
i bathe in the glory
of a chemical axe
waging war within

that is a sin
as it goes beneath the
skin
to drown me deep within
and without
just another day that
passes far too quick

leaving me trembling
shaky and sick
what was a vision of
mortality
is now a passage of
doubt
and i’m lost again

too many yesterdays
still portraits
crawl with the rotten
stage
falling through my anger

and i just want to turn
the page
to burn the magazine
tie up all my aspirations
and burn the stage

winter is here and it is clear
i am not wanted here
too many disharmonies
to ever sleep without
fear

i close my eyes
and say goodbye
no more goodnights
no more lullabies

only the rage
the justifications
an empty gun
and a permanent
vacation

And now, for my analysis.

Jason is speaking of the struggle to find happiness, including spiritual enlightenment. We sense his frustration with the difficulty of attaining this in the first verse.

The “parallel lines” seem to represent, on top, the spiritual path of God above, and on the bottom, Jason’s attempt to emulate that path below, on the Earth. The problem is that parallel lines never meet, so try as he might, Jason cannot reach God, no matter how hard he may try to conform to the Christian way.

He learns soon enough, though, that those parallel lines are lies, an effective pun. The lie is the failure to attain spiritual enlightenment without “Christ,” which translates actually to not attaining it without first conforming to the catechism of the Church; hence his “seeking the divine,” and falling “between the divide,” another effective pun. The “questions unasked” of the Church, that is, the taboos of questioning and doubting Church authority, lead to “answers hurt.”

Other attempts to heal pain, the alternative of the “chemical axe/waging war within,” sound like the illusory euphoria of psychiatric drugs, with their chemical compounds: this medication never cures mental illness–it only keeps it under control. It “is a sin/as it goes beneath the skin/to drown [him] deep within.” The pills are “invisible handcuffs,” as Charles “Haywire” Patoshik (played by Silas Weir Michell) calls them in season one of Prison Break.

Realizing the hard truth of these false paths to happiness leaves Jason “trembling/shaky and sick,” “a passage of doubt/and [he’s] lost again.” Then there are his painful memories: “too many yesterdays/still portraits.” He just wants “to turn/the page/to burn the magazine,” to get rid of the past, to destroy all of it.

He feels the “winter” coldness of alienation and loneliness; he is “not wanted here/too many disharmonies.” He’d go to sleep and escape the cruel realities of daily, waking life; he’d “close [his] eyes/and say goodbye/no more goodnights/no more lullabies.” He feels “only the rage”…a rage brought on by “the justifications” of the Church that once betrayed him? He has “an empty gun” from having already fired out all of that rage.

His “permanent vacation” could be anything from indefinite disability leave to the dream of an eternal state of nirvana…or maybe even enjoying listening to Aerosmith!

The Seventh Poem from Jason Ryan Morton’s ‘Diverging Paths’

Here is poem #7 from Diverging Paths, the collection of writing by my Facebook friend, Jason Ryan Morton, whose poems I’ve looked at so many times before. As usual, I’ll be putting his words in italics to distinguish his writing from mine. Here’s the poem:

Staring through, 
The eye of the needle, Where is god now? 

Staring with perspective, 
At the death before me, Where is god now? 

Watching my life, 
Fall into pieces, 
Where is god now?

And now, for my analysis.

The beauty of this poem is in its brevity, which is the essence of well-written poetry. Three short verses, like the Trinity. Jason’s deliberate writing of “god” with a lower-case g reminds me of Christopher Hitchens‘s irreverent use of it in his book, god is not Great: How Religion Poisons Everything.

“The eye of the needle” reminds me of Mark 10:25, when Jesus said, “It is easier for a camel to go through the eye of a needle, than for a rich man to enter into the kingdom of God.” One of the reasons we cannot seem to find God, if He even exists, is that the rich are allowed, for the most part, to do whatever they want with impunity. How many more centuries do we have to wait for justice to be done, if He can dispatch it with omnipotent ease?

Faith can often blind us from perspective at all the death before us: deaths from war, disease, poverty, etc. Perspective helps us see beyond the lies and propaganda. Again, the poet asks where that divine personification of justice is.

Watching his life fall to pieces, the poet can be easily speaking for the millions of people in our world suffering trauma, abuse, and all the other injustices we see everywhere around us. Again, where is God now? God, as the personification of justice and goodness, is nowhere to be seen, and is needed now, more than ever.

If we cannot find this Supreme Being to be anything more than just a theoretical construct, a theory put into practice by a corrupt Church that has failed us throughout history, then maybe we need to take things into our own hands and fix the world ourselves, instead of waiting for an invisible man in the sky to fix it for us.

The Sixth Poem from ‘Diverging Paths’

Here I’ll be looking at Poem #6 from Jason Ryan Morton’s collection, Diverging Paths. Recall that I’ve looked at many of his poems in previous posts, if you’re interested in looking at some of those. As usual, I’m setting his words in italics to distinguish them from mine. Here’s the poem:

This isn’t real this is a dream, 
When I wake I swear I will 
Never sleep again, 
Every waking moment a sin, 
God knows I’ve tried, 
But I’m lost in this, 
Magick and emotion, 
Turning down the podium, 
To stare into the heresy, 
Spiral unreality, 
Shadowing in moments lost, 
A vision of Holocaust, 
Sadly no divine intervention, 
Only death, 
And God a blemish,

And now, for my analysis.

The speaker, I suspect, is someone other than the poet, since, though I know the poet to be someone going through some difficult times emotionally, I don’t think he’s experienced a psychotic break with reality, as seems to be the case with the speaker here.

The speaker seems to be rejecting both dream and reality as too painful to bear. By a rejection of all, I mean a refusal to take in and accept any forms of stimulation from the outside world, Wilfred Bion‘s beta elements. In Bion’s theory of thinking, raw sensory data from outside, initially irritating, has to be processed (through what Bion called alpha function) into detoxified material acceptable for thought (alpha elements). In layman’s terms, this means that emotional experiences have to be processed in order for the brain to cope with them. (Click here for more on Bion’s and other psychoanalytic concepts.)

If external stimuli aren’t processed and made into thoughts, one cannot sleep, dream, or even experience waking thought. Without this ability to process thought, one becomes psychotic.

Bion explained it thus: “If the patient cannot transform his emotional experience into alpha-elements, he cannot dream. Alpha-function transforms sense impressions into alpha-elements which resemble, and may in fact be identical with, the visual images with which we are familiar in dreams, namely, the elements that Freud regards as yielding their latent content when the analyst has interpreted them. Freud showed that one of the functions of a dream is to preserve sleep. Failure of alpha-function means the patient cannot dream and therefore cannot sleep. As alpha-function makes the sense impressions of the emotional experience available for conscious and dream-thought the patient who cannot dream cannot go to sleep and cannot wake up. Hence the peculiar condition seen clinically when the psychotic patient behaves as if he were in precisely this state.” (Bion, page 7)

I discussed this issue in my analysis of The Machinist, in which the main character, Trevor Reznik (played by Christian Bale), goes through a psychotic break with reality when he refuses to process his own emotional experiences, namely, his guilt over having hit and killed a child in a car accident, then driving away without taking responsibility. As a result, he doesn’t sleep for a whole year, descending into madness.

To get back to Jason’s poem, the speaker rejects what he’s experiencing, calling it a dream. He says he’ll never sleep again upon waking, since what he’s experienced is so intolerable, so impossible to process and turn into detoxified thought. Yet, “every waking moment [is] a sin,” so waking moments are as impossible to process as unconscious ones.

He’d rather be in a world respecting old ways and old gods, one represented by such archaic spellings as “magick.” Such an idealized world is one the speaker feels lost in, since it’s so much better than the painful one of today. He finds himself “turning down the podium” (i.e., not wanting to go up, be seen by an audience, and communicate with them). He’d rather “stare into the heresy” of an alternate reality not accepted by mainstream society (i.e., the Church), which is seen as “spiritual unreality,” but also the unreality of not wanting to face the painful, but real, world. “Moments lost” are shadowed-in traumas, that is, erased from memory, hidden in the darkness of the mind, repressed.

The pain of a trauma so severe that it must be rejected is seen as a “vision of Holocaust.” There’s “no divine intervention,” either of the Judeo-Christian or pagan kind, when psychosis has replaced coping with reality. So one experiences “only death,” and God seems to be only “a blemish.”

Note that “God” can represent an authority figure, like a stern father. So as a blemish, this harsh authority figure could be the root of the trauma that has caused the speaker to want to run away from painful reality, and to reject all stimuli and all thinking that makes a connection with the world possible.

That way madness lies.

What Love Is (And What it Isn’t)

I: Introduction

No, Alannah Myles, it isn’t what you want it to be.

I’m no expert in the art of loving, and I’m far from practicing it ideally myself, but I do know it’s something more specific than “what you want it to be.” Love isn’t just a sentimental, ‘nice’ word that we can throw around any way we like. It actually means something.

I believe it’s potentially dangerous to toss this word around like a panacea to any relationship problem. We can’t just say, “I love you,” or “We love you,” and expect conflicts in families or with intimate partners to be resolved, as if those three little words were like saying, “Abracadabra.”

Again, I’m not anywhere near giving the final word on what love is, or how it’s to be properly given; but there are some fundamentals that are indispensable. I bring up the issue because narcissistic and other toxic people tend to sidestep these fundamentals:

  1. Love is accepting people as they are, and not demanding that they conform to how one ‘should be.’
  2. Love is wanting what is right for you and actively trying to help you achieve that, not wanting what I merely claim is what is right for you.
  3. Love is speaking well of you and focusing on the good in you, not speaking of and focusing on the bad, or merely speaking of loving you to make oneself look good.

There are other things one could mention, to be sure, but I’d like to focus on these three, since as I said, narcissists and other toxic types don’t do these three, while hypocritically claiming to be loving.

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II: Accepting People as They Are

While those who love you may need you to change certain aspects of yourself because they’re genuinely bad for you (drug abuse, alcoholism, criminal behaviour, etc.), these people don’t go around trying to mould you into what they’d like you to be: a mirror of their narcissistic selves.

A narcissistic parent, for example, may manipulate his or her children into conforming to particular roles, like the golden child, the lost child, or the scapegoat. My late, probably narcissistic mother (she was never diagnosed) did such manipulating of my elder siblings and me.

I’m sure that Mom rationalized her tactics by imagining that my sister, J., as golden child was merely being guided into being the best version of herself that she could be. She also would have justified her making of me into the identified patient (through a bogus labelling of me as autistic, or having Asperger Syndrome) by claiming that identifying what’s ‘wrong’ with me will be the first step to helping me get ‘better.’

The point is that neither J. nor I should be what our mother merely wanted us to be–in J.’s case, an idealized version of our mom, and an extension of Mom’s narcissistic self; and in my case, a projection of everything Mom hated about herself. J. and I should simply be ourselves.

And because Mom tricked J. into being her notion of the ‘ideal daughter/sister/mother/aunt,’ tricking her into thinking that that manipulation was for her own good (i.e., a form of love), J. tried to make me into her idealized version of a younger brother, thinking that doing so was also an act of love. It was nothing of the sort.

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III: Wanting What is Right for You

Granted, even the best and most loving of families and other relationships will have their share of frustrating moments. Sometimes, what they think is right for you is at odds with what you want or know to be right for yourself; sometimes, they are utterly wrongheaded in thinking that this or that is right for you, in spite of having the best of intentions.

But at least these loving people have good intentions!

They aren’t trying to drag you down, they aren’t subjecting you to emotional abuse, and they aren’t using the most vicious of tactics, as a habit, to express their own frustrations with you. When the bad moments inevitably happen, when the fights happen, you are assured that there will be apologies later, and there will be far more good times with them, affectionate times, to compensate for the bad, and by a wide enough margin to render those bad times insignificant in comparison.

If, for example, you were being bullied at school when a kid, your loving elder siblings would have wanted to help you build up the courage to stand up to those bullies, and they would have done all they could to help you. They certainly wouldn’t have jumped on the bullying bandwagon and reinforced your sense of learned helplessness, as my two older brothers, R. and F., did (J., too, in spite of her claims to want to help me with such problems)!

Elder siblings helping you learn to assert yourself would include them actually listening to you assert yourself when you need to tell them they’re angering you. They won’t just pay lip service to how you should fight back, then when you try to do so, they double down on their own bullying and silence you, because they’d only intended for you to stick up for yourself against bullies other than them.

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J. used to be hypocritical with me in this way, when preaching that I should be assertive and tell her, R., and F. off when they were giving me a hard time. But when the time came for me to stand up to her, did she step back and listen? Virtually never. Instead, there was usually some excuse why ‘now’ wasn’t the right time to speak up. Apparently, I was too late with it; apparently, there’s a time limit for asserting oneself. One should speak up more or less immediately, in her opinion. (No logical reason was ever given for the need to be so quick with one’s sticking up for oneself, of course. It was just manipulation on her part to silence me with her ‘speak now, or forever hold your peace’ tactic.)

Wanting what’s right for you also includes wanting you to grow into the best version of yourself. Well-intentioned parents, for example, might occasionally speak inadvisedly, and accidentally say things that hurt their children. But how is a mother telling her adolescent son that he is “only good at things that don’t make money,” spoken calmly and matter-of-factly, an accidental comment? My mother once actually said that to me when I was a teen.

Similarly, back in the mid-1990s, when I, in my mid-twenties, told her that two psychotherapists, each of whom I’d been seeing over a period of several months, told me they saw no autistic symptoms in me, she seemed rather unhappy about the news. After arguing with her over a lengthy time that doubt had been established over whether or not I am on the autism spectrum, Mom–having none of the authority or expertise in psychiatric matters that those two men obviously had–insisted she was right and they were wrong. She clearly wanted me to be autistic, or at least make me believe I was: what loving mother wants that for her son?

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IV: Speaking Well of You

Finally, for my purposes here, a minimal requirement of loving you will include having kind words to say about you. Again, there will be a time and a place for critical words, when one genuinely needs to hear them; but such times should be a minority, not a majority, of the time.

The critical words should also be controlled, not wild, thoughtless, and abusive. Even anger can be expressed in measured ways. People who love you are not going to be making a game of regularly insulting and belittling you. I say this because, though it should be obvious to most people, victims of emotional abuse and gaslighting are often confused by traumatic bonding, with its switches back and forth between nasty to nice.

My mother and J. used to rationalize the horrible things they used to say and do to me, as well as what R. and F. said and did, through victim-blaming (i.e., making out every conflict with me as if it were always exclusively my fault for getting them mad, without considering that maybe they could have tried reacting to my faults in a manner that actually has a bit of loving in it), giving me long-winded speeches supposedly meant to edify me, when these speeches typically went far off-topic (e.g., J. reacting to my accusation of our mom lying to me by talking a load of irrelevant nonsense about Mom not being able to handle every problem ‘perfectly’), or saying the meaningless words, “We love you,” when the last thing I’ve ever felt from any of them is real love.

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Saying you love someone isn’t about pointing out how good you, the giver of love, are; it’s about seeing the good in the receiver of your love. Narcissists fail–or rather, refuse–to grasp that simple fact. If you see no good, or never mention any good, in the person you claim to love, then why do you claim to love this person? Is it just out of family obligation (i.e., if this person wasn’t a member of your family, wouldn’t you hesitate to abandon him or her)?

There’s no doubt in my mind that my mother and J. would say, or would have said, that they love(d) my cousins, L., S., and G. You wouldn’t know this, however, to hear how Mom and J. (have) spoke(n) about them. My mother in particular bad-mouthed our cousins in the most vicious ways over a period of decades, especially G., the youngest. On one occasion, she said G. “was being his usual boring self, talking and talking, and we all wished he would just go away.” On the other side of the coin, over all those decades, I’d never once heard her or J. say a kind word about him. Not even one. It’s not as though it couldn’t be done; Mom and J. simply didn’t want to.

People don’t love other people for no reason; they do so because they value those they love, which means seeing the good in, and therefore speaking well of, the beloved. Providing food, clothing, and shelter for someone, and only these three–without also providing loving words of comfort during sad times, encouragement during challenging times, and congratulations during successful times–is merely fulfilling material obligations, treating the receiver of ‘love’ as a job to be done. The loving person fulfills these obligations with joy; he or she would never regard the receiver of love as a burden.

My family heaped a mountain of verbal abuse on me over the decades. Words of kindness were a small minority, and they were generally insincere. Their insistent words of “We love you” sounded a lot more like them flattering themselves than making me feel valued. Such talk isn’t love. Now, I’m no expert on love, but at least I know what love is not.

J., just a week before the publication of this post, found me on Twitter and tweeted me a happy birthday wish, hoping that my wife and I are doing well. I didn’t respond, because I know this kind of graciousness from her is superficial and meaningless, given all I’d endured from her and the rest of the family for decades before. Her message was an obvious case of hoovering, and I’m not going to fall for that. She’ll have to do a lot more than send me birthday wishes if she hopes to get back in my good graces. She, R., and F. must confront the wrongs they’ve done to me over my life, and I know they don’t want to do that.

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V: Conclusion

As I said above, how I’ve defined love is pretty obvious except to those who have been abused, then subjected to the gaslighting that it was all done “out of love.” My definition is far from exhaustive, and while it isn’t made up of the sufficient conditions, it certainly has some of the necessary ones.

If those who ‘love’ you aren’t accepting you as you are, and are demanding that you be someone else, whom they prefer (I’m not talking about changing a few bad habits as necessary), they aren’t loving you.

If those who ‘love’ you don’t want what’s right for you and aren’t, on at least some level, trying to help you achieve what’s right for you (I don’t mean what they merely say is right for you, but what actually is right for you), they aren’t loving you.

If those who ‘love’ you either can’t or aren’t willing to do such a simple, straightforward thing as to speak kindly to you and emphasize the good, rather than the bad, in you (I don’t mean that loving people should never criticize you, but that they don’t harp on criticism constantly), they aren’t loving you.

These three things are fundamental and indispensable. If they aren’t there in the relationship, it doesn’t matter what other good things the person who ‘loves’ you does (i.e., such superficial things as buying you stuff or meaninglessly saying “I love you”). Other good things ought to be added to these three, but the three must be present.

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Remember: loving you isn’t about how great they think they are, but about how great they think you are…despite your faults.