Here is another poem by my Facebook friend, Jason Ryan Morton, whose work I’ve looked at so many times before. This is Poem Four from Diverging Paths. As usual, I’ll be putting his words in italics to distinguish them from mine:
I face my personal hell,
I am the illusion,
Of a man you know well,
Time is a distance,
With the intrepid
Definitions of reality,
You are the only being,
That I could care less if I see,
When I realize I am not me,
But a fool looking to the sky for substance and
And now, for my analysis.
I don’t believe the poet is speaking in his own voice here. Instead, this is a person confronted with his own phoniness. He’s lived with a False Self for much of his life, but at some point he cannot maintain his illusions. His “personal hell” is the realization that he can no longer pretend illusion is reality.
The pain of this realization is a kind of narcissistic injury, so it’s easier to blame his woe on “scattered betrayers” who “crucify” him, rather than take the responsibility for himself. Making his pain into something as grandiose as to be compared with Christ’s Passion, he can try to hold on to some sense of illusory greatness. Try, but not succeed.
The “definitions of reality” are “intrepid” because the truth is that fearless in how it hurts us without remorse. The person to whom he speaks is someone much better; he “could care less” if he sees this person, which is better than not caring less, so this person is of at least some value to him, in his otherwise empty life.
It is the ideals that he looks up to, symbolized by a heaven that supposedly has “substance and meaning,” that are what make up his not being himself. It is the narcissist’s tendency to idealize someone else, and to want to emulate that idealization, that creates the False Self; for the idealization is a false person, too. So the person to whom he addresses his identity crisis is, presumably, that idealized person, who is now not so ideal, hence he “could care less” to see him or her.
This loss of someone to idealize is the essence of his “disillusioned” state, for the idealized other is a face mirroring back one’s own narcissistic, illusory self. Note also the continuous use of commas, especially at the end, suggesting that this is an ongoing, unending pain. For though “time is a distance,” that distance in time from the original injury to one’s ego will never erase the pain entirely.