Analysis of ‘Evil Dead’

Evil Dead is a supernatural horror/comedy movie franchise that began with the trilogy written and directed by Sam Raimi (with Evil Dead II co-written by Scott Spiegel, and Army of Darkness co-written by Ivan Raimi), produced by Robert G. Tapert, and starring Bruce Campbell as Ash Williams. I’ll be dealing with these three films, not the 2013 reboot or the TV series.

Here are some quotes:

The Evil Dead (1981)

“Oh go to hell, I’m not honking at you!” –Scotty

“I believe I have made a significant find in the Kandarian ruins, a volume of ancient Sumerian burial practices and funerary incantations. It is entitled Naturon Demonto, roughly translated: Book of the Dead. The book is bound in human flesh and inked in human blood. It deals with demons and demon resurrection and those forces which roam the forest and dark bowers of Man’s domain. The first few pages warn that these enduring creatures may lie dormant but are never truly dead. They may be recalled to active life through the incantations presented in this book. It is through the recitation of these passages that the demons are given license to possess the living.” –Voice on Recorder

[getting freaked out by the recorder]  “TURN IT OFF!!!” –Cheryl

[after being raped by the trees and running back to the cabin] “No, no it was the woods themselves!” [sobbing] “They’re alive, Ashley, the trees, they’re alive!” –Cheryl

“I know now that my wife has become host to a Kandarian demon. I fear that the only way to stop those possessed by the spirits of the book is through the act of…bodily dismemberment.” –Voice on Recorder

[after becoming possessed] “Why have you disturbed our sleep; awakened us from our ancient slumber?” [shouts] “You will die! Like the others before you, one by one, we will take you.” [falls to the floor] –Cheryl

“Why does she keep making those horrible noises! Her eyes. What’s wrong with her eyes? For God’s sake, what happened to her eyes???!!” –Shelly

[her face is smoking and scarred] “I don’t know what I would have done if I had remained on those hot coals, burning my pretty flesh.” –possessed Shelly

[singing] “We’re going to get you.
We’re going to get you.
Not another peep.
Time to go to sleep.” –possessed Linda

“Join us…” –Voice of Evil Force

Evil Dead II: Dead By Dawn (1987)

[Ash’s hand gains a life of its own.] “You bastards. You dirty bastards.” [sobs] “Gimme back my hand…GIMME BACK MY HAND!” –Ash

[Ash stabs his possessed hand with a kitchen knife, pinning it to the floor.] “That’s right…who’s laughing now?” [grabs the chainsaw and revs it.] “Who’s laughing now? ARRRGHH!!!” [cuts the hand off at the wrist.] –Ash

[to his freshly sawn off possessed hand] “Here’s your new home.” [He then places a bucket and a stack of books on it to trap the hand; the top book reads “A Farewell to Arms“] –Ash

**********

Bobby Joe: Honey…you’re holding my hand too tight.

Jake: (looks at her) Baby, I ain’t holdin’ your hand.

(Bobby Joe looks down at her hand, seeing Ash’s possessed right hand gripping it. As she screams, the lantern breaks, and she’s gone by the time another one’s lit)

**********

[upon gaining the chain saw in place of his lost right hand] “Groovy.” –Ash

**********

Henrietta: [her severed head wobbling on the floor] Hey! I’ll swallow your soul! I’ll swallow your soul! I’ll swallow your soul! I’ll– [Ash steps on Henrietta’s head]

Ash[aims shotgun at her face] Swallow this. [shoots Henrietta’s head]

Evil Dead III: Army of Darkness (1992)

“Well, hello, Mister Fancypants. Well, I’ve got news for you, pal, you ain’t leadin’ but two things right now: Jack and shit… and Jack left town.” –Ash, to Duke Henry

“All right, you primitive screw-heads, listen up! See this? This…is my boomstick! – [continuing nonchalantly] – It’s a twelve-gauge, double-barrelled Remington. S-Mart’s top of the line. You can find this in the sporting goods department. That’s right, this sweet baby was made in Grand Rapids, Michigan. Retails for about $109.95. It’s got a walnut stock, cobalt-blue steel, and a hair trigger. That’s right…shop smart: shop S-Mart…Ya got that?!” –Ash

“Now I swear, the next one of you primates even touches me…” [yells, shoots at the pit Deadite, then shoots again] –Ash

“Yo, she-bitch, let’s go!” –Ash, to demoness

[as he is about to kiss Sheila] “Gimme some sugar, baby.” –Ash

“Klaatu Barada NNNNNNecktie. Nectar. Nickel. Noodle. It’s an ‘N’ word, it’s definitely an ‘N’ word! Klaatu… Barada… N” [clears his throat into his hand, then pauses]  “Okay… that’s it!” –Ash

“Hail to the king, baby.” –Ash, to female customer in S-MART

The Evil Dead

Evil spirits haunt a forest where there’s a cabin that Ashley, Scott (Hal Delrich), Linda (Betsy Baker), Shelly (Theresa Tilly), and Ash’s sister, Cheryl (Ellen Sandweiss) are going to spend their vacation in. A demonic presence races over the ground, past the trees, and to a road where the five are in a car on the way to the cabin. The demon jerks the steering wheel in Scott’s hands, throwing the car onto the side of oncoming traffic…an approaching truck! Scott regains control just in time to swerve back onto his side of the road.

Scott is a rather obnoxious fellow, cursing at a couple of hitchhikers on the road just after his scary moment of having lost control of the car. Cheryl is quite high strung, and she senses the evil of the area before the others do. Their fear and trauma, symbolized by the demons, drives the five to fight with each other rather than bind together.

In a corner of the cabin, Cheryl tries doing some drawing, but a demon takes control of her hand and forces her to draw a crude rendering of the cover of the Book of the Dead (the original–and in my opinion, better–name for the movie) in jagged lines. A trap door to the basement moves, frightening her.

The point here is that the demons are already loose and preying on the five vacationers. No reading of the incantations in the Necronomicon Ex-Mortis is necessary to release the evil spirits: they’re already free and roaming about, within the woods.

When the five vacationers are sitting at the dinner table, about to eat, the trap door to the basement suddenly swings open, startling them. The basement can be seen to symbolize the unconscious, and the evil spirits can similarly be seen to represent the return of repressed bad internal objects (representations of other people in our minds), as WRD Fairbairn once discussed, and even compared to demon possession, as he does in section 5 of this paper.

The terrors that the five vacationers suffer thus represent the kind of traumas that separate us from each other, and make us want to fight with each other rather than come together in solidarity. The five of them look down into the dark shadows of the basement framed by the open trap door.

Cheryl imagines the noise was just from an animal down there (a perfectly reasonable speculation that cocky, mean Scott laughs at, saying it’s “the stupidest thing [he] ever heard of”), though her speculation is probably a denial of her inner fears that it was really a demon that made the noise.

Scott goes down into the basement, exploring the symbolic unconscious. Ash goes down later. They find, near a torn down poster of the film, The Hills Have Eyes (an interesting bit of foreshadowing), a tape recorder, a dagger with a skull carved into the handle, The Book of the Dead, and a rifle that Scott stupidly points at Ash, right after hiding in the darkness to scare him, just for the fun of being annoying.

The two men bring everything up and play the tape for all five of them, Cheryl being the most reluctant to hear. A man’s voice is heard, describing the demonic subject matter of the book. Since his words on the tape, and words in the book, have been found in the basement, a symbol of the unconscious, we can understand the words to be a representation of how Jacques Lacan said, “The unconscious is structured like a language.” The chanting of the ancient language can release the demons, symbolically the repressed bad internal objects (and the traumas associated with them), and it can send the demons back to the spirit world, as we learn in Evil Dead II.

The speaker on the tape is an older man, a researcher who has discovered the book and translated it. Since he believes in these evil spirits, I can’t believe he was stupid enough to use the incantations to release the demons. I think the chanting we hear him do on the tape is really an attempt to bind them and return them to the spirit world. He’s failed, speaking of having unwittingly “resurrected” them, and so the demons are flying wildly through the forest.

Recall that Cheryl makes her friends stop playing the tape, then Scott fast-forwards it before playing it again. We missed the part in between, where the man presumably tells his purpose in saying the incantations…I suspect an attempt to return the demons to the spirit world, not to release them.

The man speaking on the tape is apparently old enough to be the five vacationers’ father; his voice can thus be understood to represent the Name of the Father, introducing the Symbolic Order and bringing about the entrance into the world of language, culture, society, and law, the way to ensure (or at least promote) communication, connection, and amity between people; for his reciting the ancient language of the book–the language of the unconscious, or its system of symbols and signifiers–is an attempt to send the demons away from our world.

Cheryl, the odd-one-out of the five visitors, doesn’t want to hear the tape. She finds it frightening, and screams to have it shut off. Her terror symbolizes a rejection of society and community, and a rejection of the growth of Knowledge (-K) through linking with other people, what Wilfred Bion called attacks on linking, or what Lacan called foreclusion. These rejections of community and learning from experience, Lacan and Bion observed, can lead, in extreme cases, to a psychotic break with reality.

Accordingly, Cheryl is the first of the five to become traumatized by the demons (who symbolize bad internal objects, remember), and the first to be possessed. The chanting of the words on the tape is like being assailed with what Bion called beta elements, raw sensory data from the external world that Cheryl isn’t able to (and thus refuses to) internalize, process, and transform (through alpha function) into more soothing, emotionally acceptable thoughts, or what Bion called alpha elements. The beta elements are too painful, and too traumatizing, to process.

When an excess of beta elements is rejected and expelled from the mind, a beta screen is built, a wall that keeps external stimuli from entering the mind to be processed, so learning (through linking with other people) cannot happen. This beta screen is symbolized in the movie by the walls of the cabin, which keep out–to an extent, at least–the demonic forces (symbols of the traumatizing beta elements) that race about outside in the forest and try to get in the cabin. An excessively formed beta screen leads to psychosis, creating bizarre objects (hallucinatory objects that are really projections of the psychotic’s turbulent inner mental state); this lapsing into psychosis happens first to Cheryl when she goes out into the forest and gets raped by the trees.

Knowledge (Bion’s K) is normally acquired through links between people (object relations) in the form of projective identification, a projection of energy, personality traits, etc., from one person to be introjected by another; this originally happens between a mother and her baby, the latter not yet having its own thinking apparatus for processing unpleasant external stimuli (beta elements) and transforming them into pacifying thoughts (alpha elements); so the mother must do this processing (containing) for the anxious, fearful, frustrated baby through what Bion called maternal reverie.

Sometimes, though, this growth of knowledge through links between people doesn’t succeed, and the attacks on linking can, in extreme cases, lead to psychosis. That’s what’s symbolically happening to the five people in that cabin. Sometimes containment becomes negative containment (see Bion, pages 97-99), and projective identification (symbolized by demons taking possession of people in the film) is painful, instead of the soothing mother/baby relationship described in the previous paragraph. Instead of containing fears and anxieties, pacifying them, negative containment turns the bad feelings into a nameless dread: such is the fate of the five in the cabin.

Bion’s extension of Melanie Klein‘s notion of projective identification–what he called the container (using feminine, yonic symbolism) and the contained (using masculine, phallic symbolism)–involves the expelling of one’s own traits, energy, feelings, etc. (the contained), into another person (the container), symbolically as in the act of coitus. So when the trees rape Cheryl, the evil spirits are projecting all their hostility, aggression, anger, and trauma into her, forcing her to introject it all, thus possessing her.

The demons force their vicious beta elements (the contained) onto her (the container), then she–back in the cabin with the other four–tries to expel those beta elements (symbolized by the viciousness of the demons) onto Linda and the others.

Ash listens to more of the tape recording (with headphones, so as not to upset Cheryl), as Scott was more willing to hear it when she wanted it turned off. Since the man on the tape–as I explained above–is a symbolic father for all five of them, speaking the language of the unconscious (what Lacan called “the discourse of the Other“) and providing the “talking cure” that pulls us out of the narcissistic, one-on-one relationship with Mother and brings us into a healthy relationship with society, the two young men’s willingness to listen to ‘Father’ on the tape means they will last longer against the demons (symbols of traumatized, psychotic states) than the three young women will. The men’s psychotic breaks with reality will come later, Ash’s especially.

Ash hears of the researcher’s wife (she being the symbolic mother: her demonic state will be made explicit in Evil Dead II, though the implication that she’s among the demons in this first film will be enough for now) having become possessed, and that the only way to stop the possessed is through dismemberment. I believe the man’s chanting was meant to expel back to Hell demons that had already been roaming the woods, but he failed, because the demons were provoked by the chanting (as they are after the tape recording is played, and it upsets Cheryl) to fight back and possess his wife.

The man’s resurrecting of the demons already roaming the woods was, in my interpretation, really an unintended provocation of them to manifest themselves even more, to stop him from finishing; had he been allowed to finish reciting all the incantations, he might have properly expelled them back to Hell. As I said above, I don’t believe such a well-educated, erudite man would ever be stupid enough to wake demons from their slumber.

His recitation of the ancient language is so emotive, with such dramatic conviction, that he must believe in their magical powers; he isn’t just enunciating the words out of scholarly curiosity. If he believes in their power, surely he isn’t just resurrecting the demons for the sake of doing only that…he hopes eventually to send them back to Hell.

In Evil Dead II, the beginning of a recitation of the mystical words first arouses an incarnation of them, then once recited in full, they’d be expelled back to the spirit world. What’s implied in the first film is made more explicit in the second one. I believe the researcher had already encountered demons earlier in his life, driving him to hope that, with the discovery of the Book of the Dead, he could send all the world’s devils back to Hell. He knew the risks of flooding the world with demons, but he foolishly took the risk anyway, with tragic results for himself, his wife, and the five in the cabin.

Symbolically, this failed attempt to send evil spirits back to Hell represents failed attempts to cure trauma. It may lie dormant, but it’s always there, ready to be triggered and brought out into the open again.

So possessed Cheryl picks up a phallic pencil (the negative contained) and stabs Linda in the ankle with it (the resulting bloody wound symbolizing a negative container yoni). Projective identification passes ferocious demonic possession onto Linda.

Prior to the attack on Linda, we see a touching love scene between her and Ash, when he gives her a necklace. This is the one substantial moment of love and bonding between two people in the whole film; but in the framework of this film, bonding can exist between no more than just two people.

He pretends to be asleep on the couch, with the necklace in a box. She sees it, and wants to take the box out of his hand. They alternate switching between giving each other furtive glances and pretending not to look at each other. This is a kind of mirroring. Then, he puts the necklace on her, and they go to a mirror to see how it looks on her.

This seeing of themselves in the reflection is an example of how Lacan saw the psychological implications of looking at oneself in the mirror, which he saw as a narcissistic moment in the Imaginary Order. Ash and Linda see the idealized image of themselves in the mirror, as a couple totally in love; but the reality of who they are, as fragmented, awkward people fighting each other, will be revealed soon enough.

One reason peoples of all cultures have venerated the dead is historically out of a wish to keep ghosts in the realm of the dead and not to trouble us in the land of the living. This was true of the peoples of ancient Mesopotamia, including the Sumerians from the whom the Book of the Dead has come.

Another reason for ancestor worship is to strengthen the ties of kinship and community: in our modern, alienated Western society, in which Bion’s notion of “attacks on linking” is the norm, it’s easy to see why, in the film, the evil dead are running rampant in the forest, and why the researcher would want to return those spirits to the land of the dead, rather than release them on all of us in the physical world. Thus, this trilogy can be seen as an allegory about the breakdown of society, leading to the disintegration of the psyche.

After the attack on Linda, the spirits break the window to Shelly’s and Scott’s bedroom, and they take control of her. Scott investigates, and possessed Shelly attacks him, scratching deep, bloody cuts into the side of his head: more projective identification, his cuts being the negative container of her demonic rage, the negative contained. Soon enough, he’ll be possessed, too.

But for now, he must stop her, and he does it by chopping her body into pieces. This mutilation symbolizes the psychological fragmentation that introduces a psychotic breakdown. First, society breaks apart, then each individual falls to pieces, as symbolized by Shelly’s dismembered, bloody body parts lying and shaking on the floor.

Outside at night, we see a full moon in the enlarged form of a moon illusion; the symbolism of this huge moon intensifies, through its association with lunacy, the growing psychosis in the cabin and in the woods. A cloud of darkness begins to shroud the moon, symbolizing how Bion’s -K, a wish not to know, but to be in a dark cloud of ignorance instead, leads to psychosis.

Scott, traumatized from having killed his girlfriend, wants to leave. He goes out into the woods and learns just how right Cheryl was about the possessed trees when he himself is attacked by them, his face all slashed up by the branches. Again, the attacking, scratching branches are Bion’s negative contained, and Scott’s wounds are the container; this projective identification–a passing of the demons’ evil into him, all the more ensures that he is soon to be possessed.

The most heartbreaking possession of all, for Ash, is that of Linda. Her eerie giggling, like that of a naughty little girl, suggests the reliving of a childhood trauma of Ash’s, of being teased in the schoolyard during recess.

It upsets him so much that he slaps her hard several times, something he’d naturally never want to do to the woman he loves. What’s worse, deep down, he knows he has to kill her, but of course he can’t: he just freezes with that rifle pointed at her. Meanwhile, possessed Cheryl, locked up in the basement and banging on the door in hopes of breaking the lock, represents those repressed traumas in the unconscious, trying to come out. Locking her up in the basement represents failed attempts at repressing trauma, for she will come out eventually.

The psychoanalytic talking cure, something that would be symbolized in the movie by the completed chanting of the ancient Sumerian language (which I believe isn’t even fully achieved at the end of Evil Dead II), requires a long time of the patient’s continued free associations, dream analyses, etc., to bring about the eventual healing and ridding of psychopathological symptoms. At first, the bringing of traumas to the surface is painful, with lots of resistance from the patient; this resistance is symbolized by the demons attacking any reciters of the Sumerian text. If the recitation is finished, as it would seem to be by the end of Evil Dead II, the demons are finally sent back to Hell.

The demons trick Ash by making him think that Linda and Cheryl are back to normal (symbolically, a form of resistance as discussed above), but only for an ever so brief moment. They then go back to their demonic forms, with Linda singing, “We’re gonna get you,…” etc., in a nyah, nyah, nyah-nyah, nyah melody, just like childhood teasing in primary school.

Eventually, Ash has to do the heartbreaking thing and kill her, that is, after she’s stabbed him with a knife, working the negative container/contained mechanism of projective identification on him so he’ll be possessed at the end of the movie. We see him tensing, fidgeting in conflict and agitation as he holds the chainsaw over her; then we see the torment he feels digging her grave outside, and finally having to use the shovel to decapitate her when she leaps in the air in an attempt to pounce on him.

Projective identification is also symbolized by all that blood that is splattered all over his face and body. Possessed Cheryl manages to escape from the basement. Ash goes down there, into the symbolic unconscious, where he sees a surreal spectacle of blood oozing out of an electrical outlet, soaking a lightbulb with red, etc. This gore symbolizes the attempt by the mind to expel traumatizing beta elements. Then, he hears an old gramophone playing a recording of 1930s jazz; a film projector plays an old film against a wall. These two things symbolize old memories recorded and stored in the unconscious, along with all that trauma.

Finally, Ash goes back up to the ground floor, and there he has to fight off possessed Cheryl and now-possessed Scott. Ash is crawling on the floor, his leg held by Scott while Cheryl is hitting him with a poker from the fireplace.

All Ash has as anything to defend himself with are, absurdly, the Book of the Dead lying by the fireplace, and his necklace gift to Linda. He manages, after several unsuccessful attempts, to hook the necklace onto the book and drag it nearer to him.

He thinks that throwing the book into the fire–instead of completing a recitation of the ancient language–will destroy the demons. The use of a necklace (the round glass pendant of which looks like a tiny mirror), in aid of getting the book symbolizes his dubious belief that his undying love for Linda, their one-on-one, mutually reflective relationship as felt in the Imaginary Order, will save him from the psychological fragmentation, the emotional falling apart, that the demonic world represents…Lacan’s formless, undifferentiated, ineffable, chaotic, and traumatizing Real Order.

Ash’s gazing on his own reflection in the mirror prior to this final confrontation, when he touches the glass and sees it rippling like the water of Narcissus‘ pond, should be enough to inform him of the narcissistic illusion of the reflected image, the self-absorbed world of the Imaginary Order. Ash will continue to use narcissism as a defence against the threat of fragmentation, as we’ll see in our analyses of the two sequels below.

As we know, the spirits–having given him the false confidence that he’s defeated them by throwing the book into the fire, with that spectacular, splattering disintegration in front of him–race through the forest, through the cabin, and finally onto him, possessing him at the very end of the movie…leading directly into the second film…

Evil Dead II: Dead By Dawn

This movie begins with an abbreviated recap of the events of the first movie, but much, if not most, of this recap actually contradicts what we saw before. We don’t see Cheryl, Shelly, or Scott at all; we’re under the impression that Ash and Linda alone went to the cabin for a romantic vacation, for we see only this couple in the car on the ride there.

What’s more, Linda is played by a different actress (Denise Bixler), and one with the shapely, curvaceous, buxom, ‘flawless’ looks of a model, rather than the wholesome, down-to-earth prettiness of Betsy Baker’s Linda. The scenery also has a more dreamlike quality (i.e., matte paintings for the forest landscape at night). Ash apparently can play the piano, and Linda can dance, twirling around with the grace of a ballerina. In other words, what we’re seeing on the screen is not so much Ash’s memory of what happened, but a fantasy, an idealizing of his one-on-one relationship with Linda, rather than his socializing with all his friends and sister.

Ash, having been taken by the demons at the end of the first movie, is now experiencing the same psychotic break with reality as the other four did. The trauma of having decapitated the woman he loves is more than enough to push him over the edge. His memory is selectively reimagining how he wants to remember what’s happened, and minimizing the painful parts to the best of his ability.

His willful forgetting of key elements from the first movie (his sister, Cheryl, being raped by the trees, then stabbing Linda in the ankle with a pencil; Shelly being chopped into pieces by Scott, who then–with Cheryl–melts into oblivion) is an example of Bion’s -K, the refusal to gain knowledge, process it and deal with it, rejecting such knowledge to the point of becoming psychotic.

When the demons enter Ash’s body, they send him flying through the forest until he hits a tree trunk, then falls, face first, into a large puddle. Now, it’s Ash’s turn to have the ugly face of the possessed; but the sun has risen, and the demons retreat until dusk. Ash is again given the false confidence that he’s safe, thanks to the sunlight; such confidence is false because we know the demons also attack in the daytime, as when they jerked Scott’s steering wheel, and when a flying “deadite” attacks Ash and the knights in AD 1300 at the end of this film.

His lying face down in the puddle reminds us of Narcissus staring down at his reflection in the pond. Indeed, over the course of this movie and the next, we’ll see Ash using narcissism as a defence against fragmentation, for he will be endlessly threatened with a psychological falling apart, the looming danger of falling into psychosis.

To follow my meaning, we must first understand how a narcissistic personality disorder functions. The grandiose self is only one half of it. The other side involves idealizing someone else, originally the infant’s primary caregiver (traditionally, its mother); then this idealization is transferred onto someone outside the family (e.g., one’s girlfriend), after the dissolution of the Oedipus complex. The idealized other reflects grandiosity back to the self, like Lacan’s mirror in the Imaginary Order.

The idealized parental imago and grandiose self are the two poles that Heinz Kohut said were necessary to give the self structure, thus making a healthy personality in which narcissism is restrained and moderate. Lacking such a structure, one uses pathological levels of narcissism to defend against falling apart, as Ash does in this and the next film. After killing his girlfriend, his idealized ‘other self,’ Ash has only his grandiose self to hang onto as a defence against psychosis…an ever-looming threat.

A few significant things should be noted about the researcher and his wife as they’re understood in this sequel. Recall that the wife was possessed in the first film as a result of his reciting of the ancient language. In Evil Dead II, we learn that his name is Dr. Raymond Knowby. He, as I’ve stated above, is the symbolic father, an internal object from the basement/unconscious, and the name of the father brings one out of the dyadic, Oedipal relationship with the mother (here symbolized by Henrietta, Knowby’s wife) and into society. Knowby thus is Bion’s K, which helps one grow in knowledge and mental health…something Knowby would do if allowed to finish reciting the incantations.

During Ash’s fantasy-memory of the events of the first movie, we see the tape recorder on the ground floor, not in the basement. The former floor is the conscious mind, the latter the unconscious; so Ash’s ‘memory’ of the previous events is a consciously constructed fantasy, a preferred version of what’s supposedly happened.

Part of that fantasy is a photo of Knowby’s daughter, Annie, whom we’ll see with her boyfriend/colleague, Ed Getley, later. The fact that we see this photo of Annie on the desk beside the tape recorder–as opposed to no photo of her, and the tape recorder found in the basement, as in the first movie–means her arrival in the cabin is at least in part an element of Ash’s fantasy. So in Evil Dead II, it’s not always easy to distinguish his fantasy from reality.

Her blonde good looks are somewhat similar to those of Linda in this sequel, too, suggesting perhaps a wish-fulfillment on Ash’s part to be reunited–if not with Linda–at least with a similar-looking woman. Since she’s Knowby’s daughter, a fantasized potential union with her could strengthen the notion of her parents as symbolic parents-in-law of Ash, thus representing an unconscious Oedipal relationship with them.

His continued resistance against the evil dead, symbols of Bion’s traumatizing, agitating, and ejected beta elements, results in the creation of bizarre objects–hallucinatory projections of his inner psychotic state. I’m referring to the scene with the laughing deer head on the wall, and the laughing books, electric light, etc. Since these are all projections from him, he of course is laughing like a madman, too.

Part of his worsening psychotic state is his alienation from himself, as we see in his reflection in the Lacanian mirror, which reminds him of his having sliced up Linda with a chainsaw. The ideal-I in the reflection is being his judgemental super-ego, dumping a guilt trip on awkward, bumbling Ash, who looks in horror at the reflection.

His self-alienation grows when a demon possesses his hand, which attacks him by breaking dishes on his head in the kitchen. Its attempt to kill him with a meat cleaver forces him to stab it with a knife, then hack it off with the chainsaw.

Separating it from his body and trapping it under a garbage pail (weighing it down with a pile of books topped with A Farewell to Arms…yuk, yuk) won’t keep him safe from it. The comic aspects of this and the following movie should be understood–from the point of view of my interpretation–to represent the absurdity of delusional thinking.

The arrival of Annie and Ed (who expect to find her parents there), along with two country bumpkin locals (Jake and his pretty girlfriend, Bobby Joe) carrying their bags results in Ash–mistaking them in his psychotic disorientation for more demons–accidentally shooting Bobby Joe, grazing her left shoulder with the bullet. To what extent are these four arrivals real, and to what extent are they a part of Ash’s deluded fantasy?

To the extent that this meeting of five people is fantasy, and to what extent real, will determine how much of the alienation felt is still in Ash’s head, and how much of it is social alienation. In any case, this sequel continues the themes of social and mental breakdown seen in the first film.

For wounding Bobby Joe, and–as Annie et al wrongly assume when seeing the bloody chainsaw–causing the deaths of Dr. Knowby and Henrietta, Ash is locked up in the basement, as his sister, Cheryl, was in the first film. The other four play the tape and learn what really happened. Possessed Henrietta is woken up in the basement.

Since I see Dr. Knowby as the symbolic father of all in the story, residing as an internal object in the unconscious (symbolized by the basement, recall, where the tape recorder was originally found in the first film), I see his wife, Henrietta, as symbolizing the internalized object of the mother, in her good aspect as the object of Oedipal desire, and in her bad aspect as symbolized in her possessed form.

Ash begs the others to let him out of the basement before Henrietta gets him, since symbolically–as Melanie Klein conceived the bad mother internal object–she causes terrible persecutory anxiety in the paranoid-schizoid position (a state of mind involving splitting Mother into absolute good and bad, and originating in the first few months of infancy, but which one can return to at any time throughout one’s life). Ash, trapped in the basement/unconscious, is experiencing archaic, primal, childhood trauma.

He’s let out, but possessed Henrietta is kept in there. Soon, we see her change back into her original, loving mother form, in an attempt to trick Annie into freeing her from the basement. This switch to original Henrietta shows the contrast between the good and bad mother that is part of splitting, the essence of the paranoid-schizoid position.

She sings “Hush, Little Baby” to Annie, reminding her of when she sang it to her when Annie was a baby. Since it’s actually the possessed Henrietta singing, we see here a kind of parody of the good mother’s soothing of her baby’s distress through maternal reverie (see above).

Because Henrietta is possessed of a demon, that means symbolically that both the good mother and the bad are united, which would be understood if one experienced the ambivalence of the depressive position; but in their traumatized state, Annie, Ash, et al can only see an archaic mother split into ‘good’ (the singing, loving Henrietta) and bad (possessed Henrietta). Hence, Annie denies she’s her mother. Annie is stuck in the paranoid-schizoid position.

Societal breakdown is once again symbolized by the continued infighting amongst the five people, especially when Ed becomes possessed. Ash runs off to find an axe, and Annie–wrongly thinking he’s just running away in fear–calls him a “fucking coward!” Ash returns and chops possessed Ed to pieces; apart from her screaming at all of Ed’s green gore, though, Annie doesn’t seem all that upset about her butchered boyfriend, which could be seen to tie in with her being a replacement Linda in Ash’s fantasies.

The ghost of Dr. Knowby appears, telling them to use Annie’s and Ed’s newly-found pages of the Book of the Dead to drive away the evil spirits, to save themselves and to save his soul (for his recklessness in having recited the ancient language). In his repentance over having unintentionally released the evil spirits, we see, in the ghost of Knowby, an integration of Klein’s notion of the good and bad father, the sadness in the ghost’s countenance a mirroring of Annie’s experience of the depressive position.

Bobby Joe screams when Ash’s possessed, disembodied hand is gripping hers; she runs out of the cabin and into the woods, to be grabbed by the trees (in a manner reminding us of what happened to Cheryl), then dragged away to her death.

Annie does the best improvised translating she can of those new pages she’d brought with Ed: they tell of a “hero from the sky” (who we later learn is Ash) landing in AD 1300, and saving the people of that time from the “deadites”; I see this as part of Ash’s narcissistic fantasy, his defence against psychotic fragmentation–it will be developed in the third film. Ash says this “hero from the sky” didn’t do a good job of defeating the demons; since I see this as all part of his grandiose fantasy, his saying the hero failed is just false modesty, his denial of his growing narcissism.

Reciting the incantations will first bring about an incarnation of the demons, then completing that recitation will open a time rift and send them back into the past. Note how Annie says nothing of sending the demons back to Hell, which I believe a better, and complete, translation would reveal (as the ghost of her father has suggested), if she were to have the time to do so. For whether they’re demons of the past or of the present, the demons are still with us, bad internal objects lingering in our trans-individual, collective unconscious.

Jake takes the rifle, points it at Ash and Annie, and demands that they go out into the woods and help him find his pretty girlfriend. As for reciting the incantations, Jake sees no value in that, so he takes the pages and tosses them into the basement with Henrietta, then forces Ash and Annie at gunpoint to go outside and look for Bobby Joe.

Jake’s refusal to allow the incantations (a symbol of the talking cure, recall) to be recited is representative yet again of Bion’s -K, a stupid, stubborn refusal to gain knowledge and link with people. He should be helping Ash and Annie; instead, he cares only about his girlfriend, who is a narcissistic mirror of his own grandiosity. He prizes his dyadic relationship with her over general community and society.

The racing demon rockets toward them and possesses Ash. Annie and Jack get back to the cabin, where he is killed and she is attacked by possessed Ash. He picks her up and throws her against a wall, knocking her unconscious.

He approaches her with intent to kill her, but fortuitously, he sees his necklace gift to Linda lying right next to Annie, whose motionless unconsciousness resembles death. Why is that necklace, by sheer chance, lying so close to Annie?

Since Ash has been having auditory and visual hallucinations (i.e., those bizarre object projections of his psychosis right before the appearance of Annie et al), it’s easy to believe that much of what ensues (as well as much of what precedes) is figments of Ash’s deluded imagination, too.

This is why I believe Annie could be a fantasy of his, a potential replacement of Linda. The sight of that necklace beside knocked-out, unmoving (i.e., seemingly dead) Annie reminds one, unconsciously, of truly dead Linda. Ash is unconsciously transferring his love of Linda onto Annie. His mourning of Linda when he picks up the necklace, combined with the unconscious hope of having Annie replace her, helps pull Ash out of his psychotic state (symbolized by the demon possession), and so he returns to normal.

Kohut’s notion of the bipolar self requires, on one end, an idealized parental imago (see above) and, on the other hand, a mirroring of one’s own grandiosity, in order to have healthy personality structure. If one end breaks down, a person relies ever so much more on the other end to compensate and maintain that structure. If both ends break down, there’s the threat of fragmentation, psychosis, and pathological levels of narcissism are thus often used as a defence against that fragmentation.

In these two films, Dr. Knowby and his wife, Henrietta, the symbolic idealized parental imagoes found in the basement/unconscious, have failed spectacularly to measure up to the parental ideal, he for releasing demons into the world instead of (as I speculate was his real intention) binding them and sending them back to Hell, and she for being the demonic bad mother.

Without the symbolic idealized parents, Ash can have recourse only to Annie as a replacement of Linda, to give him the empathic mirroring he needs in order to re-establish psychological structure and become emotionally healthy again. Her reciting of the pages, which symbolizes the talking cure that will pull Ash out of the traumatizing, formless, indescribable, chaotic Real Order and bring him back to the Symbolic Order of language, culture, custom, and society, further reinforces how important she is for helping him regain his sanity.

An interesting detail about that necklace is its round, glass pendant. Since glass gives off reflections, the pendant is like a miniature mirror. Thus, as a gift Ash gave to Linda, and now something lying next to unconscious Annie, it symbolizes that mirroring of love and empathy that helps Ash rid himself of being demonically possessed, and helps him, through narcissism, ward off the threat of fragmentation.

Annie comes to, he strenuously convinces her that he’s no longer possessed, and they work out their plan to retrieve the pages Jake threw into the basement with possessed Henrietta. They go into the toolshed, fit the chainsaw to Ash’s stump, and he uses it to saw off the rifle, which he puts in a kind of holster on his back. Fancying himself a bad-ass demon-destroyer now, he enjoys the flaring-up of his narcissism.

Groovy.

When he goes into the basement to find the soaking-wet papers (symbolically, the Lacanian language of the unconscious), he tosses them up far too easily to Annie (symbolically, bringing what’s unconscious up to consciousness), as if he were throwing up a softball; one would expect the pages to fly apart in the air, but with the blurring between psychotic fantasy and reality, and with his narcissistic overestimation of himself in that fantasy, anything seems possible. Part of Ash wants to be cured enough to fantasize an easy passing up of the pages.

In the final confrontation with Henrietta, symbolically the bad mother internal object from the unconscious, her neck elongates into a serpentine form. So here, she in a sense resembles Tiamat, the Mesopotamian sea-goddess who is usually described as a sea-serpent or dragon, and who as a primordial deity can be likened to the archaic mother.

Annie now sings “Hush, Little Baby” to the mother/monster, echoing the parody of Bion’s container/contained/maternal reverie that Henrietta did on her daughter. Annie’s containment of Henrietta’s demonic rage thus temporarily tames her, distracting her so Ash can hack her head and arms off with the chainsaw. This ends with a repudiating of the idealized parental imago (Ash blowing her head away with the rifle) and having only Annie to give him stability.

Ash and weeping Annie embrace, suggesting the potential of a love relationship between them. Now, Annie has only begun a reciting of the incantations from the pages, which bring the demons into the flesh. Symbolically speaking, this reciting brings the traumas out into the open, but it isn’t enough to heal them. She must be allowed to finish.

Part of Ash wants her to finish (Bion’s K), but another part of him (his disembodied, possessed hand) doesn’t (-K), for a thorough processing of all his traumas will be too painful for him to bear. So his demonic hand, holding the Kandarian dagger, stabs Annie in the back. Narcissistic Ash fancies himself a great hero, but he hasn’t saved anybody in this or the last movie.

Dying Annie struggles to continue reciting, and she manages to bring about the time rift to send the demons back into the past…but before finally succumbing to her death, has she really completed the reciting sufficiently to send the demons back to Hell? I don’t think so. If she has, surely the time rift would be closed up, at least.

All she’s accomplished is sending them…and Ash…back in time to AD 1300. Her death signals the last of his hopes for a love to replace Linda, to mirror his grandiosity. Totally lacking in what Kohut called healthy psychological structure, Ash is overwhelmed with the threat of fragmentation, a psychotic break with reality.

His only way to hang on now is to indulge in narcissistic fantasy, where as a man of the enlightened future, he can imagine himself as ‘superior’ to the “primitive screw-heads” of the year 1300. As the “hero from the sky,” he can indulge in a grandiose messianic fantasy. Narcissism is his last defence against fragmentation.

Bruce Campbell vs. Army of Darkness

Bruce Campbell, whether he wants to be or not, is more or less synonymous with Ash, so calling this third film Bruce Campbell vs. Army of Darkness is essentially the same as calling it Ash vs. Evil Dead, or whatever you want to call it. The story is now all about narcissistic Ash fighting his demons.

As with the second film, this one begins with an abbreviated recap, and reimagining of, the first two films. And as with Evil Dead II, this contradictory reimagining of Ash’s past is just that: a mix of fantasy and fact.

Ash introduces his place of work here–S-MART, a store that sells a variety of commodities, from hardware and housewares to rifles. In his narcissistic imagination, he portrays himself as the ideal employee: hair neatly combed back with a curl in front (a bit like Superman), and dutifully telling customers to “Shop smart: shop S-MART!”

As the ‘ideal employee,’ he’s imagining himself a better employee than many, if not most, of his co-workers. How Ash really is as a worker–be it in S-MART, or wherever he actually had a job prior to his fateful vacation in the cabin–is probably somewhere below that ideal; and given his goofy awkwardness, probably far below.

His wish to believe he’s better than most of his co-workers shows how his social alienation, and Lacanian self-alienation, now spill over into the Marxian concept of alienation; for his “Shop smart: shop S-MART” wish to gain his boss’s favour indicates at least some level of class collaboration.

His wish-fulfillment goes further: we learn that Linda also worked in S-MART; and instead of seeing either the original actress, with her natural, realistic beauty, or the one with the conventional, model-like beauty of the second film, we see Linda with the familiar face of a celebrity–Bridget Fonda, who had already established herself, as of 1992, as a major Hollywood actress in such films as Godfather Part III, Singles, and Single White Female. Thus, Ash’s narcissistic self-deceit extends to idealizing Linda even more, making her a movie star in his fantasies.

The quick recap of the horrors of the first two films is not only for the sake of pacing and getting on with beginning this third story: it’s also because, as I see it, the less detail that Ash needs to go over, the less painful it will be for him. Wilfully forgetting exactly how he acquired his traumas is, once again, Bion’s -K; knowing too much hurts too much.

In his AD 1300 fantasy (note how it isn’t, say, 1301, or 1318), Ash is in chains and being taken to a castle to be thrown into a pit of “deadites.” Narcissists like fancying themselves as victims as much as they like fancying themselves as dashing heroes.

When I describe Ash as ‘narcissistic,’ I don’t mean it in the sense of malignant narcissists who lie, manipulate, and do smear campaigns on their victims. I’m referring to Ash’s change of character as his way of coping with all the traumas he’s suffered: the deaths of his sister and girlfriend, as well as those of Scott and Shelly; also, there are the traumatic disappointments in the symbolic parents of Knowby and Henrietta.

Because of these shocks, Ash has gone from being the unassuming, nice guy of the first film, next to having a psychotic breakdown in the second film, and now, finally to cope with all of this pain, he’s become cocky and belligerent. This is the comic, amusing Ash who’s entertained us, and whom we all love, but that doesn’t change how grandiose he’s imagined himself to be. Indeed, it’s that combination of cocky and awkward that we, as an audience, identify with, and that’s why we love Ash so much…he’s human.

He looks down on the people of 1300 as “primitive screw-heads” and “primates” because seeing himself as above the average person is the only way he can hang on. Since he is, in reality, a careless, bumbling fool, the only way he can feel superior is to indulge in a fantasy world where the average person is ‘behind’ him by almost 700 years.

In the pit, when he has to fight off the possessed, and the wise man tosses down his chainsaw, note how Ash jumps up and effortlessly fits his stump into the chainsaw, all in one flawless attempt. Note how we hear the Early Modern English of writers like Shakespeare, rather than the Middle English of 1300, earlier than even Chaucer. What we’re seeing in this film is not a representation of time travel back to that year, but rather Ash’s fantasy, what he thinks it might have been like.

In this fantasy, Ash is the dashing hero who is waited on by beautiful women who serve him grapes, wine, and roasted meat. The lovely Sheila quickly switches from wanting to kill him to wanting to kiss him. He’s loving every minute of it, needless to say.

The comical absurdity of his fantasy reaches the point of looking like the cover of a Harlequin Romance when he, with his muscular chest showing and his hair blowing in the breeze, holds Sheila and says, “Gimme some sugar, baby,” and they kiss. Ash gets some ass: he’s no longer interested in finding a new love to replace Linda; he connects with women now only out of pleasure-seeking.

Note how this movie is not, essentially, a horror film like its predecessors: it’s a comedy/adventure/fantasy with the trappings of horror in the form of “deadites,” skeletons, etc., and even they are comic rather than frightening. This change in genre is due to the fact that Ash, in his bordering between narcissism and psychosis, is no longer engaging with the real world. He says he wants to go back to his world in the early 1980s…but does he really?

The people of this world cohere socially much better than we’ve seen in the first two films; there’s hostility only between Duke Henry the Red’s people and those of Lord Arthur, as well as, of course, between man and the “deadites.” But this world isn’t real–it’s all in Ash’s imagination.

The wise man tells him that, in order to return to the present time, he must find the Book of the Dead, the Necronomicon, for that book has the magical incantations and formulas to send him back. Since the words in the book symbolize talk therapy, we see again that the only way to be cured of trauma is to face it, to talk one’s way through it. The unconscious is structured like a language, it’s the discourse of the Other. One is cured through a building of knowledge…K.

The wise man tells Ash that, when he finds the book, before taking it, he must say words humorously similar to, “Klaatu, barada, nikto,” a reference to the words of Earth’s salvation in The Day the Earth Stood Still. This allusion is further proof that what Ash is experiencing is fantasy, the details of this dream-world coming from his memory and imagination rather than from the external world.

Still, while the wise man is importuning Ash to memorize the exact words through repetition, Ash displays more -K, his refusal to learn by committing the words to memory. He arrogantly assumes he’s already learned the “damn words,” but talking things through properly, using all the resources of the language of the unconscious to articulate emotion, is crucial to curing trauma and restoring mental health.

Ash rides his horse into a forest (suddenly, he knows how to ride a horse), where he finds himself chased by the racing demon of the first two films. As with Cheryl running to the cabin after being raped by the trees, and Ash rushing back to the cabin after discovering the ruined bridge in Evil Dead II, he–having fallen from his horse–is trying to run away from trauma instead of facing it.

He runs to a windmill, the farcical scene reminding us of that of another deluded, bumbling narcissist who fancies himself a great hero, Don Quixote. Ash gets inside and closes the door behind him, imagining he’ll be as safe from demonic possession as he supposedly was in the cabin of the first two films. The windmill’s walls, like those of the cabin, are a beta screen keeping out traumatizing beta elements (see above).

His being chased by a demon in the forest and using a shelter to protect himself from it suggest what’s really happening to him, as opposed to his medieval fantasy. The windmill is one of his many hallucinations; he’s really alone in the 1980s, having run through the woods and back into the cabin. No horse, no hero…just Ash.

Inside, he sees his reflection in a mirror in the darkness. Thinking it’s someone else, he runs at it and smashes it into pieces. This, once again, is Lacanian self-alienation, between oneself and the specular image. It’s Ash in the reflection…yet it isn’t Ash.

Miniature, demonic versions of Ash emerge from his reflections in the shattered pieces. These are more of what Bion called bizarre objects (see above for links), hallucinated projections of Ash into the external world. They’re a result of the excessive use of a beta screen (the windmill’s walls) to keep out traumatizing beta elements (the demons).

These mini-Ashes attack him, making him trip, bang his head, fall, burn himself, and get a pail stuck on his head. His bumbling reactions to his attackers symbolize the difference between the dashing hero, the ideal-I he saw in the unified, original mirror reflection, before he ran at and broke it, and the clumsy, uncoordinated, fragmented self that Ash really is.

He projects his fragmentation symbolically onto the pieces of broken glass, then into the mini-Ashes who have come out of them. He also projects and denies the bad parts of himself onto the mini-Ashes. Such projection and denial are part of what Kohut called the vertical split of the ego into the grandiose part of the self and the rejected part.

One can project and deny all one wants, just as one can try to repress one’s trauma (as symbolized by locking Cheryl up in the cabin basement), but those bad parts of the self are still, and always will be, part of oneself for as long as the trauma isn’t treated. Hence, one of the mini-Ashes goes down his throat and back inside him, right after they all give him the Lilliput treatment.

He runs outside with an eye having grown by his shoulder, and out there we see the giant moon illusion we’d seen in the original movie…another suggestion that the windmill and medieval world are all just delusions and hallucinations of his. That moon is again, a moon of lunacy, symbolizing his still-psychotic state.

A second head grows out of the spot where the eye was, and soon a second body grows beside Ash’s original; then the two come apart. A good Ash, and a bad one: he has projected his undesirable half again, in a narcissistic attempt to be only the hero.

That the bad Ash and the mini-Ashes are all comical in nature shows how good Ash, in his narcissistic imagination, deflates the worth of the bad Ashes, big and small; just as the army of skeletons, soon to be seen, are also made to look ridiculous. Ash is projecting his bumbling foolishness, as well as his bad side, onto all of them.

After beating bad Ash (by disfiguring his face with a gunshot) and burying him, good Ash finds the Necronomicon…three books! The consequences of his -K are apparent when he forgets the exact wording of the three-word formula to take the correct book and leave the area safely. Symbolically, his failure is a restatement of the theme presented throughout this trilogy: the talking cure, which brings us out of the trauma of the Real and back into the culturally shared signifiers of the Symbolic, must be followed–to the letter, as it were–to its completion, not left halfway.

Once again, narcissistic Ash thinks he’s projecting his foolishness onto others, but the foolishness is always his own. His stealing of the book, while faking the enunciation of the three words, causes the raising of the dead, who are now headed for him and the castle to retrieve it.

Ash is now despised by Arthur, the wise man, and all the people in the castle. Arthur calls him a “braggart,” and a “coward.” But since this is Ash’s fantasy, this negative feeling towards him cannot last long; so he proves his mettle in not only leading the men to protect the book and the castle, but also to train the men in wielding spears (another skill he’s suddenly endowed with), and to have Duke Henry the Red’s men help.

Sheila is captured by a flying deadite, taken to the risen bad Ash, and possessed of a demon. The two will lead an army of comical skeletons to attack the castle. In the ensuing battle, Ash proves his bravery with a sword (yet another suddenly acquired skill…more narcissistic fantasy), and his ingenuity with modern science (quickly gleaned from textbooks conveniently found in the trunk of his car…even more narcissistic fantasy).

With the defeat of bad Ash and the skeletons, Sheila is restored to her original beauty, and–thanks to the help, however belated, of Duke Henry the Red’s men in the fight–the two groups of people become friends. Since this trilogy has mainly been about the breakdown of society through shared trauma, this anomalous amity between people is just more of Ash’s wish-fulfilling fantasy.

When Ash is about to be returned to his own time, he is given precise instructions on how to prepare for his travel ahead through time. But once again, he fails to pay attention to detail (-K), and depending on which ending you see, he either returns to the present while bringing the possessed with him, right into S-MART, or he sleeps too long and wakes in a post-apocalyptic world.

Both endings are acceptable: either he resumes his narcissistic fantasy of being a dashing hero and ladies’ man in today’s world (leading to Ash vs. Evil Dead), or he witnesses the horrific conclusion to how collective trauma (and how oversleeping symbolizes -K, a refusal to learn from history) leads to social breakdown, then ultimately to the annihilation of the human race, which is a truly evil dead.

‘Claws,’ an Erotic Horror Novel, Chapter Eighteen

Thurston fixed his tie and looked at himself in the mirror. Aren’t we handsome in that suit? he thought.

He left his apartment and got in his car.

As he drove to the 22 Division police station, he reflected on all that had recently happened.

It’s so good to be connected with Agnes, he thought. Close to her, in body and soul. I really love her; and better yet, there’s no more conflict with the beast. That bullet I put in its head sure did the trick. No more resistance.

He parked in the police station parking lot and got out of his car. He sucked in a deep inhalation of fresh air and smiled.

It’s so good to be fully in control again, he thought.

He walked into the police station, passed a number of desks in the direction of his own. He saw Hicks standing near his desk.

Hicks turned around and saw him approaching.

“Good morning, handsome,” Hicks said with a smile.

“Good morning,” Thurston said.

“Still no sign of Surian?”

“Oh, she’s around.”

“Really? Where? I still need to talk to her about her shooting the beast. If you could tell her to come out of hiding, I’d really appreciate it.”

“Oh, don’t worry about that,” Thurston said. “You’ll be in contact with her soon enough.”

“Very well, whatever,” Hicks said with a sneer, which then turned into a lewd smirk. “And as for us, when are you going to come over to my place?”

“How about tonight?” Thurston asked with a grin.

THE END

‘Claws,’ an Erotic Horror Novel, Chapter Seventeen

[Sexual content]

Ten minutes later, Thurston finally found himself free to move. He swung his arms further than he thought they’d go, and whacked them against the steering wheel and door.

“Oww! Fuck!” he shouted, then: “Hey, I can move. It’s about time.”

Claustrophobic in his car, he swung the car door open and got out.

Fuck driving, he thought. I’ll just run over to Callie’s apartment building. He slammed the car door shut, locked it, and left the area.

Running down the sidewalk, he was approaching her apartment building when he saw a car being driven away from where it had been parked, in front of the building’s entrance. It looked like Surian’s car.

That couldn’t have been her car, he thought. If those visions were anywhere near true, I can’t imagine Agnes walking away from demoness-Callie in one piece.

He ran into the building and raced for the elevator. He pounded his fist on the elevator button over and over again, impatiently with that irrational feeling that doing so would bring the elevator down to the ground floor faster.

“C’mon!” he growled as it floated down floor by floor.

Finally, the elevator arrived. The doors opened far too slowly for his patience, so he pried them open as best he could and squeezed inside. He pressed the seventh floor button.

As the elevator rose with–to him–the same laziness as it had gone down, he shook with rage.

“Come on, for fuck’s sake!” he shouted, then thought, Oh, God, please, let Agnes be OK…at least let her be alive!

The elevator reached the seventh floor. Again, as the doors took their time opening, his impatient hands pried them open faster and he squeezed through.

As he began running down the hall to her apartment, he realized he forgot to hold his breath.

Wait, he thought, stopping halfway there. I don’t smell any pheromone.

Indeed…there was no pheromone smell at all.

He did a light jog the rest of the way to Callie’s apartment, found the door wide open, and took out his pistol. He poked his head in the doorway and looked around. He saw nobody there.

He crept in with wide open, alert eyes. He cocked his pistol as he made his way through her living room area, his eyes darting around everywhere to see if the hairy, clawed beast was hiding somewhere behind the furniture, waiting to pounce on him. He was approaching the bedroom.

Hit the beast dead centre in the heart or in the brain, he reminded himself as he reached the bedroom doorway, the door being halfway open.

Still no pheromone smell at all.

Absolute silence.

He looked past the opened half of the doorway. He saw nobody. He heard nothing.

He turned his head back to get another look around the living room area. No beast sneaking up behind him.

No Surian, either.

Is the beast hiding behind that bedroom door? he wondered, then looked through the crack between the door and the corner wall of the bedroom.

No beast.

He tapped the door open with his foot while pointing the gun straight in front of him, anticipating any possible danger.

The door now all the way open, he saw, on the floor, between the bed and the closet, the hairy body of the clawed beast lying sprawled in a pool of its own blood. That phallic spike was pointing up in a crescent arc from its groin to the ceiling.

Not even a drop of blood was on its sharp tip.

He heaved a huge sigh. I guess those visions deceived me, he thought.

He looked around the rest of the bedroom. Surian was nowhere to be seen, though a fired pistol was lying on the floor next to the beast.

“Where the hell is she?” he said, putting his gun in its holster and taking out his phone. She’s the one who killed the beast, isn’t she? he wondered as he looked for her number in his list of contacts. That’s her gun, isn’t it? It looks like hers. Surely there was at least some truth to those visions, wasn’t there?

He clicked her cellphone number and waited as the ringing repeated eight times before setting him up to leave a message. Beep.

“Agnes, this is Andy,” he said. “Where are you? I’m in Callie’s bedroom with the beast lying here dead. Did you do this? If so, great, but why did you leave the scene? Are you OK? Did the beast hurt you in any way before you killed it? Please call me back ASAP. Bye.” Was that her driving away in her car a few minutes ago? he wondered. If so, why would she just disappear like that, without calling me or Hicks about the beast? I guess I’ll have to get the police over here, instead of her.

Twenty minutes later, the room was filled with police. The beast’s body was taken away on a stretcher, to be driven to a group of doctors and biologists who, having followed the story in the news, were eager to do a necropsy on it to learn whatever they could about it.

Hicks was with Thurston, both of them baffled as to where Surian could possibly be.

“I can’t believe it,” Thurston said. “She found the beast, presumably, shot it, and just left? No calls, no messages as to where she is or what she’s doing? What the fuck?”

“I guess this ‘Callie’ was somehow involved with the beast after all, though she’s as missing as your girlfriend,” Hicks said.

“Where the fuck is she?” Thurston said.

“I guess she ran off with somebody else,” Hicks said. “Try someone else. Try a new experience.” He smiled suggestively at Thurston.

“No offence, but even if I was gay, I doubt you’d ever be my type,” Thurston said. “When we’re done here, I’ll drive over to her place and see if she’s there.”

“And I’ll be at my place tonight if you change your mind, Andy.” Hicks winked at him.

Thurston rolled his eyes.

***************

That night, the doctors and biologists were sighing and puffing in frustration as they looked down on the hairy body on the table.

“We’ve been examining every inch of this thing for hours,” a woman among them said. “It cannot be classified as any known species that has ever existed.”

“It doesn’t even qualify as Bigfoot,” a man standing next to her said.

“Is it a hermaphrodite?” a man standing on the woman’s other side asked. “It seems female, but is this spike in its crotch supposed to be a penis?”

“It’s totally baffling, anyway,” the woman said. “I give up. What do you guys think?”

“I agree,” some of them said together.

“It’s late. Let’s go to bed,” the first man said.

“I doubt we’ll gain any more insights from it through further examination,” the second man said. “I say we bury it and forget about it.”

“Yeah, OK,” she said. “If any new insights come in the future, we can always dig it up then and look at the skeleton.”

*****************

One night later that week, Thurston sat slumped on a chair in his apartment with a frown.

Still no response to my message on her phone, he thought. Every time I go to her apartment, she’s never there. She didn’t die, did she? Ballistics confirmed that the bullet shot to kill the beast was from her pistol. But God, where is she?

Suddenly, his cellphone rang; he checked it–it was her.

“Agnes!” he said into the phone. “Where are you? Are you OK?”

“Yes, I’m fine,” she sighed, as if irritated by the question. “I’m in my apartment.”

“So, you shot the beast?” he asked.

“Yes,” she said. “Are you proud of me?”

“Of course, but…why’d you leave Callie’s apartment?”

Because…the sheer terror of seeing that thing, with its…spike-dick…almost stabbing into my pussy, made me want to get as far away from the scene as I could. I needed to lie low for several days, with nobody to bother me…just to calm down.”

“I see,” he said. “Just needed to recover from the trauma, eh?”

Exactly…but I’m OK now. You, Hicks, and the others took care of the rest of the problem all right?”

“Yeah, of course. Everything’s sorted out, though I’m sure Hicks would like to talk to you. So, you’re at home?”

“Yeah. Wanna come over?”

“I’ll be there in ten minutes.” He hung up.

***********

Ten minutes later, he was standing in front of the front door of her apartment. He rang the doorbell.

She opened the door out wide. His jaw dropped.

Her face was brightly made up, she was in a pink see-through babydoll nightie revealing black lace underwear. She wore white high heels.

He reminded himself to be a gentleman and look back up in her eyes. “Sorry,” he said. “I j-just never realized how…curvy you are under your…normal clothes.”

“Why, thank you,” she said with a grin. “You can look if you want. I don’t mind.” She turned around for him. “You’ve always liked me, and now that the hairy beast is gone, I can confess that I’ve always liked you.”

“Why couldn’t you confess it before?”

“Because I was afraid of falling for you when the beast might kill you. That clawed, hairy animal reminded me of a bear that attacked and killed my old teenage boyfriend in the BC woods–speaking of trauma. If the beast had killed you, I wouldn’t have been able to handle it. It’s gone now, so I don’t have to worry about it. And you and I can celebrate our success.”

“OK.” He was grinning like a high school kid.

“Well? You gonna stand out in the hallway forever? Come on in.”

“Oh, yeah, all right,” he said, then entered her apartment.

“That’s a nice perfume you’re wearing,” he said.

“Thank you.” She took him by the hand and led him into her bedroom.

“Are you sure you want to do this now, Agnes? I mean, I’d love to, but we seem to be going really fast here.”

“You may be old-fashioned, but I’m a modern woman.” She removed the nightie and tossed it on a chair near her bed. He removed his gun and holster and put in on her bedside table, between the chair and the bed. “I’ve been through hell recently; I need some heaven to heal me.”

She kicked off the high heels. She then looked down at his crotch and giggled at the bulge in his pants. He blushed.

She removed her bra and wiggled her perfectly formed breasts with pride.

“Holy shit, Agnes. You’re better endowed than I thought.”

She giggled as she pulled down her black panties to reveal a hairless crotch. She now stood proudly nude before him.

“You’re shaved?” he asked with wide open eyes.

“I did it for you earlier today.”

“Wow.”

“OK, big boy. Now it’s your turn. Don’t be shy.”

“OK.” He stripped down to reveal a hairy body and a full erection. She giggled at it, then licked her lips.

“You’re hairier than the beast…and spikier, if you know what I mean.”

“Yeah, I guess so.”

“OK, Andy. Let’s fuck.”

They got on the bed in the missionary position. Up close, her perfume was a powerful scent.

When he pushed inside her, she let out a shrill wail.

Oh!” she squealed each time with his first thrusts. “That’s…more…like it! Ah!

“What…do you mean, ‘more…like it’?” he panted.

“The beast…with its…spike-dick…almost did…what you’re doing…now. Oh!

“Yeah,…you said…before. It tried to…rape you?”

“Yeah, but…I shot it.”

“That’s good. Oh!

“But it tore…a hole in a…good pair of pants.”

“At least…it didn’t hurt you.”

“No. Ah!” She came, splashing all over his cock. He pulled out. “OK,” she panted, then turned around to be on the bed on all fours. She looked back at him, and with a lewd twinkle in her eyes, she said, “Fuck me in the ass.”

“You’re into that?” he asked with a slight sneer.

“You aren’t?

“Oh, I’m game, it’s just…I never imagined you to be that kind of girl, Agnes.”

“Are you disappointed in me?”

“N-no, it’s just…well, you’re one surprise after another.”

“Andy, how much of my sex life have you ever known about? Like, none of it?

“Yeah, you’re right.”

“Look, the trauma over killing–and almost being killed by–the beast kind of fucked with my head, OK? Wild and wicked sex helps me process trauma, as weird as that must sound to you. I dunno, I’m just funny that way. Can you try to understand that?”

“Yeah, I guess that explains it.” He looked down at her ass. “You’re lubed?

“Yeah,” she sighed. “That’s how horny I am. Terror and trauma tend to get me hot. Now, c’mon, do me before I change my mind.”

“OK,” he said, then slid in. “Ooh! That…feels…good.”

As he moved in and out, he looked over at her face to see if she was showing any signs of feeling pain. She had only a lascivious smirk on her mouth.

I can’t believe it, he thought. I always thought she was the nice, girl-next-door type, like my teenage crush, the one Agnes physically reminds me of. Well, I guess what I imagined of the crush was just an idealized fantasy who has nothing to do with the real Agnes. I’ll have to accept that, and let Agnes just be herself.

Her moans grew louder as he moved in and out, faster and more forcefully with each thrust. Those loud moans began to sound a little bit like grunts.

“Am I…hurting you?” he panted, looking over at her face.

“No, I’m fine,” she said in an unusually husky voice.

“OK.” He kept on screwing.

His legs were as spread out as hers, and his ass was pushed out like hers, too, as if he were willing to get what he was giving her. This would seem appropriate…

…for suddenly, he felt a sharp, bone-like sensation stabbing into his asshole, ripping the anal walls and burrowing deep inside. “Aaaah!” he screamed hoarsely. Blood was dripping all over the bed between their legs. Shaking all over, he looked over at her face.

Agnes turned her head around, revealing the wild, hairy face of the beast, a face combining the features of Callie, Visner, and Agnes. Hair had grown all over the now hermaphroditic body. With painful effort, Thurston straightened up and looked down to see that the curled spike in his ass was coming from her groin…that phallic claw he’d seen on the beast.

He reached for his gun on the bedside table. To his surprise, the demoness helped him get closer to it…by using the phallic spike to pull his body onto her back, merging their torsos together.

Umph!” he groaned when their bodies collided.

He managed to get the gun out of its holster, but Kluh used her power to draw his two arms back to merge with hers, causing him to drop the gun on the bed to the right of the pillow. Their arms slapped hard together.

Ungh!” he groaned at the pain.

He felt his hands and fingers sticking to hers; when he tried to pull his apart from hers, it only hurt, so he gave up on that quickly. His palms felt as if glued to the backs of her hands. His chest was sticking to her back in the same way.

Soon, he could no longer voice his pain from merging with her body, for his face was buried in her hair. His nose disappeared into the back of her head; his lips kissed her neck so hard as to disappear inside it, too.

A bullet, dead centre in her brain, will kill Kluh, as the Yamas told Agnes and me, he thought as he reached with the greatest effort for the gun, fighting against Kluh’s pulling back of their now fully merged right hand. If I kill her, maybe my body will be freed and not killed with her…maybe Agnes will be freed, too. I have to try. If I die, too, at least I won’t live with Kluh possessing me.

His chest and belly had dissolved into her back; their hearts were merging. He felt his still-erect penis elongated and burrowed deep inside her body, plugged into her, as it were. His balls and her vulva were merged; that spike up his ass no longer felt like a stab wound, for it was as ‘plugged into him’ as his cock was plugged into her. Contained and containing flesh was intermingling. Their eight limbs were now four, fully merged.

We’re sharing one heart now–I can feel only one beating, he thought, grasping the gun. If I shoot myself through the chest dead centre, I’ll die with Kluh, presumably. Our brains aren’t yet one, though. If I can point the gun above her ear–which hasn’t merged with mine yet, and if I can put a bullet in the middle of her brain, I have a hope the demon will release me before leaving the physical world.

Despite Kluh’s resistance, he managed to wrap his fingers around the gun, his index finger touching but not squeezing the trigger. His whole face had disappeared into the back of her head. Their torsos were fully merged into one. Only their ears and brains were still doubled, the ears coming closer together, and their brains about to touch.

I don’t have much time, he thought.

It took all his strength to raise the arm with the pistol up to their merging head. No longer on all fours, the body was straightened up by Kluh to be on its knees on the bed. Its fingernails were lengthening into strong, sharp claws.

When the claws were fully formed, the left hand moved over to try to stop the right hand from firing the gun into the brain Kluh was controlling. The back of her brain was now starting to touch the front of Thurston’s. The left claws tried to stab into or slice off the right hand. Because he still had some control of both arms, she was so far only able to slice deep cuts into the right forearm.

She screamed their shared pain.

***************

At about the same time that night, the beast’s buried body–the one examined by the doctors and biologists, and thanks to Kluh’s power, not decomposed in the slightest–lay there underground, with its hair slithering back into its follicles. The phallic claw had already shrunk and disappeared into its groin. Its shape was bloating out in the middle.

***************

Thurston summoned all his strength to wrest control of both arms from Kluh. Not only was she no longer able to use the left arm to reach over to the right one to slice at it, but he managed–by tapping the tip of his gun on her ear as a reference point to feel his way around–to aim it at the head, the barrel of the pistol pointing more or less at the middle of her brain…which was beginning to merge with his.

Still, it was hard for him to stop the hand holding the pistol from shaking.

I don’t have much time, he thought. Gotta keep my hand steady.

Kluh no longer tried to cut off the right hand with the left. She chose instead to give him a false sense of confidence in his aim. Let him shoot, she thought. But keep his hand shaking…and have it shoot at the right time, putting the bullet either in his brain, or if it hits mine, let it be off-centre. Either way, he’ll be assimilated into me with Sandra/Callie, Visner, and Agnes. All options are working in my favour.

Still, he pushed himself to keep his hand steady. The pistol was barely wavering.

He cocked it.

Keep a rhythm, he thought. When my hand sways forward, it’s pointed at the centre of her brain; when it sways back, it’s off-centre or aiming at my brain. Back, forth, back, forth, back, f…

He pulled the trigger.

***********

The buried body was now completely transformed into the fresh corpse of Sandra Brahms.

‘Claws,’ an Erotic Horror Novel, Chapter Sixteen

[Some sexual content]

Dr. Visner, as nude as Callie now, got on the bed on top of her in the missionary position. Her eyes squinted shut and her mouth wide open, she sighed huffs of excitement, in rising pitches, as he slid inside her.

This sucks so badly, still-immobilized Surian thought as she strained to see the action through the two-to-three-millimetre-wide slit separating the closet’s folding doors. I can’t even watch the show.

The bed creaked to the rhythm of their sighs, moans, and grunts as the lovers rocked back and forth on it.

I can’t believe I’m doing this, the psychiatrist thought as he looked down in his patient’s eyes. I shouldn’t be doing this.

Callie played more mind games with him. The demoness would make him see–every ten seconds or so at a time, and each time about a second or two in duration–that black-haired, brown-skinned, curvaceous Thai beauty he’d had when he was young, instead of seeing blonde Callie.

So every time he saw a flash of black hair and brown skin, instead of the usual blonde hair and peach skin, he twitched in guilty agitation. With each successive switch from light to dark, he never twitched any less. He could never get used to it.

She gave him an evil grin with his every twitch, not just because of the sadistic pleasure she got from tormenting him, but because the union of opposites–his psychological agony and his physical pleasure–were giving her more power.

The same was the case with what was going on in that closet: the juxtaposition of life and death–living Surian huddled together with the headless corpses of the Yamas. Furthermore, Surian planned to shoot Callie, but Callie could easily kill Surian.

***********

Immobilized Thurston was fidgeting in his car no less than Surian was in that closet. What was worse, Callie flashed images before his eyes of Surian there.

He saw, from Surian’s point of view, her first sight of the headless corpses when the light was turned on, the jagged claw-cuts on the stumps of the Yamas’ necks.

He screamed, realizing this is what she’d seen.

“Agnes!” he gasped.

From that sensing of her point of view, he also felt how immobile she was in that cluttered closet, not his own immobility, but from the same cause–the power of the demoness Kluh inhabiting Callie’s body. He fidgeted violently, frustrated that he still couldn’t move.

Now Callie showed him flashes of Surian’s face up close.

He saw her agape eyes and mouth.

He felt her fear.

“Fuck!” he grunted, still able to do no more than fidget.

************

Callie screamed with pleasure when she came, splashing her ejaculation all over Visner’s cock.

He shook, imagining for a split second that that scream was her about to have a psychotic episode. Still, he kept thrusting, for she made him do it. He couldn’t refuse to screw.

He pulled out of her, then saw the Thai prostitute’s body for a second. Callie laughed when she saw the jolt she’d given him.

She may have traumas from being raped, he thought, but if anything, she’s raping me.

She rolled over and got on all fours. She stuck her ass out, pointing it at him. He looked at it: it changed from her peach buttocks and brown anus to the brown buttocks and black anus of the Thai prostitute.

He got another jolt. He looked at what was now the face of the Thai girl, who had a lewd grin and a sparkle in her black eyes. “You want fuck my ass?” Callie asked in the girl’s Thai accent and ungrammatical syntax, just as he remembered it from years back.

He looked at her ass again, with Callie’s peach and brown again, then back up at her face, with her blue eyes and golden hair. “W-well, I’d like to, but your step-father–“

“Oh, I’ve forgotten about Mort. Stick it in. I’m lubed.”

He looked back down there. She was.

Voodoo girl, he thought. Demon girl. I can’t say no.

He pushed in slowly, carefully, checking her face to make sure she wasn’t in any pain.

Callie wants anal? Surian thought. Doesn’t ass-fucking make her violent? She remembered the time she and Thurston watched her and that other lover of hers through his apartment window, when his attempt to force anal made her change into the clawed beast. She wants Visner to provoke her into killing him, doesn’t she?

She fidgeted, and still could do no more than budge slightly.

Visner moved back and forth, loving the tight, hugging sensation, but looking in her eyes with concern, for she was looking back at him. Her eyes sometimes told him of her desire, and sometimes of her fear.

His face would mirror that fear back at her.

Sometimes, her fearful face was that of the Thai prostitute, her dark lips in a frown, and her black eyes full of shame.

Again, Visner felt a jolt of fear and guilt shoot throughout his body, with her every change to the Thai girl.

Then, she’d change back to blonde, lewdly-smiling Callie. Though his arousal was rising, he found her changes back not very reassuring.

Surian squinted her eyes trying to see what was going on outside those folding closet doors. Is Callie’s skin switching back and forth from white to black, and back to white again, or am I seeing things? she wondered.

**************

Thurston was too exhausted to fidget anymore, so he let his body sit loose in his car. He’d budge every ten seconds from now on, to see if Callie had set him free.

Sometimes, he’d budge on other occasions, such as when Callie made him see such split-second visions as this:

Surian being stabbed between the legs with a phallic claw.

“Agnes!” he yelled with a jerk.

**************

Visner heard, after giving her a strong thrust, a grunt of what sounded like pain. He checked her face when she looked back at him. He saw a frown, like the kind the Thai girl would give him.

He thrust hard again, feeling forced to do so by Callie, in spite of her apparent discomfort. He saw another frown…and he heard a growl.

He kept moving back and forth. All he wanted to do was pull out, get off the bed, grab his clothes, and run, but he couldn’t. Her power was forcing him to continue with the sex.

She looked back at him, moaned, and gave him a ‘reassuring’ grin. His fear and arousal were merged and strengthening each other. And that merging of opposite feelings made her all the more powerful.

He felt himself nearing orgasm. Then he heard another growl. A shot of terror went through his body as he shot his first ejaculation. He saw hair growing on her arms as his come kept firing out. Claws were growing from her fingernails, making his eyes and mouth open wide. She looked back at him with a wild, hairy face.

She let out a loud roar.

He screamed. Then he felt his face being forcefully shoved into the hair on the back of the beast’s head.

Surian was shaking in that closet with all her might to overcome, still in all futility, her immobility. “C’mon, goddamnit!”

She peaked through that slit between the closet doors. All she could make out was his relatively hairless body seemingly stuck to her hairy body.

The odd thing was that there didn’t seem to be any slashing or stabbing with those claws, no blood splashing anywhere, just the two bodies clinging together.

***********

Thurston saw split-second visions of Callie and Visner, seeing the two lovers face-first as if he were sitting at the head of the bed, only she was getting hairier with each flash of them before his eyes. Her claws got longer and sharper with each flash, too. Strangest of all was how Visner grew closer and closer to her, as if glued to her.

“Fuck!” Thurston shouted, shaking in his car still with the same futility as Surian’s. “Fuck! Fuck! Fuck! Where’s Agnes! What’s happened to her?”

***********

“Let me out of here!” Surian screamed.

The reply she received was a growl and the calm words, “Soon, Agnes. Real soon,” only they weren’t with Callie’s voice, but with Visner’s.

The shaking on the bed had stopped. No more creaking, no more fucking. Just the sounds of the clawed beast’s grunts.

Surian strained again to see through that crack. Visner’s body seemed to lie limp on the beast’s hairy back, from what Surian could make out. What she could no longer make out was where Visner’s body ended and the hairy beast’s began, for the one seemed to phase into the other.

She wasn’t sure, but it also seemed that Visner was now beginning to grow long hairs on his torso, ones similar to the beast’s.

The width of the two torsos, one on top of the other in profile, seemed to be narrowing.

**************

Thurston’s visions of Visner and Callie on that bed now showed split-second flashes of what seemed to be one huge hairy body, with his head merged with hers from behind, as if Visner’s face were lost in the sea of Callie’s hair on the back of her head.

“What the hell am I seeing?” Thurston asked, sneering.

**************

Through that slit between the closet doors, Surian saw what seemed a singular, hairy figure get off the bed and stand in front of her, the closet doors the only things separating her and the beast. She heard a grunt.

Finally, she felt free to move. The demoness had let her go. She shoved the doors open.

Before her stood one naked, hairy beast with breasts and a curvaceous figure, but with Visner’s gut. It had a face that was a cross of the female beast’s and Visner’s, and between its thighs was a long, sharp, thick claw for a phallus, pointing up in an arc at her, ready to stab.

Eyes agape, she screamed an ear-piercing wail, then pointed her pistol at the beast’s chest, frantically trying to find the dead centre of its heart in so short time.

Her eyes and mouth still wide open, Surian couldn’t stop screaming, but the beast would end the noise. Its red, slithering tongue shot out of its mouth and went deep into Surian’s, a tongue of seemingly endless length, flying at her face like a snake racing inside a hole in the ground. That spike of a phallus reached for her crotch.

Gagging, she shook all over, but kept her aim: she fired a bullet in the hermaphrodite beast’s heart, as close to dead-centre as she could hit it, just when the point of the phallus had punctured a hole in her pants and underwear, between her legs, meeting her vulva.

‘Claws,’ an Erotic Horror Novel, Chapter Fifteen

“I’m gonna end this once and for all,” Detective Surian whispered to herself, then jumped in her car and raced over to Callie’s apartment building.

Detective Thurston didn’t even notice her car drive away when he arrived at the Yamas’ dry-cleaning shop. He got out of his car and, eyes and jaw agape, looked at Vanessa’s and Raymond’s heads on those poles stabbed into the front door of the shop. He retched.

When the other police cars arrived, he’d be too busy explaining what happened to the two owners to think about Surian.

************

She parked her car in front of Callie’s apartment building, got out, and took out her pistol. She ran up the stairs and through the front door, got into the elevator, and went up to the seventh floor. She pushed open the slowly-opening elevator doors to get out faster and squeezed through in her frantic impatience.

As she ran down the hall to Callie’s room, she noted that the pheromone smell was as powerful as ever, but it wasn’t weakening her will at all; indeed, after forgetting to hold her breath, she was surprised at not feeling in any way controlled by the demoness.

In fact, Callie’s front door was open.

She wants me to go in, Surian thought, remembering the opened door to Dr. Visner’s office when she’d gone in to plant the hidden camera. This is a trap. Still, I’ve got to try to stop her. There seems to be no other way, and I’m sick of this shit. A memory of that bear killing her teen boyfriend flashed before her eyes again, as did that dream of the hairy, clawed beast attacking Thurston. A bullet fired directly dead-centre into her heart should kill her, as the Yamas said it would.

She went into the room, her eyes darting around everywhere to see if Callie was there. Her pistol was cocked.

The apartment seemed empty of people.

The bedroom door was wide open.

She went in.

Nobody was there.

She checked behind the bed.

Nobody.

She went over to the closet, which had two folding doors. She opened the right-side one.

No Callie hiding in there.

The pheromone smell was so powerful, it cancelled out any other possible competing smells.

There was enough room for Surian to slip in and hide on that right side; the other side seemed crowded with clothes on hangers, and with boxes on the floor, so she figured she’d have no unwelcome company while hiding there.

She went in and closed the closet door.

She’d wait for Callie to return, then surprise her with bullets in the chest.

After a few minutes of waiting, she came to her senses and realized she should have properly checked the other side of the closet; the pheromone smell had interfered with her thinking after all.

She moved a few of Callie’s dresses aside, then groped around in the darkness with her left hand. She felt what seemed to be an arm. She raised her pistol in her right hand, ready to shoot, but realized the body wasn’t responding to her touch. It didn’t move at all.

She moved her hand up the body, above the shoulder, and felt around for the neck.

She felt only a stump, and the jagged, bloodless cutting-through of claws.

She gasped.

Just then, the bedroom light was turned on, and enough light shone through the crack to let her know that she was standing next to not only Vanessa’s headless body, but Raymond’s behind it.

Surian stopped herself just in time before screaming. She wanted to kick open the closet door and point her pistol at Callie, but found herself suddenly incapable of any movement beyond fidgeting of a few millimetres all around.

“Not yet, Agnes,” Callie told her from the other side. “Don’t worry, though: we’ll all be together soon enough.”

It took all of Surian’s effort to remain calm while paralyzed in that closet indefinitely, tolerating the proximity of those two corpses. She just shook and shook.

Callie, nude as usual, sat on her bed, closed her eyes, and–from what Surian could make out through the narrow slit in the closet door–began meditating.

Come, Dr. Visner, Callie thought, using the mana from the semen she’d swallowed during her sexual encounter with the psychiatrist. Come to me. Let’s make love.

************

Visner left his office like an automaton and went down to the underground parking lot to find his car. He didn’t need to know her home address: her power would guide him there.

Somewhere in the back of his mind, behind her remote control of him, a small voice was whispering in his mind’s ear: I shouldn’t be doing this. He also saw images of that Thai prostitute flashing before his eyes, flashing between the changing of the traffic lights.

************

Surian kept trembling in that closet, cringing at the thought of those two bodies she couldn’t distance herself from. She felt a presence inside her stomach, some kind of energy that felt connected in some vague way with Callie’s ejaculation in her mouth when Callie had manipulated Surian to perform cunnilingus on her; it was forcing her to stay in that immobile position, able only to jiggle a bit. Is this that ‘mana’ that the Yamas were talking about? she wondered.

She saw Callie still sitting cross-legged on her bed, her eyes closed and concentrating on something.

Come to me, Doctor, she thought. Come make love to me.

That mana in her belly, from Visner’s ejaculation in her mouth, was like a doll she could move around any way she liked, and Visner was the doll outside, his car nearing her apartment building.

**************

After enough discussion with the police about the Yamas’ heads, Thurston finally remembered Surian.

“Agnes!” he said with a jolt.

“Yeah, what about your girlfriend?” Detective Hicks said. “She found this horrible display, then just took off? Where’d she go?”

“I don’t know,” Thurston said. “I imagine she got so upset, she just went over to Callie’s apartment to arrest her.”

“We have no proof, apart from your hocus-pocus bullshit, that this ‘Callie’ is in any way connected with all these deaths,” Hicks said. “Hairs of the animal weren’t found anywhere near that apartment this time.”

“Still,” Thurston said. “I should go over there and help her. She’s putting herself in danger.”

“She ain’t interested in you, Andy,” Hicks said, then put his hand on Thurston’s shoulder. “Try a new experience. Open your mind.” He smirked lewdly.

“Sorry, Hicks. I’m not into men.” Thurston ran to his car, got in, and drove over to Callie’s apartment building.

As he was driving away, Hicks watched his car disappear. Andy’s an idiot, just like his girlfriend, he thought. He is good-looking, though.

************

Dr. Visner arrived and parked his car by the park across from the apartment building. As he crossed the road, he thought, This is dangerous. She really has killed people during sex, hasn’t she? I’m not in control of my body; she’s controlling it.

He went through the front door of the apartment building and approached the elevator.

This is some kind of voodoo magic, and I don’t even believe in such things, he thought.

He remembered fucking the Thai prostitute in the ass, then reading the news of her death in the paper.

What if my fucking of Callie triggers a rape trauma of her step-father, and she uses these powers to kill me, or do some other terrible thing to me?

He got in the elevator, and Callie willed him to push 7. See? he thought. How do I know she’s on the seventh floor? I have no control over my movements. I can’t stop myself from having sex with her. I’m putting myself in danger; she’s making my mind want to have sex with her. What is her plan?

He reached the seventh floor, got out of the elevator, and went straight to Room 717, knowing that’s where she was.

The door was still open. He went in.

“Hello, Dr. Visner,” Callie purred as he entered the bedroom.

Oh, shit, Surian thought. I should have known Callie would be luring him here. And I can’t stop her.

Callie spread her legs and lay on her back. Dr. Visner felt compelled to begin undressing.

***********

Thurston was a few blocks from Callie’s apartment building. All of a sudden, though, he felt himself being controlled by an alien intelligence, making him park his car in a parking lot in the area, instead of in front of her place.

“What the fuck?” he said. He budged to get out of the car, but now couldn’t move beyond slight budging.

Not yet, Callie’s voice whispered in his mind’s ear. Don’t worry, though: we’ll all be together soon enough.

‘Claws,’ an Erotic Horror Novel, Chapter Fourteen

[Some sexual content]

After leaving two…mementos…of her encounter with the Yamas at their dry-cleaning shop, the hairy beast ran and jumped down the streets in the direction of The Gold Star. Though she was seen by onlookers, including cops in patrol cars, throughout Toronto, the growing power of her pheromone smell kept everyone too dazed to follow her.

Eventually, by about midnight, she stopped her running and jumping, calmed down, and began shedding hair. Her claws shortened into normal fingernails. Her pheromone aphrodisiac, though adding to the erotic pleasure of seeing her transformation back into shapely, nude Callie, nonetheless kept its dazed sniffers at bay as she walked, in the most carefree, insouciant way, towards the front door of the strip joint.

One of those sniffers of her sexy smell was none other than Dr. Visner, who felt compelled to see her again at The Gold Star. In fact, he was walking on the same sidewalk that the balls of her pretty bare feet had just tapped on, so he noticed the growing amount of wisps of her bestial hair.

He picked up a few and sniffed that arousing pheromone smell. “Callie,” he sighed with a smile.

He looked further ahead down the sidewalk, and saw a beautiful nude female figure from behind. The street lights and shadows worked together to caress her buttock cleavage.

He walked faster towards her.

She sensed his approach and grinned.

When he was about five feet behind her, she turned around to face him. She grinned when he stopped and let his eyes roam down her body to feast on those wiggling breasts and that hairless crotch. Embarrassed by his lust, he yanked his gaze up to her eyes.

“You can stare at my body if you want to,” she purred. “Enjoy yourself. I won’t be mad.”

“Yes, but…you’re my…patient,” he panted, resisting the temptation to let his gaze drop back down below her neck. “I shouldn’t–“

“Come here,” she cooed. He did.

She put her arms around his neck. He put his hands on her ass and gave the cheeks gentle squeezes as they French-kissed.

She pulled her tongue out of his mouth and said, “Let’s go into a VIP Room. My services to you are free of charge tonight.”

They held hands as they walked into The Gold Star.

They went into a VIP Room, he sat on the couch, and she sat on his lap. Rubbing her buns against his erection, she leaned back with her flowery-fragrant hair (another example of Kluh’s growing powers, to smell so lovely after having just been the sweaty beast) brushing against his face. She turned her head back and looked in his eyes.

“I love revealing…all my secrets to you,” she sighed in his ear. “I revealed all my…private pain to you…during our therapy. Now I can…reveal my…private parts to you.”

“Yes, but is it…the real you…that you revealed to me?” he asked. “Is this some game?”

She frowned and stopped lap-dancing. “Of course it was the real me. All my private feelings.” She turned her frown back into a smile, then resumed rubbing. “Now I can…reveal my…private parts to you.”

“I’d love that, but…,” he grunted from the sensation of her massaging bottom. “I still feel…as though…I’m taking advantage of…a vulnerable, fragile patient.” The memory of that Thai prostitute he’d had when young flashed before his eyes.

“Dr. Visner, it is I who am taking advantage of you.”

“You are?

“Yes,” she said, grinning as she got up and turned around to face him. She rubbed her breasts against his face and slid down between his spread-out legs. “I’m practically raping you.”

“Oh,” he said with a slight smile.

She unzipped his pants. Another image of that Thai prostitute appeared in a flash before his eyes, a memory of her about to perform oral sex on him.

“Wait,” he said, stopping Callie’s hand. “Not here. People in the bar might hear us.”

“Oh, they’d hear my screams for sure, if you put it in my pussy.” She moved his hand out of the way and put her fingers inside his open fly. “That’s why it’s best if it’s only your moans, drowned out by that metal music the DJ’s playing.” She took his cock out and wrapped her wet lips and tongue around it.

Her hypnotic eyes stayed fixed on his as her head went back and forth.

As she continued blowing him, he saw her face shift back and forth between Callie’s and the Thai prostitute’s. His heightened guilt augmented his arousal as those moist lips and tongue slid and slithered back and forth along his length.

Is this me seeing both girls? he thought. Or is Callie somehow making me see this?

Finally, he came in her mouth, his body shaking as he shot every squirt down her throat. She swallowed every last drop greedily, as if dying of thirst. Grinning, she put his spent dick back in his pants and zipped him up. “OK, Doctor. I guess that’ll be all for now.”

“OK,” he panted, unsure whether to smile after getting the most amazing head, or to frown from his guilt. He took out his wallet.

“No, no,” she said, waving her hands. “I told you: my services are free tonight, as they will be from now on.”

“Very well, then. I’ll see you in my office next time.” He left the bar, still holding that wisp of beast hair between his fingers.

She grinned from the feeling of his ejaculation inside her body. Its energy, its mana, would be useful to her very soon.

***********

The next morning, Detective Surian was woken up by her ringing cellphone.

“Hello?” she said into it.

“Remember me, Detective?” the caller said in a rush. “I’m Sam. I helped you find the Yamas.”

“Oh, hello, Sam,” she said after a yawn. “What’s going on?”

“Hurry over to the dry-cleaners!” Sam said with agitation in his voice. “Something terrible has happened. You’ve got to see it. It’s too awful for me to describe. Hurry!”

She rushed over there in her car so fast, she forgot to call Thurston.

When she got there, though, she took out her phone to tell him. “Get over here, Andy,” she said. “I’m at the dry-cleaners. I know how the exorcism attempt worked out.”

She stood before the entrance to the dry-cleaners. Vanessa’s and Raymond’s bloody heads were on steel poles stabbed into the top of the wooden front door.

‘Claws,’ an Erotic Horror Novel, Chapter Thirteen

“I never asked you before: how much did it cost you to fix the dent?” Thurston asked Surian as they got in her car with the Yamas, who brought with them a small gong, a jingle bell (to be shaken on a handle), and incense sticks.

“It cost far too much,” Surian said with a frown, then she put her key in the ignition.

“What caused the damage to your car?” Raymond asked.

“Not what, who,” Surian answered, starting the car.

“Was it Kluh?” Vanessa asked.

“Yes,” Thurston said. “She jumped high in the air and came down on the roof.”

“Don’t remind me,” Surian said, remembering also the bear attack from her teen years as she got the car on the road.

“What else can you tell us about Kluh?” Thurston asked.

“What else do you want to know, specifically?” Vanessa asked.

“Like, what motivates her to kill sometimes, and other times, just to lure you in for sex?” Surian asked.

“Well, there are many motives for her to kill,” Raymond said. “Revenge on, or protection from, a rapist. Also, any threat to her growing power–“

“Which means, my husband and I are putting ourselves in danger,” Vanessa said.

“Since you know the danger, are you sure you want to go through with this?” Surian asked.

“Yes, we must do this. Only we can stop Kluh,” Raymond said.

“And if she kills you?” Thurston asked.

“You’re all screwed, not just you two, but everyone,” Raymond said. “Vanessa and I are your best hope to send Kluh back to the spirit world. Of all the people in the Polynesian community in the Toronto area, we are the most knowledgeable in how to perform the kind of exorcism that can defeat this demon.”

“If you two fail, and she kills you,” Surian said, “Andy and I will be standing by to shoot her if necessary.”

“No!” Vanessa shouted. “You drop us off at Callie’s apartment, tell us her room number and the floor she lives on, and Raymond and I will do the rest. You must drive far away when we begin the ritual.”

“Why can’t we be with you?” Thurston asked.

“Because you’ll distract us,” Vanessa said.

“We’ll be quiet and stay out of your way,” Surian said.

“No!” Vanessa said. “Your very presence, your psychic energy, your mana, will contaminate the ritual. With any luck, no one else in the halls outside her room will interfere, psychically or physically. I’m hoping anyone she may have made love with in the apartment will not be anywhere near there.”

I’ll have to make sure ‘Super-stud’ isn’t at home, Surian thought, assuming what the Yamas is saying isn’t total bullshit.

“You see, she is acquainted with both of you,” Raymond said. “Certainly with Andy, in an intimate way. The more intimate you’ve been with her, the more you’ll contaminate the sacred space.”

I guess I’ll have to stay far away, too, Surian thought, remembering her encounter with Callie.

“Kluh can exploit the mana she’s absorbed from you, to thwart us in our attempt to exorcise her from Callie’s body,” Vanessa said.

“From Sandra Brahms’s body, as I told you before,” Surian said, then handed Vanessa a photo of Sandra. “This, I believe, is how ‘Callie’ originally looked.”

Vanessa looked at the chubby teenage girl in the photo, then showed it to Raymond before giving it back to Surian. “If our exorcism is successful, we can expect to see Callie’s body change into this Sandra girl’s,” Vanessa said. “But as I said before, you two mustn’t be present. We also fear Kluh will try to kill you if she kills us.”

“OK, we’ll stay away from your exorcism, if you insist,” Surian said. “We’ll wait for a phone call from either of you, and if we don’t hear anything by tomorrow, we’ll go to your dry-cleaning place, and if you’re not there, we’ll assume Kluh has killed you.”

“OK,” Raymond said.

“But what else can you tell us about Kluh?” Surian asked. “Why d0es she have sex with some people, and lets them live?”

“Well, sometimes she does it for pleasure, of course,” Vanessa said. “But always to take some of her lovers’ mana, and now that Kluh seems to have a permanent female body–that is, she isn’t moving from one girl’s body to another’s with every sexual encounter–we can assume this Sandra, or Callie, is her ideal female, her female mate, so now she’ll be looking for an ideal male as a mate, to make herself complete.”

“So, she’s looking for Mr. Right?” Surian asked.

“That’s a good way to put it,” Raymond said. “Remember that she builds power by merging opposites.”

“And the fusion of male and female is one of the most powerful kinds of a merging of opposites,” Vanessa said. “I’ll bet that psychiatrist she got naked for in the video is her chosen male mate. He doesn’t seem to be a lover she wants to have only one time.”

“Oh, yeah,” Thurston said, remembering the night of his encounter with Callie. “I saw her say goodbye to Dr. Visner in The Gold Star.”

“She’s getting regular psychotherapy sessions with Visner, too,” Surian said. “What will happen if the two of them…mate?”

“Kluh will be almost unstoppable,” Raymond said.

“Oh, come on!” Thurston said. “Can’t we kill her by filling her chest with bullets?”

“Only a hit dead-centre in her heart, or right in the middle of her brain, will send Kluh back into the spirit world,” Raymond said.

They arrived at the front of Callie’s apartment building, Surian parking at the curb of the sidewalk there. The Yamas got out of her car with their things for the exorcism ritual.

“Are you sure you don’t want us in there with you, in case Callie turns into that thing, claws you to death, then goes rampaging through the night?” Thurston asked, looking up at the setting sun.

“We’re absolutely sure,” Vanessa said with urgency in her face. “Drive far away, and don’t phone us until tomorrow morning, if you hear nothing from us tonight. Or, you can try to contact us at our shop tomorrow.”

“OK,” Surian said, looking around the area. “I have to make sure ‘Super-stud’ isn’t in his apartment…oh, wait. There he is; he’s leaving.” She spotted the first-floor neighbour who’d had Callie; he was walking away from the apartment in a uniform, about to do the night shift, apparently. “That’s convenient.”

“OK, we’ll contact you tomorrow if you haven’t said anything by then.” Thurston said. “She’s on the seventh floor, Room 717. Goodbye.”

“Bye,” the Yamas said together, then watched the detectives drive away. Once Surian’s car was far enough away to have disappeared from sight, Vanessa and Raymond felt comfortable to begin the ritual. They heaved a huge sigh together. They then each lit an incense stick for themselves, to carry with the gong and jingle bell stick.

They went through the front doors of the apartment building, and as soon as they were inside, Raymond began hitting the gong with a mallet, getting a gentle, ringing bass tone from it, and Vanessa began shaking the bells. They were playing a triple-time rhythm of one gong beat for every three shakes of the bells.

Vanessa pressed the button to bring the elevator down to the first floor. They got in the elevator. As soon as it began going up to the seventh floor, they, always playing their 3/4 rhythm, began whispering a mystic chant in their native Tahaiwi language.

“Kluh, sa-bang! Kluh, sa-bang!” (Kluh, go back! [to the spirit world]) The whispering grew louder as the elevator rose up the floors.

By the time they reached the seventh floor, the door opened, and they stepped out of the elevator, the whispering had grown to a loud, vocalized chant.

“Kluh, sa-bang! Kluh, sa-bang!”

They smelled the powerful pheromones, but their incense protected them from its hypnotic properties.

Vanessa began a twirling, hopping dance as she and Raymond went down the hall towards Callie’s apartment. They hadn’t needed to know the number: both the growing smell of the pheromones and their ability to sense the presence of Kluh led them to the right apartment–Room 717.

Vanessa continued twirling and hopping in front of Callie’s door. The Yamas were shouting the chant now: “Kluh, sa-bang! Kluh, sa-bang!”

No one else in the apartment opened his doors to find out where the shouting was coming from. Everyone sensed the effectiveness of the ritual intuitively, even without a conscious understanding of the nature of Callie’s power. There was a collective feeling of hope that their apartment was soon to be freed of a vaguely evil presence.

Callie, nude from head to toe as usual, opened her door to receive the Yamas, as if she were being compelled to. She reacted to them almost like an automaton.

“Kluh, sa-bang! Kluh, sa-bang!” They entered the room.

Raymond had to use all of his strength to resist the temptation to enjoy looking at her shapely, buxom body, to focus on the ritual, to remember that he loved his wife. Callie, having closed the door and turned around to face the exorcists, flitted back over to him, and danced around in front of him to entice him with her body.

Still, he and Vanessa carried on with the ritual, not allowing themselves to be distracted by Callie.

“Kluh, sa-bang! Kluh, sa-bang!” they shouted to the 3/4 rhythm, over and over again, him hitting the gong, and Vanessa shaking the bells and doing her twirling, hopping dance.

“Don’t you want me, Raymond?” Callie purred at him, gyrating her hips and jiggling her tits before his eyes. “That wife of yours looks like a little elephant-lady, she’s so chubby. Don’t you think I’d be more fun in bed?”

“Kluh, sa-bang! Kluh, sa-bang!” the Yamas repeated, as if Callie hadn’t said anything.

Callie frowned. “She’s mine!” she shouted. “Sandra Brahms is mine. You’re not taking her from me. Make love with me, Raymond, and I’ll let you live.”

“Kluh, sa-bang! Kluh, sa-bang!”

Callie began faltering in her counter-exorcist, erotic dance. Now scowling, she said in the Yamas’ native Tahaiwi tongue, “Sandra is my mate. I searched a long time, all over the Earth, for centuries, to find the ideal female body to control, and Sandra Brahms is she! She’s perfect. A pretty face with a chubby body: beauty merged with plainness. She would have been modest, avoiding sex, but her stepfather made her into his whore: chastity and unchastity combined. She’s suffered, but I’ve made her happy: joy and sorrow united. She’s the perfect merging of opposites, to give me enough mana to make me more powerful than anyone could ever know. She’s my mate, she’s mine! I have her male mate in my sights, too, and he’ll be mine soon!”

“Kluh, sa-bang! Kluh, sa-bang!”

Callie fell to the floor in front of the living room sofa, on which a white blanket lay. She began shaking all over, as if having an epileptic seizure.

“Please,” she said in the whining, pleading voice of a frightened teen, “Get this demon out of me. I just want to be Sandra again. Please, help me!”

“Kluh, sa-bang! Kluh, sa-bang!” The Yamas drew closer to her as they continued chanting.

Callie’s body started changing. She became shorter. Her pubic hair grew back. She lost her shapely curves, her body growing rotund, like Vanessa’s.

Nude Sandra looked up at the two chanting exorcists, who were staring at her with ritual intensity. Blushing, she pulled the blanket over herself.

“Thank you,” she said in a tremulous voice, her eyes avoiding theirs as they continued their chanting, shaking the bells, banging the gong, and dancing up close to her.

The chanting of “Kluh, sa-bang, Kluh, sa-bang” grew softer and softer until becoming the whisper it had been in the elevator. The Yamas, even closer to Sandra now, bent down to get a good look at her to make sure she really had Kluh exorcised from her.

Raymond was still hitting the gong, though softer, and Vanessa was still shaking the bells…softer and softer. They looked into Sandra’s eyes.

They never noticed the hairs snaking out of her arm follicles.

“Unh!” they grunted together when they felt her stabbing claws dig into their guts.

The tall, curvaceous, hairy beast grinned, looking down at the two bloody bodies lying on the floor.

**************

Late that night, Surian and Thurston were sitting together in a café with their cellphones lying next to their half-drunk coffees.

“Come on, Vanessa,” Surian said. “Call me!”

‘Claws,’ an Erotic Horror Novel, Chapter Twelve

The next day, Detectives Surian and Thurston were sitting on a bench in a dry-cleaning store, waiting to talk with the mom and pop owners, both of them of Polynesian descent. The detectives were watching a video recording on Surian’s cellphone.

“How were you able to sneak a hidden camera into Dr. Visner’s office without him or his receptionist knowing?” Thurston asked.

“I think ‘Chloe’ used her powers to distract those two so I could get in,” Surian said, trying to fast-forward the video to the exact point where Visner’s session with Callie began. “The door to his office was conveniently left open, with neither the shrink nor the receptionist around at the time to see what I was doing there.”

“If ‘Chloe’ used her powers to help you get info,” Thurston said, “then this must be part of a trap she’s laying for us. We’d better be careful.”

“Yeah, I know,” Surian said. “We’ve always known the dangers involved in pursuing her. Let it work. We need everything we can get to learn as much as possible about her. We’ll have her hoisted on her own petard soon enough. By the way, since I’ve already watched this video recording, I know what name she goes by from day to day: Callie Seaver.”

“So, ‘Chloe’ is just her stripper stage name?”

“Yes. It’s also Sandra Brahms’s mother’s name. And Callie is Sandra’s middle name, and Seaver was her mother’s maiden name.”

“Hmm. Interesting set of coincidences.”

The store owners walked up to them.

“Hello,” the female owner said. “My name is Vanessa Yama, and this is my husband, Raymond.”

The detectives got up and shook their hands. “Hi. Detective Andrew Thurston. Call me Andy.”

“Detective Agnes Surian,” she said, shaking Vanessa’s hand. “To get an idea of what I was talking about before with you, let’s watch this video I got of ‘Chloe,’ the stripper name of Callie Seaver, during a psychotherapy session with a man named Dr. Visner.”

“They allowed you to record this?” Vanessa asked.

“No, but I think the spirit inside Callie allowed me to sneak in and put a hidden camera in the room,” Surian said.

“If Kluh helped you do that, then she has plans for you as well as Callie and the psychiatrist,” Raymond said. “Kluh is all about…bringing people together.”

“So, what do you know about this ‘Kluh’?” Thurston asked.

“Let’s watch the video first, to see if this Callie really is possessed by the demoness,” Vanessa said. “We’ll be able to tell by her manner if Kluh is controlling her.”

They all sat side by side on that bench with Surian in the middle, all of them leaning over to look at her cellphone. She pressed PLAY.

“So, what has Kluh done lately, besides almost seduce me in The Gold Star?” Dr. Visner asked Callie in the video.

“I seduced one of the two cops who have been following me,” she said. “He was fun in bed.” She giggled.

Thurston’s face went red. Surian looked over at him and smirked. Now the Yamas’ faces went red.

“Did the beast claw him to death?” Visner asked as he jotted a few notes down. “I didn’t hear anything in the news about any killings lately.”

“We’ve heard about all those killings, of course,” Raymond said. “A hairy female beast with claws slices up her male lovers during sex. That sounds like Kluh.”

“And the girl in the video sure looks like a typical female host for the spirit,” Vanessa said. “Beautiful, sexy, and seductive.”

“Kluh can change the physical appearance of the host to make her more attractive to men,” Raymond said.

“We suspect that ‘Callie Seaver’ was originally Sandra Brahms,” Surian added. “A rather plump teenage girl sexually abused by her stepfather, who was killed by the beast in Hamilton a month or so ago.”

“She wrote about trying to contact the spirit world in several entries in a diary we found in her stepfather’s house in Hamilton,” Thurston said. “She tried to contact her mother’s ghost.”

“That is how Kluh is typically summoned,” Vanessa said with widened eyes. “The demoness initially pretends to be the ghost of a loved one trying to communicate with it. She exploits the emotional weaknesses of people she wants to take over, to get in.”

“Hey, let’s pay attention to the video,” Surian said. “Watch what Callie is doing. She’s undressing in front of the shrink!”

“Callie, please don’t do that,” Visner said, covering his nose and mouth. “That isn’t just any old perfume, is it?”

“Kluh’s pheromones,” Raymond said. “Her aphrodisiac for luring you in.”

In the video, Callie was standing before Dr. Visner in only a black lace bra and panties, and in black high heels.

“C’mon, Doctor,” she said, unhooking her bra. “You’ve seen it all already. Live a little.” She removed it and shook her breasts.

“She must be Kluh,” Vanessa said, noting the black panties coming off. “This is exactly the kind of exhibitionism we’d expect from the sex demoness. We’ve seen enough. We’re convinced this girl is the host.”

Surian stopped the video, saying, “Right when it was getting interesting.” She set her phone up to get an MP3 recording of her conversation with the Yamas. “OK, what do you know about Kluh? What does she want? How’s she going to get it?”

“I remember hearing stories about a ghost named Kluh back in my childhood, when Raymond and I grew up in Tahaiwi,” Vanessa said.

“Tahaiwi?” Thurston asked.

“It’s a small, obscure island in the Pacific Ocean, just south of the Equator at the northeastern-most point of the Polynesian triangle,” Raymond said. Thurston and Surian still had confused looks on their faces. “It’s northeast of the Marquesas Islands.”

“Thanks for the geography lesson,” Thurston said. “But what about Kluh?”

“To know about Kluh, you need to know a bit about Polynesian beliefs,” Vanessa said. “Our gods are similar to those of other Polynesians, but we have a lot of local beliefs that are really different from theirs, including how we conceive of mana.”

“What’s that?” Surian asked.

“It’s a special power in all living beings, but some have more of it than others, due to political influence, success in war, or, as we in Tahaiwi understand it, due to a stronger connection with the spirit world, which unifies everything,” Raymond said.

“We Polynesians stress the duality of all life,” Vanessa explained. “Body vs. spirit, good/evil, birth/death, pleasure/pain, etc. But in Tahaiwi, mana can grow through the merging of opposites.”

“OK,” Surian said. “But where does Kluh come into all of this?”

“Well, she builds power by uniting such opposites as beauty and ugliness–for example, having a sexy body, then turning into the horrible, clawed beast. She has sex, implying the creation of life, then kills her lover, causing the end of life,” Vanessa said.

“The merging of her spirit with Callie’s body is another merging of opposites,” Raymond added. “The same is true of her merging of opposing identities: the uniting of self and other.”

“That’s what Kluh has done with Callie,” said Vanessa. “And she’ll continue to do that, again and again, until…” She paused, not knowing how to continue.

“Until what?” Thurston asked.

“It’s hard to say,” Vanessa said. “It’ll sound over-the-top. You won’t believe it.”

“Just say it,” Thurston said.

“Until she’s absorbed all life on this planet, making it all a part of her,” Raymond said. “Causing the end of everything as we know it, like the end of the world. Then, there will be a new beginning. The end of the old life cycle, and the beginning of a new one.”

“You’re right,” Surian said. “I don’t believe it.”

“Look, all you need to know is that we need to stop her before she kills again,” Vanessa said. “We’ll need to do an exorcism as soon as possible, before she gains any more power. I’m not sure if we’ll be able to stop her as it is, but we must try.”

“Yes,” Raymond said. “Let’s go over to her place right now. You know where she lives?”

“Yes,” Surian said. “Let’s go.”

‘Claws,’ An Erotic Horror Novel, Chapter Eleven

[some sexual content]

Nude Callie had a special guest in a VIP Room in The Gold Star that night: Dr. Visner.

“How did you know,” he panted as she rubbed her ass against his pointy lap, “that I was with…a Thai prostitute…when I was a young man?”

“How do you think…I know?” she sighed, getting wet from the pleasure of that point rubbing against her vulva.

“You must have found…an old…archived…newspaper story…about what…happened to her,” he moaned.

Callie took him by the wrists and put his hands on her breasts. He wanted to resist her sexuality, but her aphrodisiac pheromone smell was too powerful to resist. “What happened…to the Thai girl?”

“Stop pretending…you don’t know,” he sighed, enjoying the softness and smoothness of those large breasts cupped in his hands. “You must know. It was in…the story I read. It’s the only way…you could have known.”

“Oh? Refresh my…memory.”

“I’d rather not.”

“Why not?”

“It makes me feel…as guilty as I feel…with you now.”

Callie got up, turned around, and sat on his lap facing him, but not without first rubbing her breasts against his face. “Confession…is good for the soul. Tell me…what happened to her, and you’ll probably…feel better.”

“She…killed herself,” he groaned. “I read about it…in the paper…the day after…the night I’d had her. I recognized…her face in the photo.”

“Why do you think…your fucking her…was what made her…want to kill herself?” Callie asked. “How was your fucking her…any worse than…what any other man…could have done to her?” She put his hands on her ass, his fingers resting against her anal cleft.

“Because I…had anal with her. I paid her well, but I don’t think…she was too…accepting of how I…fucked her.”

“Were you too rough?” Callie asked, spreading her ass so his fingers would touch her anus.

“I don’t know,” he panted, one of his fingers massaging Callie’s anal ring. “I don’t think…I physically hurt her, but I think…she thought…what we were doing…was shameful.”

“I wouldn’t think that,” Callie said. “Ooh,” she moaned at the feeling of that finger. “I’d let you…do me that way.”

“But, your trauma…with your stepfather, Mort. I remind you…too much of him.”

“Oh, but you’re like…a good version of him,” she purred in his ear, then pecked him on the lips.

“How am I…’a good version,’ given what I did…to the Thai prostitute?” he asked.

“Because you resist…the temptation to have me. I like that. You’re a challenge. You can control your lust.”

“I didn’t…with the Thai girl.”

“You were young. You’ve learned to be good…since then.”

“My lust…made her kill herself.”

“You don’t know that. Anything could have happened…to make her want to kill herself. Stop blaming yourself.”

“But you’re my patient,” Visner said. “To sleep with you…would be a breach…of professional ethics.”

“And yet, you’re still here.” Her hand gave the erection in his pants a light squeeze, getting a grunt out of him.

“And that’s why…I should go.” He got up, the song having just ended, and put some money on the table. “I’ll see you tomorrow afternoon in the office.” He left.

And that’s why I like you, Callie and Kluh thought together. You’re no pig. She put the money in her purse and left the VIP Room, too, not bothering to put any clothes on.

Back in the main area of the strip joint, she saw Thurston standing by the tip rail, alone…Surian wasn’t with him this time.

What I wanted, Callie/Kluh thought.

The psychiatrist passed by Thurston. “Goodnight, Dr. Visner!” Callie shouted out to him.

“Good night,” he called back, just before going outside.

Thurston recognized her voice, but–being addled by his divided attention between it, and seeing the man she’d called out to–he wasn’t sure which direction he’d heard her calling from. He was noting the erotic scent of her pheromones, though. The demoness in that curvaceous nude body went up to him.

“Good evening, Andy,” she said from behind him.

He turned around, then gasped at the sight of those beautiful breasts and shaved crotch. “You know…my first name?” he asked.

“I know a lot more about you and your girlfriend, Agnes, than you realize.” Thurston was amazed to see Callie’s sudden resemblance to Eva, his old teen crush.

“Agnes isn’t my girlfriend,” he panted, trying not to look down at her tits. Her pheromone scent was like drugs, dazing him.

“Oh, but you want her to be your girlfriend. She wants to be your girlfriend, too, though she’s too shy to say. You’ll be together with her one day. We’ll all be together one day. In the meantime, how about you and I be together for a while in the VIP Room? Would you like me to give you some lap dances? They’re lots of fun. $20 per song.”

“Oh, uh, OK.” As long as Agnes doesn’t know, he thought, she won’t doubt how much I like her. He followed Callie into the VIP Room, and they sat on a couch there together.

Five minutes later, she was grinding on his lap. She brushed her long, wavy hair against his face; the pheromone smell was overpowering.

If Callie seduces me tonight, he thought as he fondled her breasts, may she turn into the beast and kill me right then and there. She may be hot, but I’d rather make love with Agnes. Callie is making herself look like my old teenage crush to fuck with my mind; Agnes, however, is like Eva, in body and soul. I must never forget the difference; I’d rather die than betray Agnes for this demon-whore.

Just then, when the song ended, his cellphone rang. He fumbled to get it out of his jacket pocket. It was Surian.

“Hello?” he said into it with a shaky voice. Callie sat in the chair facing him, a smirk on her face.

“I found some Polynesians, living near Queen Street, who know how to exorcise demons,” Surian said. “Are you in The Gold Star, Andy?”

“Uh, yeah,” he sighed. “Sorry. I felt…compelled to come here.”

“Are you sitting at pervert’s row? The music isn’t all that loud, from what I hear.”

“I’m in a…VIP Room.” He looked up from his phone and saw Callie grinning.

“Are you with her?” Surian asked, almost in anger.

“With ‘Chloe,’ yeah,” Thurston said, with a tinge of guilt in his voice, and noting ‘Chloe’ grinning a wider grin.

“Andy!” Surian said. “Get out of there. You know how dangerous she is!”

“I know…I can’t…help it.”

“She’s turning you on. She’s hypnotizing you.”

“Don’t be jealous. I like you more. You know that.”

“Oh, fuck off with that. You’re in danger.”

“I’m not gonna fuck ‘er, Agnes.”

I wouldn’t be too sure about that, if I were you, Andy, Callie thought.

“Andy, you know how that woman’s sexy smell can mess with your mind,” Surian said. “I’m coming over there. Don’t let her take you out of there.” She hung up.

“Wanna go to a hotel with me?” Callie asked, still grinning.

“Oh, uh, OK,” he said, his eyes half open.

**************

Twenty minutes later, Surian arrived at The Gold Star. She ran in, looking around everywhere in the strip joint. All the VIP Rooms were empty at the time.

“Fuck!” she shouted. “He left with her.” She ran back outside.

**************

In a hotel room just a few blocks away, nude Callie was riding on top of clothed Thurston (his zipper open and his hard cock sticking out), in the cowgirl position. The mattress of their bed squeaked with her every bounce.

“Oh!” she screamed, orgasming. Panting as she got off of him, she noticed he was still as erect as a monolith. “You need to be finished off.” She knelt at the side of the bed, and gestured to him to sit with his legs on either side of her.

He sat there, and she–looking up into his eyes–took his cock in her mouth. He looked down in her eyes, amazed at her skills as her head went up and down on him.

Memories of her blowing her stepfather flashed before her eyes as she sucked Thurston off. Mort’s cruel eyes looking down at her, from her teen memories, made her shake and flinch in agitation.

***************

Surian had driven to Thurston’s apartment, then to Callie’s. No sound of moaning or sex could be heard in either place, let alone any other sounds indicating they were at home.

Memories of that bear attacking her teen boyfriend flashed before her eyes. Please, God, she thought, not knowing anywhere else to look for them, Don’t let the beast kill Andy. “He isn’t answering his phone,” she said to herself as she put hers back in her purse.

***************

I shouldn’t be here, Thurston thought as he looked down into Callie’s eyes. Her mouth and tongue feel fantastic, but I’d rather be with Agnes. She must think I’m just another typical pussy-chasing dude, but even she knows that ‘Chloe’ is controlling my whole time here with her. Sometimes I see a slutty smile on her face, sometimes…I see anger, fear. Is something going to set her off, make that hair grow all over her, make those claws grow from her fingertips? Agnes is right: I’m in danger, but how can I break Chloe’s spell?

As Callie looked up into Thurston’s eyes while sucking his cock, images of his face alternated with those of Mort. She was shaking all over.

As he was approaching orgasm, he listened to her moans–at times, lustful, at other times, menacing. Finally, just before he came, he heard a moan sound like a growl.

His eyes widened.

He thought he saw a few hairs growing on her arms as he shot bullets of come down her throat. He gasped in a mix of pleasure and terror. He squeezed his eyes together as he continued coming in her mouth.

He heard what seemed another growl or two.

Finally spent, and with her lips no longer wrapped around his penis, he dared to open his eyes.

All he saw was smiling Callie, putting his penis back in his pants and zipping him up.

Now he gave a sigh of relief.

“OK,” she said as she rose to her feet. “I think we’re done here, Andy. You can go. We paid for only a ‘rest,’ as you’ll recall.”

“Oh, uh, OK,” he said, his eyes half-open. “Good night. Thanks for the good time.”

“No, thank you,” she said as he staggered to the door. Your come inside me will strengthen our connection, she thought. It’s a good thing I reined myself in at the last second; otherwise, you’d be lying in a pillow of blood.

*****************

As Thurston staggered down the street back to his car in The Gold Star parking lot, he felt his cellphone vibrating in his pocket. He took it out. “Hello?”

“Oh, thank God you’re OK!” Surian almost sobbed. The memory of that bear killing her old boyfriend flashed before her eyes again.

“Yeah, she didn’t change into the beast.”

“Did you fuck her?”

“Uh, yeah. I’m sorry, Agnes. She–“

“I know she made you do her. I’m just glad she didn’t kill you.” He thought he heard a sob or two.

“Really? You mean, you do like me?” he slurred, still feeling a little dazed from the aftereffect of those pheromones.

“Oh, shut up, Andy. You’re my partner, that’s all. I need you.” That bear’s face flashed before her mind’s eye again.

“You need me as…a partner of another kind, I do detect.”

“Fuck off with that, will you? Look, I’ve learned some useful things about her. Not only can we get these Polynesian immigrants to exorcise the demon from ‘Chloe,’ but I know that she’s been seeing a shrink named Dr.–what was it?–Visner.”

“Hey, that name…sounds familiar.”

‘Claws,’ an Erotic Horror Novel, Chapter Ten

Agnes Surian lay in bed that night, tossing and turning in her sleep.

Walking in the woods in British Columbia with her boyfriend, back when they were teens…Sometimes, it’s daytime, sometimes, nighttime, going back and forth between light and dark…she looks to her left and sees Thurston beside her, instead of her teen sweetheart.

“So, the beast is hiding among these trees?” he asks her.

“Yes. I’m sure of it,” she says. “Trust me, Andy, I know what I’m…”

Suddenly, a brown bear appears…She and her old teen boyfriend scream.

The bear attacks her boyfriend, a claw swatting his face.

She pulls out her gun and aims at the bear…A fog floats before her eyes, blurring everything…She drops the pistol…That pheromone smell…The fog clears…Instead of seeing the bear killing her teen boyfriend, she sees Thurston again, being gored by Callie as the beast…Surian screams.

The beast’s body hair falls off, and she changes back into nude, beautiful Callie.

She smiles and spreads her legs for Surian.

“Lick me, Agnes,” she says with lewdness in her eyes.

Surian woke up with a jerk and a grunt.

“Oh, Jesus!” she gasped.

***************

The next morning, Surian went to Callie’s apartment building, to the first floor apartment across from the crates in the alley. She saw the man in his kitchen through the window, the man who’d had sex with Callie that other time.

Surian rapped her knuckles on the window with one hand and flashed her badge with the other. “Detective Agnes Surian,” she said when he opened the door. “I’m working with the Toronto police. I’d like to ask you a few questions about a female tenant of this building, one I know that you’ve had…contact with…She’s blonde, beautiful, and often…without any clothes.”

“Oh, yeah,” he grunted with a lewd smirk. “Her.”

“What can you tell me about her?” Surian asked.

“Oh, she was nice,” he groaned, then licked his lips. “Such a beautiful…”

“Sir, I”m not interested in the pornographic details. Did she tell you her name, or which apartment she lives in? What floor does she live on…do you know?”

“Oh, uh, I think she lives on the seventh floor. I went up to her by the elevator and asked if I could have another screw.” Surian struggled not to roll her eyes. “She told me to fuck off.”

Gee, what a surprise, Surian thought.

“Then I saw her get in the elevator alone. It went up to the seventh floor. Later, I went up there to look around. I turned right after getting off the elevator and went down the hall. There was a powerful, sexy smell that got stronger and stronger as I continued to the end. It was at its strongest when I’d reached the farthest room on the right. It put me in a daze, though, and I couldn’t remember anything after that. Funny thing: the next thing I remember, I woke up in bed here in my apartment. There’s something voodoo about that chick.”

“Thank you,” Surian said. “I think I know all I need now. Goodbye.” She started walking out of the alley.

“Hey!” he shouted just before she disappeared out of the alley. “If you go talk to her, let ‘er know I’d be happy to satisfy her with my cock again!” His eyes were beaming with hope.

“I sure will, Super-stud,” Surian called back, then laughed.

**************

She went into the apartment and got in the elevator. When she got out at the seventh floor, the pheromone smell was already in the air. She held her breath as long as she could as she hurried down to the end of the right-side hall. She opened the hall window by Callie’s door as wide as possible to air out the powerful fumes. She stuck her head out, exhaled, and breathed all the fresh air she could hope to get from outside. Still, that sexy smell dazed her.

Room 717. Her eyesight grew blurry, but not so much that she couldn’t read the number on the door and remember it. She knocked.

Callie answered, opening the door wide.

She stood before Surian, naked from head to toe.

“Good morning, Agnes,” she said with a grin.

“How do you…know my name?” Surian slurred.

“I know a lot about you and your boyfriend cop. The vibrations unifying the universe give me access to all kinds of knowledge, including your life.”

“Andy’s not…my boyfriend.”

“He will be. You want him to be.”

Surian looked down at Callie’s breasts and hairless crotch. “Do you…ever wear clothes?”

“Not if I don’t need to. Anyway, you’ve already seen every inch of me many times, so there’s no point in my hiding my body from you. Do you like it? Check me out again.” Callie turned around for Surian, who admired the roundness of Callie’s buttocks. “I know you’ve experimented with lesbian sex a few times. Come on in. Lick my pussy.”

“Oh,…uh,…OK,” Surian sighed, then entered the apartment.

Callie closed the door and took Surian by the hand, leading her into the bedroom. Callie lay on the bed on her back and spread her legs. Surian put her face in between: the pheromone scent gave her no choice not to.

Callie moaned and sighed as Surian licked and sucked on her hard clitoris. Kluh put a thought in Surian’s mind, repeating it over and over like a psychic chant: Google Kluh…Polynesian myth…know more about who I am…

Callie sprayed her orgasm into Surian’s mouth. Before she knew it, she’d already gulped it down. She rose to her feet, then stood before smiling Callie like a soldier ready to receive her next orders.

“Thank you, Agnes, for giving me so much pleasure,” said the demoness in flawless human form. “You will forget all that happened here, including where my apartment is. Now, go…and don’t forget to Google me and my myths.”

Surian walked out of the apartment like an automaton.

*************

That afternoon, Surian was at the 22 Division police station. She sat in a chair in Detective Hicks’s office, reading something on her phone when he and Thurston entered the room.

“So, what have you got for us about the beast, Detective?” Hicks asked as he got to his desk.

“Just a minute,” she said, her eyes widening as she read.

“Oh, sorry, Detective,” Hicks growled. “I didn’t know your social life on Facebook and Twitter was more important than finding the beast and saving lives. Don’t forget the hashtag when you share your posts!”

“Hicks, please,” Thurston said. “For your information, we’ve come a lot closer to catching this beast than all your cops combined.”

“Don’t talk back to me, Thurston!” Hicks shouted. “You and your werewolf/Dr. Jekyll story? Don’t make me laugh! Its ‘magic’ erased your video of the girl’s transformations, eh? How convenient!”

“C’mon, Andy,” she said, rising to her feet and putting her phone in her purse. “Let’s follow ‘Chloe’ and see if she ever talks about a spirit named ‘Kluh’.” She and Thurston walked out of the office.

“So, there’s an evil spirit now, eh?” Hicks shouted as they walked past all the other detectives’ desks towards the exit. “You’ve even deluded yourselves that it has a name? You two are a joke!”

“Ignore him,” Thurston said. “What have you learned?”

“Well, I’m wondering if there are any Polynesian exorcists in the Toronto area,” she said.