Analysis of ‘American Beauty’

American Beauty is a 1999 satirical black comedy film directed by Sam Mendes in his feature film directorial debut. Written by Alan Ball, the film stars Kevin Spacey, Mena Suvari, and Annette Bening, with Thora Birch, Wes Bentley, Chris Cooper, and Allison Janney.

The film received widespread critical and popular acclaim, grossing over $350 million worldwide and winning five Oscars, including Best Picture, Best Director, Best Actor for Spacey, Best Original Screenplay, and Best Cinematography. It was also nominated for and won many other awards and honours, mainly for directing, writing, and acting.

Retrospective appraisals of American Beauty, however, have not been as positive. Its themes have seemed trivial since 9/11 and the Great Recession of 2007-2009. Allegations of sexual misconduct against Spacey have not helped the film’s reputation, either, especially given their disturbing parallel to the lecherous, teen-obsessed character he plays in the movie.

Here is a link to quotes from the film, and here is a link to its script.

I find it interesting to do an analysis of a film praised before the 21st century, and one whose praise has dwindled since the beginning of the 21st century, because I find the change in values between these times so well encapsulated in this change of attitude toward the film.

What were considered deep themes in the movie–rebellion against the psychological imprisonment imposed by social conformity in the American middle class, finding beauty where it’s least expected, living a more meaningful life, etc.–now seem fairly trivial and superficial. What seems to have brought about our change in attitude toward these themes, our depreciation of their worth, is our change in attitude toward the liberal mindset.

It takes someone like the people in this suburban middle-class neighbourhood to see depth in these themes, whereas someone raised in poverty, or in the Third World (oppressed by Western imperialism), would regard them as little more than First World problems. We the audience are meant to sympathize with Lester Burnham (Spacey), the beginning of whose lecherous, predatory attraction to underage Angela Hayes (Suvari) is the inciting incident in the story that propels his character arc from psychological imprisonment to liberation and finally to redemption, when he finally stops his predation on her, just before mounting her, on learning she’s not the sex goddess he thought she was, but just a virgin.

It took such world-shattering events as 9/11 (with its resulting perpetual war, curtailing of civil liberties, mass surveillance, etc.) and the global financial crisis of the late 2000s to make us realize how hollow and superficial the bourgeois liberal values of this film are. The idea that one can take such a flip, light-hearted attitude towards Lester’s creepy designs on a girl, when he seems to go to heaven after being shot…the sight of which gets an awed reaction from Ricky Fitts (Bentley).

The movie begins by acknowledging Lester’s creepiness through his daughter, Jane (Birch), complaining to Ricky about it, and even seeming to consent to have her boyfriend kill her dad. What immediately follows is a shot of a tree-lined street, bird’s-eye-view, in the American suburbs. A voice-over of Lester saying this is his neighbourhood, and that he knows he’ll be dead within a year, suggests it’s his spirit looking down from heaven and remembering that last year of his life. Lester–a pun on lecher?–is in heaven–forgiven so easily? And who is his killer? Is it Ricky, or someone else?

Next, the film establishes Lester’s dull, pathetic life as of the beginning of that last year, when he-as-angel imagines he’s “dead already.” He’s in a psychological prison, symbolized first by the shower door he’s seen behind, where he masturbates–the best time of his miserable day–and second by the image of columns of data on his computer screen at work resembling jail bars, with his face reflected on it among the columns, making it look as if he were incarcerated in his office at his miserable job as a media executive.

It’s significant that, when we’re introduced to his wife, Carolyn (Bening), she is seen cutting one of many red roses (American Beauties) she’s been growing on the fences around their house. Red rose petals are a recurring motif in the film, associated with Angela’s sexuality and therefore Lester’s sexual resurrection. His neurotic, control-freak wife has been sapping him of his energy for years, or so he imagines. Her clipping of the roses is therefore symbolically apt.

After we see her with the roses and chatting with one of the Burnhams’ two next-door neighbours (Jim and Jim are a gay couple played by Scott Bakula and Sam Robards), there’s a scene with Jane in her bedroom at her computer. She’s wearing a sweater with a motif of red roses, and being a typically insecure teenager, she’s looking into getting breast enhancement.

That the rose motif ties Angela in with not only Lester’s wife but also his daughter–with all of the sexual overtones either discussed above or implied and understood–should tell us all we need to know about Lester’s filthy mind. His being trapped in the capitalist world should be enough for us to sympathize with him, but his idea of how to escape that trap–lusting after a girl his daughter’s age (implying unconscious feelings he may have about Jane, in that red-rose sweater and wanting to have larger breasts!), smoking Ricky’s weed, and replacing his media executive job with a much lower-paying one and with far fewer responsibilities–causes our sympathy to wither away.

His obsession with an underage girl, combined with his defiant attitude at work towards his “efficiency expert” boss, Brad Dupree (played by Barry Del Sherman), who’d have Lester justify why he shouldn’t be fired, makes me describe American Beauty as a cross between Lolita and Office Space. In this combination we see the psychological conflict of the liberal mindset (link above): the superego makes moral demands for progressive social change and freedom from capitalist exploitation (Office Space), while the id wants satisfaction of base, morally objectionable desires (Lolita).

When Brad tells Lester about the “need to cut corners” in the business to “free up cash,” since profits are more important than workers’ needs, of course, Lester reminds Brad of when the company’s editorial director, Craig, used company money–$50,000–to pay for the sexual services of a prostitute. This upper-level man gets to enjoy that and have his reputation protected from scandal, while lower-level workers like Lester have to fight to save their jobs.

When Brad says, “It’s just business,” we might be reminded of a famous line in another movie about capitalist and political corruption–The Godfather. Of course, Lester considers his need to write out a report justifying his job to be “kinda fascist,” as he says to Carolyn when they’re driving home; and then, almost immediately after, they notice they have new next-door neighbours moving in, on the opposite side of the Burnham house to the Jims. This new family are the Fittses, whose father, Col. Frank Fitts (Cooper), as we’ll eventually learn, is “kinda fascist,” too.

We learn that the family who’d lived there before and moved out were mad at Carolyn for having cut down a sycamore that both their and the Burnhams’ property shared. Her cutting down of the sycamore reminds us of her cutting the rosa American beauties. Just as those flowers are superficially beautiful, but are susceptible to the fungi diseases mildew, rust, and black spot (symbolic of the superficial enjoyment of luxuries and material pleasures associated with capitalism, which mask the evils of imperialism and poverty–recall in this connection the song “American Woman,” by the Guess Who, and sung by Lester in his car later on in the film as he’s smoking a joint), so is the chopped-down sycamore symbolic of the pain of being in love.

Romeo visited a sycamore grove when he was sad, lovelorn, and wishing to be alone in his rumination. Desdemona, fearful of her increasingly jealous husband, Othello, sang “a song of willow,” which began, “The poor soul sat sighing by a sycamore tree…” (Act IV, Scene iii) ‘The Willow Song’ is about someone in love who dies of a broken heart when the love object proves untrue. Sycamore can also be a pun on “sick amore,” or “sick in love”…or in the case of Lester’s taboo infatuation, a “sick love.”

So in this cut-down sycamore, we see more of the Lolita-oriented symbolism, a variation on those clipped red flowers, a killing of Lester’s sexual energy by his psychologically castrating wife. Small wonder he masturbates so much, and as Angela will later observe, he and Carolyn haven’t had sex in a long time. Incidentally, Angela’s last name is Hayes, rather like Dolores Haze in Lolita.

Note also how, on the one hand, Lester is obsessed with Angela, Jane’s friend, but on the other, he has barely spoken to his daughter in months, as she herself complains to him at dinner. His infatuation with her friend could be interpreted as an unconscious displacement of incestuous feelings for Jane (recall the rose motif on her sweater).

Consider how, if you watch the film carefully, Jane wears less and less makeup as the story progresses, while Angela remains fully made up throughout. The implication is that Jane’s desirability is being transferred, displaced, from her to Angela. And when Lester sees Angela for the first time, during the cheerleader dance routine to the music in the high school gym (‘On Broadway’), both she and Jane are in the same uniform, dressed identically, and heavily made up. All of this just makes Lester’s desires all the creepier.

So instead of directing his energies towards doing something about the exploitative capitalist system (as Milton symbolically does by burning down the Initech building, his place of work where he’s mistreated so badly as to work for no paycheck, in Office Space), Lester lets those energies of his be distracted by and redirected towards the immature grafitication of his libido. Such is the typical liberal mindset. Tom Hanks’s Charlie Wilson is similarly hedonistic in a movie that glorifies using the mujahideen to weaken the Soviet Union, ultimately leading to the Taliban.

Because of this liberal acquiescence towards not just the gratification of desire, but also to self-absorption and to the bland and the conformist (instead of rising up in solidarity with one’s fellow workers to overturn the system), we shouldn’t be surprised to see the Burnhams’ new next-door neighbours as having a head of the house with fascist tendencies. Recall that even the Jims, the gay couple on the other side of the Burnhams’ house, are also fully enmeshed in bland bourgeois conformism, the kind that would tolerate, if grudgingly, such fascist tendencies.

Note what Stalin once said back in the 1920s: “Fascism is the bourgeoisie’s fighting organisation that relies on the active support of Social-Democracy. Social-Democracy is objectively the moderate wing of fascism. There is no ground for assuming that the fighting organisation of the bourgeoisie can achieve decisive successes in battles, or in governing the country, without the active support of Social-Democracy. There is just as little ground for thinking that Social-Democracy can achieve decisive successes in battles, or in governing the country, without the active support of the fighting organisation of the bourgeoisie. These organisations do not negate, but supplement each other. They are not antipodes, they are twins. Fascism is an informal political bloc of these two chief organisations; a bloc, which arose in the circumstances of the post-war crisis of imperialism, and which is intended for combating the proletarian revolution. The bourgeoisie cannot retain power without such a bloc. It would therefore be a mistake to think that ‘pacifism’ signifies the liquidation of fascism. In the present situation, ‘pacifism’ is the strengthening of fascism with its moderate, Social-Democratic wing pushed into the forefront.”

American liberalism, especially ever since the dissolution of the Soviet Union and the age of the Clintons, is to the right of social democracy, making it even closer to fascism. We thus shouldn’t be surprised at the contemporary liberal embrace of Ukrainian fascists, as well as liberals’ enabling of the Zionist ethnic cleansing of the Palestinians.

To get back to Lester’s watching of the cheerleader dance in the school gym, we must keep in mind that, from his point of view, Angela is too far away from him to be seen in any detail and therefore to become the object of so sudden and intense an infatuation with her. In that uniform and all made up, she hardly looks any different from his daughter, apart from Angela’s blonde hair and Jane’s brown hair. It’s thus easy to see how he can go from unconsciously lusting after Jane to consciously lusting after Angela.

Since it’s his own daughter he so incestuously and shamefully wants, that is, his own flesh and blood, this lust is symbolically narcissistic, as is his habitual masturbation. This ‘having sex with oneself’ is in turn symbolic of his narcissistic self-absorption and solipsism, which brings us back to my point about the liberal mindset: one is too egoistic to care about the problems of the rest of the world in a meaningful way, thus enabling fascism to creep into our world.

So underneath the surface of physical beauty and the desire to have it, and other sources of superficial happiness, is a moral decay. Hence, the name of the movie, referring to a flower of surface beauty, but with root rot.

Examples of this superficial beauty or happiness hiding a deeper ugliness or unhappiness include Carolyn’s embrace of toxic positivity: first, she–being a real estate agent–chants the affirmation, “I will sell this house today,” then after all the work she’s put into cleaning the house and trying to sell it, failing to do so with client after client, she bawls like a baby at her failure.

Another example is Angela’s physical beauty masking her ugly, narcissistic personality. She constantly bad-mouths Ricky as a “mental-boy” and others whom she imagines to be envying her for her ‘success’ as a model, shouting “Cunt!” at one of them. She isn’t even the sexually experienced hottie she presents herself to be.

There are also instances of ugliness or misery that…could be seen…as masking beauty or happiness, or at least they are presented in the film as such or as possibly so. Col. Fitts’ homophobia is an ugliness that masks what is finally revealed at the end of the film: his suppressed homosexual feelings that he hides through reaction formation. If he’d stop hating himself for those feelings and be honest about hem, he might see a beauty in himself and find true happiness.

Ricky has a reputation for being mentally ill, since his father, the colonel, has had him put in psychiatric hospitals, and also because Ricky has an odd habit of filming things he thinks are beautiful, but which most people would never deem as such–a dead bird, a plastic bag drifting in the wind (Ball’s apparent inspiration to write American Beauty), and a homeless woman frozen to death. Actually, to get to know him, he’s one of the most laid-back guys ever.

So there’s a recurring theme of people or things not being what they seem. In fact, as time went on, people came to realize that this movie isn’t what it seemed: not so deep, not even really finding beauty in the unexpected.

As I’ve been trying to argue here, the acts of rebellion–against bosses, against a domineering wife, against appropriate expressions of sexuality (either those genuinely appropriate or merely deemed so)–aren’t the edifying ones they’re presented as. Finally, the sentimentalized ending, portraying a redeemed, angelic Lester looking over his neighbourhood from heaven, right after his getting a bullet in his head and all the other awful things I’ll discuss below, seems terribly inappropriate.

And yet these inappropriate and trivial themes make sense in a film that, intentionally or not, allegorizes liberal self-absorption as paving the way for fascist violence. Since we’ve seen these things happen in real life in the decades since the release of American Beauty, perhaps these trivialities aren’t so inappropriate after all.

When Lester first sees Angela in that cheerleader dance–what, as I said above, was too far away to be seen in any significant detail, and thus was just any teen girl as a variation on Jane–he’s seeing, as a displacement of Jane and therefore of his own flesh and blood, a metaphorical mirror of himself, a Lacanian ideal-I. His drive later on to exercise, lift weights, and smoke Ricky’s pot (to be cool), to be desirable to Angela, is part of his drive to live up to the ideal-I, for desire is the desire of the Other, for recognition by the Other, to be desired by the Other.

Just as Angela is a mirror reflection of Lester’s narcissistic ideals, so is Ricky, Lester’s “hero” for quitting his catering job so insouciantly so he and Lester can smoke pot outside the building where a party is being held for Carolyn and other real estate agents like “King” Buddy Kane (played by Peter Gallagher and who incidentally is her mirror reflection of her narcissistic ideals, her ideal-I). It therefore shouldn’t be surprising that Lester, in imitation of his teen hero, should quit his job so insouciantly, too.

The point is that with Angela and Ricky as Lester’s two teen ideals, the metaphorical mirrors in whom he sees himself whenever he’s with either of them, he is, at heart, an overgrown teenager whose interactions with those two have reawakened his repressed immaturity. That’s what he means at the beginning of the movie when he says he’s “lost something,” but “it’s never too late to get it back.”

This immaturity of his shows itself not just in his predation on Angela, but also in his masturbating and fantasizing about her, his pot-smoking, his quitting of his media job to replace it with the low-paying, low-responsibility fry cook job, and in his impulsive buying of the 1970 Pontiac Firebird. And just as he’s planning on cheating on his wife with his feminine ideal-I, so is his wife going to cheat on him with her masculine ideal-I, the “King” of real estate.

To shift away from Lacanian to Jungian psychology, in Lester’s designs on Angela, he is symbolically connecting with his anima; in Carolyn’s desire to be with Buddy “the King,” she is connecting with her animus. Now, while normally such a connection, symbolic or not, with a repressed side of one’s psyche is a positive development in one’s mental health, Mr. and Mrs. Burnham’s narcissistic, self-absorbed motives vitiate the hopes of such improvements.

Lester sees himself in Angela and Ricky, and likes what he sees. Col. Fitts also sees himself (as we learn by the end of the film) in the two Jims at his front door when they introduce themselves to him and welcome him to the neighbourhood…but he does not like what he sees. He’s disgusted to realize that by ‘partners,’ the Jims do not mean ‘business partners,’ but partners in the bedroom. Lester’s lust and teen hero worship reflect his narcissism and immaturity; the colonel’s homophobia reflects his self-hate and shame.

The Jims’ welcome gift to the Fittses includes flowers, what are a motivic link to the rosa American beauty and the chopped-down sycamore tree. They’re an expression of love to be rejected.

Angela is Lester’s Jungian anima, Buddy is Carolyn’s Jungian animus. The Jims, and by extension what the colonel sees, however incorrectly, in Lester and in his son are his Jungian Shadow, the ego-dystonic part of himself (his suppressed homosexuality) that he’ll never accept…even up to when he kiss’d Lester ere he kill’d him.

Now, Ricky is Lester’s Shadow, but a Shadow the man eagerly integrates. One thing to remember in all of this is how Ricky goes from doing unwanted filming of Jane, initially upsetting her, to being her boyfriend. Ricky’s being Lester’s Shadow is thus all the more insightful…and disturbing…given what I said above about Lester’s desiring Angela as a displacement of his repressed incestuous feelings for his daughter.

In stark contrast to Lester’s nagging, domineering wife is the colonel’s timid, almost catatonic wife, Barbara (Janney). A housewife whose spotless house seems unbearably filthy and messy to her neurotic eyes, she seems to have mental problems rooted in, apart from the miseries of housekeeping and a borderline fascist husband, a near-nonexistent sex life. One imagines his copulating with her to conceive Ricky to have been nothing other than painful.

Ricky goes home one night to see his mom and dad in the living room watching TV. We should not be surprised to see her watching This is the Army, a movie only her husband would be interested in watching. Seeing military men on the screen, the colonel is looking in a metaphorical mirror, seeing his ideal-I as a macho he-man rather than the ‘Jim’ that he secretly is.

It’s significant that we see a shot of Ronald Reagan back in his acting days. As we know, it was Reagan who, with Thatcher in the 1980s, helped bring today’s neoliberalism into full force, with all that nonsense about ‘small government’ (translation: bust unions and cut taxes for the rich, but build up a large deficit, in no small part due to military spending) and the “free market.”

This shift to the right in the decades since then–with increased income inequality, the killing of welfare, the allowing of mergers and acquisitions in the American media so that now six corporations control 90% of it and therefore determine most of Americans’ access to information, and the economic instability since the Great Recession (to say nothing of the endless wars since 9/11)–has helped create the conditions that have resulted in the fascist leanings of the Trump administration, the use of Neo-Nazis in Ukraine to provoke a needless, avoidable war with Russia, and the Gaza genocide. Col. Fitts’s enjoyment of an army film with Reagan in it is, thus, most apt.

To get at the colonel’s own fascist leanings, something that can be found in a lot of people in the armies of many countries, we need only see the scene in the film when Ricky has taken Jane into his house and shown her his dad’s plate, on the back of which is a Nazi swastika in the centre. The colonel would easily see the putting of pink triangles on gay men as a good thing.

To return to Lester and Ricky smoking pot outside the building where the real estate party is happening, it’s interesting how Lester picks, of all subjects to be talking about with Ricky, the scene in Re-Animator when Dr. Carl Hill (played by David Gale), a decapitated, reanimated corpse, performs forced cunnilingus on Megan Halsey (played by Barbara Crampton)…or as Lester so crudely puts it, “the head goes down on that babe”. When we consider the age difference between the lecherous old doctor and pretty young Megan, it’s easy to see how Lester would identify with the doctor. Being “dead already,” Lester is something of a reanimated corpse himself.

When Lester later wants to buy more pot from Ricky, he’ll use “Re-Animator” as a code word for the pot so the colonel, in earshot, won’t know what the movie is meant to represent. Still, “Re-Animator” is an apt way to describe a substance Lester is using to bring himself back to life with, to bring back his lost youth and coolness.

During this scene, when the colonel has been washing his car by the road in front of his house, and he has seen Lester jogging with the Jims, he suspects that Lester is of similar sexual inclinations with them, and he is therefore a little uncomfortable with Lester going up to Ricky’s room to get “Re-Animator.” The colonel is seeing his own secret sexuality in everyone except himself.

Before that scene, the night when Lester and Carolyn have come home from the real estate party (and he’s still enjoying his buzz), Jane and Angela are there, the latter enjoying the narcissistic supply she’s getting from his sexual interest in her and wanting to encourage it. This is one of those moments when women have legitimate suspicions about the motives of a male writer (Ball) characterizing a pretty teenage girl returning the sexual curiosity of a man old enough to be her father, one she hardly knows, one with few charms of his own for her to be interested in.

Such a mutual sexual interest is utterly implausible. It’s a mere male sex fantasy, and a creepy one, at that.

As inappropriate as such a movie premise is, though, I find it fitting that Lester’s lustful motivation to work out over the rest of the year and to smoke pot is entangled with the colonel’s growing suspicions that his son is having a homosexual relationship with Lester, however incorrect they may be, leading ultimately to the colonel killing Lester. I see an allegory here of liberal self-absorption and pleasure-seeking leading to fascist violence, which wouldn’t have happened if that liberal energy had instead been used to fight for social justice.

We should consider, in this connection, the implications of Lester driving around in his car while smoking a joint and singing along with “American Woman.” From the lines he’s quoting in the scene, one would think he’d be reconsidering his creepy attraction to one underage American female in particular, but of course, he isn’t.

Other lines from the song that are not heard in this scene, but ones far more pertinent to the meaning of the song lyric, involve not needing the “war machines” or “ghetto scenes” of the US. The writer of the lyric and singer of the Guess Who, Burton Cummings, has denied that the song is political; but knowing the words quoted above, I’d say he’s just sheepishly trying to avoid offending his potential American audience and thus lower sales of the music.

In any case, it’s significant that Lester neither quotes the unmistakably political passage nor takes to heart the other parts of the song, those about the dangerously seductive allure of the US and what it stands for–politically, economically, and culturally. Such obliviousness, while singing along stoned, is key to understanding not just what’s wrong with the America that the film is satirizing, but also what’s wrong with the film itself.

In this scene, Lester personifies the liberal who indulges in pleasure (for his id) while paying lip service to an acknowledgement of the issues of injustice in the world (for his superego), by singing along to the song while stoned.

Later on, after Carolyn has dealt with her own sexual frustration by sleeping with Buddy in a hotel, he tells her about another way she can release her stress: by going to a firing range downtown and shooting a gun. Nothing, apart from sex, will make her feel more powerful, he promises her.

Later on, she’ll go there and fire a gun, finding it to be just as fulfilling as Buddy promised it would be. The gun is a phallic symbol, the firing of it obviously symbolic of orgasm. She feels so powerful shooting it, as opposed to the powerlessness of being in an unhappy, loveless marriage to an immature, irresponsible husband who is now forcing her to be the main breadwinner of the family. In her toxic positivity, she’d have no one rain on her parade, but he does so all the time.

This phallic symbolism is in turn symbolic of giving her a kind of power traditionally given only to men–hence, her fulfillment in firing the gun. If this interpretation seems offensively phallocentric to you, Dear Reader, then consider this aspect of the movie to be yet another of its many faults, as with the misogyny of Carolyn’s ‘bitchiness’ and the sympathetic portrayal of a lecherous ephebophiliac.

Yet another fault of American Beauty is the scene when Ricky, walking home with Jane, tells her about his having filmed a homeless woman who froze to death. Jane rightly notes how incomprehensible it’d be to film such an awful thing, but Ricky thinks “it was amazing.”

Ricky claims that the “amazing” thing about seeing the homeless woman’s dead, suffering face, its “beauty” is that “God is looking right at you. And if you’re careful, you can look right back.” Perhaps Ricky really is a psycho after all. Or maybe this is just the privileged bourgeois liberal mindset that doesn’t have to worry about freezing to death from having no home. Such people can afford to see “beauty” in the suffering of the poor.

Later, after taking her home and showing her his dad’s Nazi plate–again, with an attitude of mere curiosity, not moral repugnance–he shows her “the most beautiful thing [he’s] ever filmed”…that stupid image of the white plastic bag floating about in the wind, this insignificant image that Ball thought was so profound.

Ricky imagines that this meaningless bag, drifting in the air, is a sign that there’s “this entire life behind things…an incredibly benevolent force…” telling us there’s “no reason to be afraid. Ever.” Well, when you live in an upper-middle-class suburban neighbourhood, far away and safe from the horrors of Third World poverty, Zionist oppression, and other forms of the kind of imperialist violence that would soon lead to 9/11, you might believe in such a sentimentalized kind of divinity…even if your dad beats you from time to time.

It’s easy to see “so much beauty in the world…[that you] can’t take it…” if you don’t ever have to worry about freezing to death when homeless. Recall that even when his dad disowns him and kicks him out of the house for supposedly being gay, Ricky has no fears of homelessness; he’s even confident enough to take Jane with him, because he can simply sell dope to make ends meet.

This sentimentalized “God” that Ricky talks about is a variation on Carolyn’s toxic positivity, which is also represented in her cornball choices for music to listen to at dinner, much to the annoyance of Lester and Jane. Carolyn will play this phony upbeat music while complaining and bullying the two of them…hence, toxic positivity, as when Ricky sees “beauty” in a homeless corpse or a man with a bullet in his head.

In her bedroom, and after a family fight, Jane looks out her window and sees Ricky filming her again. Instead of feeling uncomfortable about it, she removes her shirt and bra for him. Since he is, as I mentioned above, Lester’s Shadow, and she is as underage as Angela, we can see how indirectly creepy her indulgence of Lester’s incestuous lust is–seen through Ricky’s camera.

And what happens immediately after? Ricky’s father barges into his bedroom and hits him, furious that Ricky sneaked into the room with the Nazi plate. Once again, we have a scene that allegorically juxtaposes overindulgence in physical pleasure with a fascist kind of repression. Though the filmmakers probably never intended this, we see in this scene how indulgent liberalism, contrary to popular belief, is often quite close–next door, even–to fascism.

After Lester, at his fast-food job by the drive-thru window, has caught Carolyn with Buddy in her Mercedes together and has put two and two together about them, she has to deal with her now-disintegrating marriage. Driving home on that rainy night, at the climax of the film, she is listening to a motivational tape telling her she’s “only a victim if [she chooses] to be a victim.” She also has her pistol for the firing range, a Glock 19, in one hand. Toxic positivity, in a nutshell.

Meanwhile, the colonel has become convinced that Ricky is having a sexual relationship with Lester, having seen the two together in the latter’s garage, the two of them positioned in a way that seems, from the colonel’s incomplete perspective, that Ricky is performing fellatio on Lester (actually, Ricky is bent over rolling a joint by Lester’s legs, while Lester is leaning back in a bowl chair).

This is the night that Lester is to be killed. Who will do it? Ricky, as suggested at the film’s beginning? Carolyn, with her Glock? Or the homophobic colonel? The answer is far from surprising; it’s disappointingly predictable…another plot weakness.

Jane and Angela are in the Burnhams’ house, arguing over whether or not Angela should let Lester have her. Jane not only objects to Angela screwing her dad (an indirect, displaced screwing of Jane, as I’ve described above), but also her talking about Jane’s presumably by-now-sexual relationship with Ricky (Lester’s Shadow, once again implying an indirect sexual relationship between father and daughter). It’s as though Jane can intuit her father’s unconscious desires for her, and also senses that his otherwise surface emotional distance from her is an unconscious reaction formation against those desires.

What’s striking here is how there are several sexual relationships going on, or appearing to be going on, or about to be going on, with varying levels of approval or disapproval. Ricky’s seeming gay relationship with Lester is looked on with horror by the colonel; Carolyn’s adultery with Buddy is accepted by Lester, since his relationship with her is “just for show”; Jane’s relationship with Ricky is regarded bawdily by Angela, who also rejects him as unfit for her, him being such a “psycho” and a “freak”; and Lester’s would-be sexual liaison-to-be with Angela is treated semi-sympathetically in the film, when this is the one that should be condemned the most, by far.

We’re about to see two families fragment into pieces over sexual relationships, real or imagined, actual or potential. Both mothers are going to end up alone: Barbara will lose Ricky from having been disowned by the colonel, who surely will be charged with Lester’s murder soon after this night ends, and therefore she’ll lose him, too; Carolyn will lose her husband and Jane, who’s going to run away with Ricky, since I doubt she’ll grieve much over her pig of a father, and Ricky probably won’t stick around long enough to learn that his dad is Lester’s killer. Carolyn can console herself with Buddy…to an extent.

And Lester, the selfish root cause of so much of this mayhem, gets to look down as an angel from heaven on the neighbourhood, full of “gratitude for every single moment of [his] stupid little life.” Toxic positivity, once again.

When Lester makes his move on Angela–who feels hurt and vulnerable after Ricky has called her “ordinary”–he’s taking advantage of her vulnerability…well, to take advantage of her. He’s being the consummate creep, a total sexual predator on a minor, and what does it take to get him to snap out of it and behave like a decent human being?

Just as he’s getting her out of her clothes, she tells him this is her first time to have sex.

She is no longer the sex goddess he’s imagined her to be. She’s just a child…like his daughter.

He now realizes, on at least some level, that he has repressed his incestuous feelings for Jane, and his repression has returned in the unrecognizable, displaced form of Angela. His guilt and shame have finally surfaced, and he cannot go through with having sex with her.

Does this sudden repentance redeem him, though? Of course not! He should have expelled from his mind the thought of having Angela from the very beginning, no less so than that of having his daughter. We all have dark desires in our private thoughts, even the best of us do; but the better among us will never act on those desires, not even entertain the idea of acting on them. That’s the difference between the Lesters and the decent people of the world.

What’s worse is that we now know that Spacey in real life acted on his dark desires, for example, getting drunk at a party back in 1986, and aggressively coming on to Anthony Rapp, then 14 when Spacey was 27. Since then, he’d been recognized as one of the most celebrated actors of recent times, just as Lester is portrayed sympathetically in the film, rather than condemned. Only since the #MeToo movement has Spacey been forced to take responsibility for his many gropings and sexual advances, just as American Beauty has been reassessed, its critical reputation having sunk. It’s sad when an actor of Spacey’s obvious, enormous talent is discovered to be someone to be looked down on rather than up to.

What should be considered a real low point in the film is how only at the end does Lester realize what he was doing was wrong, and instead of feeling and demonstrating a due amount of shame and remorse, he acts as though he’s on the cusp of nirvana, or to use a Catholic metaphor, he’s received sanctifying grace! Instead of feeing a great need to atone and earn forgiveness, he’s grateful for his “stupid little life.” That bullet in his brain is hardly a punishment, since as Ricky observes in amazement and near-religious awe, Lester’s facial expression shows bliss and peace of mind.

Just before the colonel, who feels shame for sexual feelings he needn’t blush at, pulls the trigger to kill Lester, the man who should be feeling shame for his inappropriate lust is looking lovingly at an old photo of himself, Carolyn, and Jane as a little girl. He feels great, as he’s told Angela, when he should be weeping at that photo and whispering “Sorry” to Jane, since his lust for Angela was redirected from his unconscious incestuous feelings for Jane.

Two families have been torn apart by lust and violence, and the movie has a liberal ‘feel good’ ending. This is what I mean by toxic positivity: just trivialize human suffering and imagine that some kind, gentle, and genial God is watching over everybody and judging nobody, not even judging those who surely deserve it.

Liberal self-absorption and overindulgence in pleasure, rather than rising up against our exploitative economic system, is what ultimately leads to fascism–just see what’s happened between the 2000s and 2025. The Burnhams and Fittses living next door to each other is apt. That American Beauty was celebrated before 9/11, then negatively reassessed after 9/11 and the Great Recession, is also apt, since the traumas caused by those two cataclysmic events have woken us out of our liberal torpor.

In a way, though, American Beauty is a most fitting satire of our contemporary lives, since the film embodies so many vices that ought to be satirized. We just have to refrain from sympathizing with Lester, for if we do sympathize with him, then the satire’s on us.

Analysis of ‘Sleuth’

Sleuth is a 1972 mystery film directed by Joseph L Mankiewicz, with a script by Anthony Shaffer, based on his 1970 Tony Award-winning play. The film stars Laurence Olivier and Michael Caine, both of whom got Oscar nominations. Mankiewicz’s final film, Sleuth received overwhelmingly positive reviews, with an Oscar nomination for Best Director, too, as well as one for Best Original Score.

Here is a link to quotes from the film, a link to the script, and links to the full movie (in case any of them are pulled from YouTube).

Hints to what the dominant themes of the film are–theatricality, deception, mind games–are already given during the opening credits…provided one already knows better. Fictional actors’ names are listed, meant for roles that do not exist onscreen. These include ‘Alec Cawthorne’ as Inspector Doppler, who is actually played by a disguised Michael Caine; also, ‘John Matthews’ as Detective Sergeant Tarrant, ‘Eve Channing’ as Marguerite Wyke, and ‘Teddy Martin’ as Police Constable Higgs, all characters only referred to by Andrew Wyke (Olivier) and Milo Tindle (Caine), the only two people ever seen throughout the film. The reason for this deception was that the production team wanted to reveal as little as possible to the audience to maximize the element of surprise.

Another hint of the theme of deception at the end of the opening credits (as well as at the end of the film) is the framing of the visuals in a theatre stage with curtains. It’s hardly necessary to show such a framing in the cinema–as opposed to a stage production of Sleuth–unless the very idea is to stress that what we’re seeing isn’t real.

The film begins with Tindle driving into Wyke’s country manor house, a vast area of property indicating how obviously wealthy Wyke, a bestselling writer of crime fiction, is. That Wyke considers the enjoyment of his genre of writing to be “the normal recreation of noble minds” is a further association of him with the aristocracy, something against which middle-class Tindle, who “[doesn’t] know very much about noble minds,” will be sharply contrasted.

As Tindle is walking about outside trying to find Wyke, he can hear the latter reciting his prose aloud into a tape recorder. Wyke is among hedgerows designed like a labyrinth, and Tindle cannot locate the voice until Wyke moves some hedge, which has been like a wall separating the two men.

When they meet, introduce themselves, and shake hands, Wyke welcomes Tindle to “Cloak Manor,” the name of his home and yet another early indication of the film’s theme of subterfuge.

Wyke notes how “all detectives were titled,” as is the sleuth of his novels, Lord Merridew. His sleuth, far cleverer than the comparatively dimwitted and frequently baffled police detectives of his novels, represents an idealized version of his egotistical, elitist self. This is so in spite of Wyke’s claim that we are living in a “classless society,” a bizarre assertion to be made in capitalist England, when not even any of the socialist states of the twentieth century, for all of their accomplishments, ever achieved classlessness, let alone the giving-up of money or the withering-away of the state.

Snobbish Wyke would never allow his fiction to be adapted for television, which for him is “no recreation for noble minds.” Wyke leads Tindle inside, where he is now to be acquainted with Wyke’s many automata, including a sailor named Jolly Jack Tar, who laughs at Wyke’s jokes. These automata, or fake people, once again reinforce the themes of theatricality and deception.

Finally, Wyke gets to the point of why he’s invited Tindle to his home. He knows that Tindle has been having a sexual relationship with his wife, Marguerite, for some time, and so he, in all bluntness, asks about Tindle’s wish to marry her.

Normally, a man would be furious to learn that his wife has made him a cuckold, especially a man as narcissistic as Wyke obviously is. Nonetheless, he pretends not to be angry, and instead acts as though Tindle’s affair with her is an excellent opportunity for Wyke to get rid of her by having Tindle take her off his hands. Then, Wyke can be free to live with his mistress, a girl named Téa.

Wyke needs first to know of Tindle’s family background. Tindle’s answer indicates humble beginnings: his mother was a farmer’s daughter from Hereford, and his father was an Italian watchmaker who immigrated to England in the 1930s and anglicized his original name, Tindolini.

Now, just as Wyke has disingenuously claimed that ours is a “classless society,” so does he claim that, in response to learning of Tindle’s (lapsed) Catholic background, “we’re all liberals here,” and that Wyke has no prejudice against Catholics, lapsed or not. Here, “Catholic” can be seen as a metonym for ‘Italian,’ an ethnicity against which Wyke is decidedly prejudiced, as he’ll soon demonstrate.

Changing the family name from Tindolini to Tindle was meant to make the family become English, something Wyke doesn’t seem to think is possible. The fact that Tindle’s father went broke from being nothing more than a watchmaker reinforces the class divide between him and Wyke, but it must be emphasized that none of this divide makes Tindle in any way a proletarian, and it’s important to understand this fact to make sense of the class analysis of this film.

Tindle owns two hairdressing salons, one in South Kensington called Casa Tindolini, and another in Brighton. Therefore, Tindle is petite bourgeois, as contrasted with Wyke as a member of the gentry. So the nature of the class conflict as allegorized in Sleuth is not between capitalist and worker, but between big capitalist and little capitalist; and as Marx once observed, “One capitalist always strikes down many others.” (Marx, p. 929)

The film’s liberal bias is to have us see Tindle as the poor underdog, and therefore to have us sympathize with him. If we’re paying attention, though, by the time we get to the end of the movie, we’ll realize that Tindle is every bit as cruel in his humiliating games as Wyke is. It’s the nature of the bourgeoisie, petite or haute, to step either on those below them (Wyke), or to step on those above them in their ascendancy to the top, as Tindle is attempting to do in either cuckolding Wyke, getting money for Wyke’s jewels, or playing games of revenge on him.

Now, I mentioned earlier that Wyke pretends not to mind Tindle’s sleeping with Marguerite, but sooner or later we have to see Wyke’s narcissistic injury come out. He makes a few crude references to her copulating with Tindle, offending him and making him want to leave the house in a huff. Wyke manages to deescalate the situation by pretending to reminisce about the woman he used to love, remembering how “intolerably tiresome” she is now, and asking if Tindle can “afford to take her off [Wyke’s] hands”.

As a mere petit bourgeois, of course Tindle cannot afford the luxurious life that Marguerite has been accustomed to as Wyke’s wife. Tindle will have to help Wyke defraud the insurance company that has covered the jewelry Wyke bought for her. Wyke will recoup his losses from the insurance claim, and Tindle will get enough of a cut to subsidize her now-high-maintenance lifestyle.

Note how Marguerite’s very existence is coupled with all the expensive things to be bought to ensure that she’ll stay with Tindle and not go running back to Wyke for support. This is because she is a much an object to Wyke (and to Tindle, as Wyke imagines) as the expensive things are objects to her. In capitalism, people are as commodified as things are.

This brings us back to my point about the liberal bias of this film, which makes us see Tindle as the poor underdog, when, though nowhere near as wealthy as Wyke is, he’s as much a capitalist as Wyke is. Marguerite is Wyke’s property, and Tindle is appropriating that property for himself, as part of his ambitious upward mobility.

The actual underdogs of Sleuth are so marginalized that we never see them onscreen. They’re only referred to in Wyke’s and Tindle’s conversations: the women (Marguerite, Téa, Joyce, Wyke’s maid, his secretary) and the servants (Wyke’s gardener, etc.). They’re invisible because they hardly matter. The sexual objectifying of Wyke’s two women, in fact, is so complete that their very names sound like puns on drinks–tea, or thé in French, and margarita.

Wyke wants Tindle, disguised, to ‘break in’ and ‘steal’ the jewels, all as deception to defraud the insurance company. Though Tindle has his worries about the crime going wrong and him being charged, Wyke will reassure him that they can pull it off safely.

The two enter a room with a pool table and play a brief game of billiards as the topic of Wyke’s sexual relationship with Téa is broached. Note the sexual symbolism of the men’s handling of phallic pool cues, knocking balls into yonic holes, as Wyke insists upon his his sexual prowess…at his age, in about his mid-sixties, to go by Olivier’s age as of 1972. Such bragging is, of course, reaction formation and denial of Wyke’s actual impotence, as revealed by the end of the film, rather like how his professed liberal lack of bigotry is reaction formation and denial, as well as his supposedly not being infuriated at having been cuckolded by Tindle.

Since we’re dealing here with a young man and another old enough to be the father of the first, the two having possession, in one sense or another, of the wife of the second man, we can see in them transferences of both the Oedipus and Laius complexes. Both men, as we learn later on in the film, would be rid of the other, if not actually, then in their games’ representation of actuality, to be free to have Mama-Marguerite. Wyke may not love her anymore, but she still ‘represents’ him (i.e., she is his ‘property’), as he’ll tell Tindle with his pistol pointed at the terrified man’s clown-wig-covered head.

The reason so much of Wyke’s wealth is put into jewelry, by the advice of his accountant, is to avoid being “virtually castrated by taxation.” Having Tindle fake the grand larceny of Wyke’s wife’s jewels in order to collect the insurance money is thus one capitalist helping another to cheat the ‘socialist’ taxman in his attempt at Wyke’s “emasculation.” Wyke is thus protecting his family jewels [!].

Marguerite and the servants are all away for the weekend, during which the entire film is set, so now is the perfect opportunity for Tindle to do the fake break-in and theft. Tindle’s worries about the criminality of the act are trivialized by Wyke, who notes how “all good moneymaking schemes in England have to be [criminal] these days,” a trenchant comment on capitalism. After Wyke reassures Tindle of the safety of the scam, as well as promising him that his cut will be 70,000 pounds, in cash, tax-free, Tindle agrees to do it.

Part of the reason for the disguise, which will be a clown costume (part of Wyke’s secret plan to humiliate Tindle), is to have him wear large shoes to hide his actual footprints. Tindle follows Wyke, who leads him down–with a further demonstration of his racism by ‘slanting’ his eyes with his fingers and imitating an Asian accent–to a room holding a number of disguises, including of course the clown outfit.

As they go down there, Wyke tells Tindle of how, before television, people used to amuse themselves with “treasure hunts, charades, games of infinite variety.” Just as the modern media lies to us with its corporate agenda, so did these games deceive, as Wyke’s and Tindle’s especially will, we’ll soon see. Take whichever form it will, the capitalist class tries to deceive us, engages in make-believe, manipulates us, just as Wyke does to Tindle, then later, vice-versa.

They rummage through Wyke’s old dressing-up basket, trying out a number of disguises before deciding on the clown one. Instead of “an old pair of sneakers and a sock,” Wyke insists on the disguise having a “sense of style,” some “amateur aristocratic quirkiness,” which once again links the ruling class with the film’s theme of theatricality and deception.

All costumed up, Tindle goes outside to get a ladder to put up on a wall leading up to a second-storey window for him to break into. Since he’s about to steal Wyke’s jewels (symbolic, on one level, of emasculating him–nicking his family jewels and cuckolding him), Tindle is also, as it were, climbing the social ladder, going from middle class to upper class, as he hopes.

This going up the ladder is difficult for him, as he’s “not very good at heights,” and he hopes that Wyke will hold the ladder steady for him. This is comparable to how difficult-to-well-nigh-impossible it is to move up from class to class, in spite of such fantasies as “the American dream.” Of course, Wyke won’t help Tindle, because this fake burglary must be simulated sufficiently to approximate reality so as to satisfy the police. Wyke also won’t help Tindle because it’s only natural that the upper class won’t help the middle class rise.

As Tindle is clumsily trying to go up the ladder in those big, awkward clown shoes, Wyke is inside pretending to be a female servant hearing Tindle’s noises outside. Wyke is speaking in a falsetto woman’s voice: this is one of a number of examples of Wyke pretending to be someone else, often imitating other accents. It’s part of the film’s theme of theatricality, fakery, and pretense.

Once Tindle is inside again, he must vandalize the place in a search for jewels whose location he pretends not to know about. When he finds the safe and blows it open with explosives, he discovers a red ruby necklace. Wyke never wanted to see it around Marguerite’s neck, feeling it made her “look like a blood sacrifice.” Again, the association of jewels with balls makes his aversion to the blood red colour symbolic of castration anxiety.

Tindle, on the other hand, wishes his father could see the rubies, for the poor old man never knew what success was. Wyke, as Tindle’s father transference, thus is part of a family romance, Tindle’s wealthy dream-father, as opposed to his broke real one.

Now that the jewels are pocketed, the explosion is meant to wake Wyke up, and a struggle between the two is to ensue. Tindle has to leave a wound of some kind on Wyke to convince the police. Since it would be rather difficult to hit Wyke hard enough without hitting him too hard, he suggests having Tindle tie him up; then he imitates the cleaning woman’s voice, imagining her to have found him all tied up and working on one of his stories. More of his theatricality and pretense.

Just before Wyke throws in the first plot twist and has Tindle understand that the whole fake jewelry burglary has just been the former setting the latter up to be shot and killed with the burglary as a pretext, Wyke does a number of things to foreshadow this twist. First, with the pistol in his hand, Wyke fires at a jug in Tindle’s hand, frightening and enraging him. Then, he makes “a bad Italian joke” about it being “open season all year round for…seducers and wife stealers,” as well as deliberately claiming that Italy, not England, is Tindle’s “country of origin.” In connection with Wyke’s elitist bigotry against even other Europeans, note that his surname is a pun on white.

While his intention to kill Tindle is as much theatricality and deception as is the fake burglary, or even the intention of defrauding the insurance company, his hatred of Tindle is real. It’s bad enough for Wyke that he’s being cuckolded, his wife and ‘property’ stolen from him–the narcissistic rage he feels from that alone is unbearable; but that the other man, of all men, is even just half a “wop” or “dago” (the same way being only part-Jew is tantamount to being a full-Jew to a Nazi) is enough to require a tit-for-tat humiliation. Sleuth being an allegory of class antagonisms, we see in Wyke vs Tindle how capitalism, even between haut and petit bourgeois, is all about abasing the competition to glorify oneself.

This is why Tindle must be ‘killed’ while fully dressed in his clown costume, right after he’s tearfully begged Wyke not to kill him. Tindle must be brought down because, as a mere petit bourgeois “half-dago,” he’s “a jumped-up pantry boy who doesn’t know his place” (a line loosely quoted, by the way, in The Smiths‘ song, “This Charming Man”). Just before shooting clowned-up Tindle in the back of the head, Wyke says, “Farewell, Punchinello,” a reference to Pulcinella, a clownish character from commedia dell’arte, and its English descendant, Punch.

The scheme to kill Tindle with legal impunity from the apparent attempted burglary is, as I’ve said, all just one of Wyke’s many games of humiliation, not at all real, more theatricality and deception. The firing of a blank from his phallic gun suggests Wyke’s impotence, his own private feelings of humiliation projected onto Tindle.

After the game is over, and Tindle, having come to from fainting and having gone home, we see Wyke at home alone, gratified from the narcissistic supply he’s got from humiliating Tindle and listening to old recordings of Cole Porter songs like “You Do Something to Me” and “Anything Goes.” In the former song, “that voodoo that you do so well” reminds us of the deceptive ‘magic’ of Wyke’s games. His old-fashioned taste in music reinforces the sense of the Generation Gap between him and Tindle.

This gap between crusty old conservatives and young liberals is emphasized in the lyric to “Anything Goes.” The breaking of the old Victorian taboo of “a glimpse of stocking,” as well as the switch from “better words” to “four-letter words” (as had only about a half-decade before Sleuth‘s release been allowed in films, and before that, “the end of the Chatterly ban”), reflects a social rift that distracts us from the ongoing rift between capitalist and worker.

“Detective Inspector Doppler” arrives at Wyke’s home, saying he’s there to investigate “the disappearance of a Mr. Milo Tindle.” Now, to those who’ve never seen the film or the play, Doppler is a third character just introduced to the story, played by “Alec Cawthorne” and not by Caine disguised in a clever makeup job to make him look like a middle-aged man, almost Wyke’s age. The theatricality and deception are as much for us, the audience, as they are for Wyke. Tindle’s disguise is so complete, it even includes his use of a rhotic accent.

As “Doppler” does his investigation, he gives off the impression that not only is Wyke genuinely guilty of having killed Tindle (we haven’t yet seen Tindle as himself since the firing of the pistol, so for all we first-time viewers know, that was a real bullet fired), but Wyke has also carelessly left out circumstantial evidence for “Doppler” to find. Actually, Wyke’s denials to “Doppler” of being guilty of murder are real, for Tindle sneaked into the house to plant the incriminating evidence (blood on the bannisters, Tindle’s clothes “all screwed up on the floor of a wardrobe”) while Wyke was out of the house for the day.

In playing this game on Wyke, Tindle isn’t just getting revenge for himself; he’s also avenging the sullied reputation of police detectives, who are routinely looked down on in Wyke’s fiction as “baffled” and not particularly intelligent. It is always the noble, titled Lord Merridew who, as the brilliant sleuth, solves the case.

Wyke here is demonstrating his elitism once again, with Merridew representing the gentry, and those “baffled” police inspectors representing the common masses, as Tindle is thought of as representing. What must be remembered, though, is that just as Tindle is a member of the petite bourgeoisie and is therefore no less a capitalist than Wyke, the police, of whatever modest means they may be, represent and defend the interests of the capitalist class. So Tindle’s humbling of Wyke through the clever detective work of “Doppler” is not the working class one-upping the bourgeoisie, but rather a capitalist doing this to a fellow capitalist.

Of course, in spite of Wyke’s looking down on common cops, just as with his denial of prejudice or Othello-like jealousy, he denies that condescension by claiming that “Merridew would have been proud of [Doppler]” for being so diligent in his tireless attempts to contact Tindle by phone. Now, Tindle knows this compliment to be fake, but in keeping with the theatricality and deception going on with both men, “Doppler” says the compliment is “praise indeed, Sir,” and claims to enjoy Wyke’s fiction.

Wyke enjoys the narcissistic supply he gets from hearing that “Doppler” reads his work, but his ego trip is short-lived when he isn’t allowed to finish naming his favourite of all of his books, The Case of the Crucified Communist (the title of which sounds like a capitalist’s wish-fulfillment), before “Doppler” resumes talking about the Tindle case.

As the evidence against Wyke seems to be mounting, he and “Doppler” go outside to where the dirt has been freshly dug, implying that this is where Wyke has buried Tindle’s body. Wyke tries to maintain his innocence by saying his gardener has been “aching for an opportunity to slander his employer.” In this quote, we see not only an example of class conflict, but also one of the marginalization of a worker, one only spoken of, not ever seen.

“Doppler,” on the other hand, defends gardeners and has nothing but praise for how perceptive he finds them to be. Note here how Tindle, in taking the side of gardeners, is again associating himself with the poor, downtrodden working class, as liberals are wont to do; though as a bourgeois himself, Tindle is no more a worker than Wyke is.

Finally, the pressure rises on Wyke until the circumstantial evidence against him seems so strong that “Doppler” makes to arrest him. Wyke is now feeling a stress and fear comparable to Tindle’s when he thought he was about to die. Then, “Doppler,” behind Wyke, pulls off his face makeup, wig, etc., to reveal Tindle underneath it all.

Now, the first-time viewer sees that not only was the fake burglary artifice, but so was Tindle’s death and the very existence of Doppler, a veritable doppelgänger for Tindle. Wyke is now as enraged as Tindle was to discover his fears were all for nothing.

Tindle is not yet satisfied in his lust for revenge, though. He’s got more tricks in store for Wyke, including the next game, immediately to be played on the old man.

He insists, though, that this game he’s about to play on Wyke is not pretend. He claims that he’s actually murdered Téa and planted four pieces of evidence about the house that will incriminate Wyke, and that the police will show up in a matter of minutes, find the evidence, which is all hiding in plain view, and charge Wyke with the murder.

To agitate Wyke all the more, Tindle claims he has had sex with her, her willing to it, before strangling her to death with one of the four pieces of evidence. Wyke has been assuming that Tindle is having him on (as he should), until he phones Téa’s home, getting her roommate, Joyce, to answer the call and tearfully confirm that Téa has, indeed, been murdered.

Now that Wyke is convinced the murder is real, he frantically goes about searching for the four objects: a stocking, a shoe, a false eyelash, and a bracelet. After finding and disposing of the four things, Tindle reveals that no cops have arrived as he’s led Wyke to believe. It turns out that Têa and Joyce were happy to help Tindle get even with Wyke, for Wyke has often played games of humiliation on them, too. Wyke personifies the ruling class that humiliates the marginalized with phony set-ups, targeting marginalized people like women.

Téa, for example, is so marginalized that it takes quite some time, since knowing of her ‘murder,’ for Wyke to express any pity for her, a callousness that Tindle notes. Women like her, Marguerite, and Joyce are never seen and never heard…silenced, in effect. They are represented only in the words the two men use to refer to them.

Similarly, people of colour are marginalized in the presentation of this story, even to the point of them being marginalized, as Tindle imagines they must be (and probably correctly so, given Wyke’s obvious racism), in Wyke’s novels. Tindle assumes that blacks don’t “play much of a part in the books [Wyke] write[s]…Except for the odd, eyeball-rolling darkie, to take his place alongside the swarthy Yid, the oily Levantine, and others.” The point is that Shaffer’s marginalizing of workers, women, and people of colour by not presenting any of them physically on the stage or screen is to indicate how slightly they have been regarded in real life.

To get back to the ending, where Wyke realizes that the danger of the cops finding the four pieces of evidence is all faked, Tindle hits him with one final bit of humiliation…and this time, it’s all too real. He tells Wyke that Téa, having actually met Tindle in the house while Wyke was away, has told Tindle that Wyke is impotent and hasn’t done it with her for over a year.

This narcissistic injury is too much for Wyke to bear. He cannot risk Tindle circulating this tidbit of gossip, not even just to Marguerite. Now the pistol must have only real bullets. Tindle’s murder cannot be faked this time. The firing of a real bullet into him is symbolic of Wyke’s phallus working properly.

Tindle insists, though, that since he’s told the police about the faked burglary story after Wyke’s faked shooting of him, and…maybe…the police will stop by the house, Wyke won’t be able to use the burglary story to justify shooting Tindle. Since Tindle’s been lying the whole time, Wyke nonetheless figures he doesn’t need to believe him this time, so as Tindle is walking toward the front door with Marguerite’s fur coat (a further theft from Wyke), he gets shot in the back.

Shortly afterwards, the police do show up, as promised, by the front door. Wyke is truly screwed now, and just as Tindle’s fake murder has turned real, so is the fake danger of Wyke being arrested now real. As Tindle is dying, he activates all the automata in the room, particularly Jolly Jack Tar, notable for his hearty guffaw as demonstrated a number of times throughout the film, and now laughing with Tindle at Wyke.

If only that gun could have been, with a blank, as impotent as Wyke’s biological gun is. then he could tell the cops, “it was just a bloody game.”

The movie ends with a shot of the theatre and a quick drop of the curtains, giving off a Brechtian alienation effect to remind us that Sleuth is just a bloody play. It’s as unreal as any of the games Wyke and Tindle have played on each other.

The emphasis on the unreality of the story is to suggest that who Wyke and Tindle represent–gentry vs petite bourgeoisie, conservative vs liberal, or the opposing mainstream political parties representing these two factions, whichever–are more play-acting in their vying for power than they are really competing. We always focus on these two groups, while ignoring the politically marginalized people represented by their absence on the screen or stage.

The political tap-dance the two groups do is a distraction from the people we should be concerned about–workers like the gardener, cleaning lady, and secretary; women like Marguerite, Téa, and Joyce; and people of colour like blacks, Levantines, or in any case anyone not of Anglo-Saxon stock, like Jews…or Italians, for that matter.

We see these two mainstream groups battling it out in debates on TV, keeping the spectrum of the otherwise lively debates strictly circumscribed, so as to ensure that certain touchy issues–like poverty, income inequality, endless war, student debt, homelessness, genocide, government surveillance, etc.–are kept out of the debates, since their inclusion might threaten the capitalist/imperialist structure that the ruling class wants kept intact.

Accordingly, the two sides’ debates are all just theatre, all fakery and deception, all “just a bloody game,” like the ones Wyke and Tindle play on each other. For if the debates were real, they’d actually be relevant to the common people. And we can’t have that, can we?

Violence?

There have been times when–showing support to Luigi Mangione and his shooting of Brian Thompson, the CEO of UnitedHealthcare, net worth of about $43 million, whose company got rich off of denying health insurance claims to those who desperately need the money–I have been scolded online for promoting “vigilante violence.”

A couple of things should be taken into consideration before scolding me in this way. First of all, Marxists like me see Luigi, who actually has right-leaning political views, as a symbol of the kind of revolutionary uprising that is so urgently needed in a world of growing wealth inequality, endless wars, genocides, environmental destruction, and fascist authoritarianism.

In posting memes on Facebook about how Luigi had done nothing wrong and should be freed, and that we need more Luigis right now, I was not advocating vigilantes randomly shooting anyone in a wild rage, or pulling a Charles Bronson on street thugs. I’m talking about using Luigi’s example to galvanize the people to take back our world from the greedy oligarchs.

Standing up to those oligarchs does not mean following phonies like Bernie Sanders or AOC, who are just Zionist sheepdogs that lure progressives into voting Democrat. I’m talking about building a mass workers’ movement to fight for the rights of the poor, to educate, agitate, and organize, and to rise up and take over our governments by force–to smash the capitalist/imperialist system and build socialism.

The second, and far more important, issue here is this: how are we to confront violence? Which forms of violence are to be condoned, and which are to be condemned? For I can assure you, Dear Reader, that many forms of violence in the world are being condoned, not just by the rich and powerful, but also by their useful idiots among the masses (i.e., the MAGA crowd on the right, and the liberal supporters of Biden et al). Such thoughtless support of a most violent political and economic status quo is why the uprising I’m advocating is so necessary.

Whenever people criticize me for showing solidarity with Luigi, people who are “pretty sure” that supporting “vigilante violence” is “not cool,” I find these people, affectionately known as “normies” or “shitlibs,” curiously silent about pretty much all other forms of violence that exist on a much greater scale and appear far more often than just some angry young man with a backpack and a pistol with “delay, deny, depose” etched on the cartridge cases used during the shooting. These smug people don’t seem at all to care about the reality of structural violence.

Social structures and institutions that harm us by preventing us from having our basic needs or rights met are forms of structural violence. Family violence, oppression from sexism or racism (e.g. hate crimes), police and state violence, and war are all forms of structural violence.

Health insurance companies–which profit off of the suffering of the ill who are denied the money they need to pay their expensive medical bills (and those without such health insurance have died by the tens of thousands each year)–are committing structural violence. When people’s lives are in any way being threatened, including this way, it’s natural to want to fight back. When people like me are advocating the emergence of more Luigis, we’re simply hoping for more of that fighting back against systemic oppression. It isn’t bloodlust–it’s self-defence.

The fascist Trump government’s nabbing of ‘illegal’ immigrants, ‘terrorists,’ ‘gang members,’ and ‘antisemites,’ to incarcerate them in CECOT, which is–let’s face it–a concentration camp: this is another case of structural violence. How are we going to free people like Kilmar Albrego Garcia without the use of physical force? Vote blue, no matter who? Use black magic?

Now, let’s move on to some more extreme forms of structural violence–those involving war and ethnic cleansing. It shouldn’t be necessary to point out by now that the global response to the Gaza genocide has been–to say the least–woefully inadequate, and to say the most, outright complicity.

Such complicity, it needs to be said, but again, shouldn’t, is not the sole responsibility of the Trump administration. The ongoing current phase of the Gaza nightmare was first enabled by the Biden administration, and American politicians of all political stripes have, to varying degrees, supported Israel’s bloody actions. The only Democratic exception, to my knowledge, is Rashida Tlaib, a Palestinian American, significantly.

Rationalizing of the continuing extermination of the Palestinians is based on the ‘need’ to wipe out Hamas, which of course has been branded a terrorist organization. The whole reason Hamas exists, though, is as resistance to Israel’s brutal occupation of Gaza and the West Bank. If you don’t like Hamas, end the occupation. It’s as simple as that…though the Zionists will never comply, of course.

The UN acknowledged, decades ago, that armed resistance against an occupying power is legitimate. This includes Hamas ‘terrorism.’ Recall in this connection that Nelson Mandela, in his armed resistance to the South African apartheid system (which engaged in plenty of armed violence of their own), used to be labelled a terrorist by right-wingers like Reagan and Thatcher. Since Israel, properly understood, is a racist, apartheid, settler-colonial ethnostate, the labelling of Hamas’s armed resistance as ‘terrorism’ should be regarded as equally cringe.

As is often said, Zionism’s violence against the Palestinians didn’t start just after October 7th, 2023. It started officially in 1948 with the establishment of the Jewish state, resulting in the killing and displacement of about 750,000 Palestinians. Since then, Israel’s very existence has made the Palestinians’ lives a living hell…insofar as they’ve even continued living.

Gazans are caged in what’s been called an open-air concentration camp. Their access to electricity and water has been severely restricted, and IDF incursions into their impoverished neighborhoods terrorize them. UN resolutions frequently condemn Israel’s actions, but the resolutions are blocked by the US. Again, what are the Palestinians supposed to do about any of this? Wag their fingers at the IDF and say, “naughty, naughty”?

As far as Western politicians’ reactions to this oppression is concerned, even the ‘left-leaning’ liberals are sure to repeat that hackneyed line, “Israel has a right to exist.” Such voices include those of Sanders and AOC, in spite of the lip service they pay to Palestinians’ rights. And no, as a settler-colonial state bent on the ethnic cleansing of the Palestinians, Israel does not have the right to exist. Palestinians are the ones with the right to exist! To say that the Zionist state has a right to exist is equivalent to saying that Nazi Germany has that right.

The notion of a “two-state solution” sounds on the surface like a reasonable compromise between giving Israelis and Palestinians what they want. Look deeper into the issue, though, and you’ll realize that the “two-state” solution is really a mask for the continued enabling of Zionism.

Israel, just like the US, Canada, Australia, New Zealand, etc., is a settler-colonial state forcibly imposed on the indigenous peoples who were there first and who were–and are–the people who have the right to the land. Settler-colonialism is a cancer that grows and kills more and more of the indigenous population. We can see that in, for example, the genocide and decimation of the Native American population, and we can see it in Israeli settlers’ stealing of more and more of Palestinian land, and in the IDF ethnic cleansing going on since October 7th.

You don’t cure a cancer by just allowing it to exist in one small part of someone’s body, for it is the nature of a cancer to grow. You have to remove the cancer completely: that means, to use my metaphor, that Israel must not exist. Similarly, the US, Canada, Australia, New Zealand, etc., in their current forms, must not exist, either. The land must be given back to the indigenous people, while negotiations should be made between, on the one side, the aboriginals, and on the other side, the whites and all others who have come to live in each of these countries, negotiations to coexist peacefully and enjoy full equal civil rights, preferably, as I envision it, in federations of socialist communities.

Similarly, in the case of Israel, I see no problem with Jewish communities living in Palestine. A large Jewish community should be allowed to live in a fully-restored state of Palestine, enjoying full equal civil rights with the Muslims and Christians living there…equal, not superior, civil rights. These would be Palestinian Jews, not Israeli ones–that’s the difference. The problem with Zionism is its hegemony and imperialism, not its Jewishness…which leads me to bring up another important issue.

A lot of people, in their zeal over condemning the horrors going on in Gaza, are confused about the true source of the evil of Zionism. Many like to repeat old antisemitic slanders about the Jews ‘controlling world politics’ and ‘ruling the world from Israel.’ THIS IS NONSENSE. It’s also Nazi b.s., and it gives political ammunition to Zionists like those in the Trump administration, who in their efforts to maintain the status quo are silencing pro-Palestinian opposition to Israel. It’s part of the problem, not part of the solution, and it’s got to stop.

Israel does not control the US and Western empire: it’s the other way around. European and American Christian Zionists wanted the creation of the Jewish state to ensure they’d have a foothold in the Middle East, an extremely important geo-political/strategic region. Remember all that oil in the area! While, to be sure, some Jews are Zionists, so are many non-Jews, and many Jews are outspokenly anti-Zionist–here are some famous examples.

Biden, an example of a particularly contemptible Christian Zionist, has said the quiet part out loud about the true relationship between the US and Israel. Israel is there to protect American interests in the region; without Israel, the US would have to invent one, or else send the navy into the area. No, there is no magical Jewish mojo controlling the Earth: the ‘chosen ones’ are not the people of the Devil. Let’s drop the superstition, grow up, and follow the money if we’re to discover the root of all evil.

Now, as for the violence of the Hamas attack on October 7th, a few things need to be understood. First of all, the severity of the attack was wildly exaggerated for propagandistic purposes in the Israeli media. Sensationalistic stories about rapes, violence against children and babies, etc., have turned out to be outright lies. The same is true of Hamas’s treatment of Israeli hostages, which was far more humane than has ever been the case of the Israeli treatment of Palestinian hostages…and recall that in that open-air concentration camp that is Gaza, every single resident can be legitimately called a hostage.

Furthermore, the Israelis themselves have admitted that many of the Israelis killed on October 7th were killed by Israeli forces themselves–they call it the “Hannibal Directive.” But ultimately, the current genocide isn’t about defeating Hamas: Hamas is just an excuse for the genocide.

Protests and demands for a ‘ceasefire’ are nowhere near good enough: we saw how meaningless that ceasefire was when Trump came to power. And it isn’t a war between the IDF and Hamas: a war implies two sides hitting each other; the average Palestinian isn’t armed, whereas the IDF is armed to the teeth with the most advanced weaponry, and they’re slaughtering the Gazans indiscriminately. The IDF isn’t fighting terrorism–they are the terrorists.

Zionism as a whole must be defeated with the use of military force. I don’t like war, but there is no choice here. The Houthis in Yemen are doing the heroic work of trying to thwart Israel, and of course the Trump administration is bombing Yemen in an attempt to thwart them.

Allied to American fascism is so-called social democracy, which as Stalin once said, is “objectively the moderate wing of fascism.” Zionism, as we’ve seen, is a form of fascism, and liberals like Sanders and AOC, being the careerists that they are, cynically pander to Zionism, in spite of their paying lip service to supporting the Palestinian cause, criticizing Netanyahu, or saying they’d stop the sending of weapons to Israel. Left-leaning liberals like Sanders and AOC, who won’t even acknowledge the genocide, are the social democrats of today’s increasingly right-wing world. They’d rather affirm Israel’s “right to exist” and to “fight terrorism” than save Palestinian lives.

When we are all up against not only such extreme forms of oppression as the Americans’ healthcare-for-profit system, political parties that don’t represent the needs of working-class people, fascistic deportations, Trump’s tax cuts for the rich and taxes for the poor in the form of tariffs, etc, but also liberals who give false hope of “fighting the oligarchy” and then smash those hopes by sheep-dogging the people into voting for the next corporate whore in the Democratic Party, it should not be too difficult to understand why some, out of desperation, might resort to violence.

So much of a game is made out of liberal politics in identifying this or that particular politician, or this or that political party, as the source of everyone’s ills, instead of identifying the actual cause, which is the entire system. Sanders would rather blame the plight of the Palestinians on Netanyahu than on Zionism as a whole. Similarly, the Democrats would rather blame current American woes on Trump and Musk than identify capitalism and imperialism as the problem.

They do this blaming of specific people, who are mere symptoms of the sickness, rather than correctly diagnosing the whole sickness, because these liberals benefit from the class privileges that the system gives them. For this reason, liberals will never help the working class.

This is why fighting the system, and not ‘voting harder,’ is the only viable solution. Yes, literally fighting it. I don’t mean running around in the streets and acting like a maniac with a gun. Luigi is just a symbol for what I’m talking about. People in the West, not just in the US, need to build a huge working class movement that is in no way compromised by the mainstream political parties. They need to get fully organized, and when a revolutionary situation arises, they need to seize power of the state by force.

I’ve said it before, and I’ll say it again: I don’t like violence, in my heart (I guess it’s the residual liberal in me), but it isn’t a matter of liking violence–we simply have no other choice. The ruling class will never allow us to legislate them out of their wealth, and no peaceful protests are going to stop the Zionist killing machine. The Red Army forcibly stopped the Nazis: a similar show of force is the only thing that will free Palestine.

The liberation of Palestine is intimately linked with the liberation of all of humanity, especially those in the Third World and the global proletariat, because these issues are all linked up with imperialism, which is the highest stage of capitalism. They’re all different facets of the same struggle, because the enemy is preoccupied with the accumulation of capital in all the corners of the Earth. There’s oil in them-there Palestinian hills.

Able-bodied young people are going to have to do this fight: go to the gym, lift weights, get weapons training, learn guerrilla tactics, etc. (Recall how much of this battle-preparedness the fascists already have!) The rest of us can be involved in organizing, planning, theory, agitation, spreading the word, etc.

The odd American or two may get snarky with me and say, because I’m advocating this kind of struggle from the comfort of my living room on the other side of the world, that I should go over to his country and fight with him. Well, apart from the fact that I’m neither able-bodied nor young (I have muscular atrophy in my legs), I’m also neither American nor a voter (I haven’t even voted in a Canadian election since around the early 1990s!), so I’m in no way responsible for the mess voters (not just in the US, but also in any bourgeois democracy) have made by contributing to and validating such a bogus, corrupt system. I therefore have every right to complain about the creation of a mess I had nothing to do with: I consider George Carlin to be my authority on this matter.

Different people have different talents and aptitudes, and all of us are helping in our own way, as long as we’re not voting for any of the corrupt, Zionist, mainstream parties that make promises they’ll never keep.

Remember that revolution is not a dinner party, and political power grows out of the barrel of a gun. Ultimately, though, violence…as self-defence against the ruling class…is not just violence for its own sake. After smashing the bourgeois/imperialist system, the goal is to build socialism. This means improving the quality of life for everyone: providing and guaranteeing universal healthcare and education, ensuring our basic needs are all met, and liberating us from oppression.

The System is the Problem

I: Introduction

Anyone who has been reading my blog for a while should know by now that I, as an avowed Marxist, get static from right-wingers from time to time. There is, however, another group of people I criticize quite a bit, and who from time to time give me a hard time, too.

Liberals.

To be fair to them, many are well-intentioned in wanting progressive change in the world, but who are also, I feel, terribly misinformed about what’s really going on in the world. Part of this problem stems from the fact that many of them have similar class interests with people on the right, and therefore they don’t want to make the uncompromising but necessary changes in our political landscape that will ensure social justice, end the wars, and reverse ecocide.

In my article, The Liberal Mindset, I went into the psychological conflicts of liberals as I see them, those of wanting to effect progressive change (motivated by the superego), and wanting to retain their class privileges (motivated by the id). The result of this conflict is, of course, a lot of hypocrisy, in particular for those liberals in the upper echelons of economic and political power.

Examples of this hypocrisy are when AOC wears a “Tax the rich” dress at a Met Gala of the wealthy and privileged, Bernie Sanders decries the oligarchs, then backs Democrats pandering to the empire and corporations, or in my country, when Justin Trudeau talks all the politically correct talk, yet backs oil drilling on aboriginal land, or in one form or another, his government has backed Ukrainian Nazis.

As for those in the lower echelons who are liberals, their fault tends to stem from merely being misinformed. This fault is not, however, squarely on them. As is the case with so many of us these days in this neoliberal hellhole we live in, one is simply too busy working, dealing with day-to-day problems, to have the time to do the hard work of researching what is really going on in the world, learning the history of how we got here, and interpreting the meaning of world events correctly. Instead, most people rely on the slime oozing out of their TV set, the lies and propaganda coming out of it.

It is my hope that this article I’ve written can help correct those misconceptions of many liberals–that is, the well-meaning ones who simply don’t realize how much they’ve been misled, as opposed to those who ought to know better, or who cynically and deliberately go along with the mass deceptions because they benefit from them.

Furthermore, I hope that through these words I can impress upon these liberals that, in order to effect the kind of change that really needs to be made, change that is meaningful and isn’t merely a facelift, certain baselines must be maintained. Nothing below them is acceptable. A discussion of the content of these red lines follows:

II: No Voting for Bourgeois Parties…Ever!

The basic principle that needs to be understood about mainstream political parties–bourgeois parties–is that in spite of all their talk about striving to do what is best for the people, and what’s right for the nation, what they really do is solely in the interests of the capitalist class. The examples I gave above about the hypocrisies of liberals saying one thing and doing more or less the opposite are examples of this problem, hence voting for any of them will do nothing to help the common people.

Such political parties include the blue and red of the bogus American two-party system, the Tory and Labour Parties of the UK, and the Canadian Tories, Liberals, and NDP, as well as the many other bourgeois parties in the rest of the world. This is true even of social democrats like AOC, Sanders, or the NDP in Canada. In spite of the left-leaning nature of some of them, these ‘progressive’ ones will choose capitalism over socialism, Zionism over Palestinian rights, and even fascism if the ruling class is being threatened.

Liberalism acts as a kind of buffer against any friction the working class feels from the dictatorship of capital. So much of controlling the people involves using psychological tactics to keep us at bay; among those tactics is sustaining the illusion of hope that, somewhere down the line, a liberal or social democrat of conscience will lead the way and end the corporate stranglehold on us. As long as we keep hoping, we’ll keep voting, and an uprising will be staved off, even though those hopes keep getting frustrated.

More and more people are waking up to what this deception is doing, and they aren’t buying into the lies they keep hearing. As a result, fewer and fewer of them are wasting their time leaving home on Election Day and voting for someone who only talks and never delivers on his or her promises.

When the deceptive tactics are no longer working for a significant portion of the population, then other forms of keeping control are used, such as brute force. It’s no accident that in recent decades, there has been a militarization of the police, and when there are protests, agent provocateurs are deployed by the powers-that-be to stir up the protesting crowds, pick fights with them, and give the riot police an excuse to beat the protestors and arrest them.

As long as there is economic prosperity, as there was from 1945-1973, bourgeois governments can be, by their standards, generous and tax the rich sufficiently to fund social programs and other benefits for the poor. But when the economy is going through bad times, as has on-and-off been the case since 2008, the dictatorship of capital shows its true colours, and nothing is done to help the increasingly immiserated poor–quite the opposite, in fact, even to the point of such injustices as criminalizing homelessness.

In the case of American politics, we can see how both parties have moved things further and further to the right, even when either party allowed for some progressive policies. FDR gave Americans the New Deal, which in itself was good for softening the blow of capitalism for the working class, but even this good thing had a shadow side: in the very softening of capitalism, the New Deal ensured that the American ruling class didn’t have to fear a socialist revolution. Social democracy prevented the rise of real socialism.

While the rationalization for FDR’s putting of Japanese-Americans in internment camps (also called concentration camps, rather like those cages ICE is putting “illegals” into now) was as a protection against possible Japanese-American spies sending intelligence back to Japan, the fact is that that internment was yet another manifestation of good-old-fashioned American racism, a time-honored tradition going back to the times of black slavery, Native American genocide, the KKK, Jim Crow, “We reserve the right to refuse service to [Mexicans, Jews, the Irish, etc.],” and coming right to our times of “build the wall” and Russophobia.

On the Republican side, the Eisenhower era may have seen high taxes for the rich, and to his credit, he warned in his farewell address to curb the growing cancer of what he called the Military Industrial Complex as an enemy to world peace (a warning that subsequent American politicians have dutifully ignored), he and his administration were responsible for the 1954 Guatemalan coup, and helping with the 1953 Iranian coup, all justified as part of the Cold War policy of containment (the ultimate counterrevolution against communism has subsequently contributed to the neoliberal disaster we’re facing today).

That Iranian coup reinstalled the Shah, a puppet of Western imperialism and someone very unpopular among the Iranian people. This problem resulted in the 1979 Iranian Revolution, resulting in turn in Iran being another target for regime change, which has led to the recent hostility to and banging of the war drums against the country.

To his credit, LBJ signed legislation to promote African American civil rights, and by liberal standards, he helped fight the war on poverty. He also, however, helped escalate American involvement in Vietnam based on the bogus Gulf of Tonkin Incident; a quagmire ensued in Vietnam, a most unpopular war that brought about such atrocities as the My Lai Massacre. Once again, the rationale was to contain communism, without any consideration for what the Vietnamese actually wanted, they who had just shaken off French colonial rule by the mid-1950s. So much for the ‘progressive’ Democrats.

Nixon’s administration helped with the 1973 Chilean coup d’état, replacing the democratically-elected socialist Salvador Allende with the far-right strongman Augusto Pinochet, whose Chicago Boys“free market” economic policies can be seen as a testing ground for the neoliberal scourge that began under Reagan and Thatcher.

What people need to understand about all these coups d’état and other interventions is that they’re meant to keep the empire’s grip of power on the affected countries. The empire will never accept any country going its own way and finding its own path to improve the quality of life for its people.

The intentions of the governments that the CIA and/or MI6 have overthrown are to do such things as the nationalization of industry (oil, etc.) and land reform so the workers and farmers of these countries can gain control over their working lives, gain the full fruits of their labour, and use the profits from their work to fund social programs for the poor. The imperialists, however, know that allowing these reforms to happen will reduce, if not obliterate, the profits they’ve been stealing from these countries.

When the Western imperialists meddle in the affairs of these Third World countries in the ways I’ve just described, they try to rationalize their interference by claiming they’re promoting “freedom and democracy” and thwarting the “Red menace.” Such talk of wanting “democratic freedoms” for these developing countries is just, to use a psychoanalytic term, a case of reaction formation, or hiding one’s true, not-so-noble motives behind a mask of supposedly benevolent ones. The last thing the imperialists care about is the right of the Third World poor to have freedom and self-determination. One doesn’t achieve such a goal by installing the likes of the Shah or Pinochet.

Imperialism is not just some abstract word we leftists throw around to sound dramatic or to feel self-righteous. It’s a living, breathing menace that destroys the lives and crushes the hopes of millions of people around the world. It is also used by all bourgeois political parties, not just the ‘conservative’ ones. The red and blue in the US do it. Tory and Labour do it in the UK. Tories, Liberals, and the NDP do it in Canada. The Renaissance (En Marche) party and the National Party (or National Front) do it in France. And so on and so on.

Western liberals have to stop thinking that the whole world revolves around themselves and start looking into what happens in these other parts of the world, for our suffering and their suffering are interlinked.

To get back to my ‘history lesson,’ if you will–which of course is far from exhaustive–another example of US imperial meddling in another country’s affairs, one that would ultimately bite Americans in the ass (our suffering and theirs is interlinked, recall), is when Afghanistan was trying to implement socialism with the aid of the Soviet Union. Such things as the promotion of women’s rights were on the agenda…but the American government would never tolerate that agenda.

The Carter administration, with Zbigniew Brzezinski‘s influence, provoked the USSR into invading Afghanistan (as they provoked Russia’s invasion of Ukraine) in the manner I discussed in my analysis of Charlie Wilson’s War. During this proxy war, the Soviet-Afghan War of the 1980s, the US government armed the mujahideen to the teeth. These fighters were fundamentalist Muslims, people who could be called the Islamic equivalent of fascists. Reagan had some of them visit him in the White House. One of the mujahideen was Osama bin Laden. We all know what his involvement eventually led to.

Once the US government had achieved their goal of weakening the Soviet Union through this long war that ended in 1989, Afghanistan was abandoned, since the country was no longer politically useful to US imperialism. The result of this abandoning of the war-torn country to Muslim fundamentalists was the rise of the Taliban, whose ideology was the diametrical opposite of that of the original socialist/feminist plan.

There is a long history of the US government backing a country at first, then abandoning or even being outright hostile to them later. This is true not only of Afghanistan, but also of Iraq during the Iran-Iraq War, when the US backed the latter, giving them (or at least allowing them to acquire) their chemical and biological weapons, and Donald Rumsfeld was recorded on video shaking hands with Saddam Hussein), Panama (Manuel Noriega was a CIA asset for many years until the US government turned on him and invaded his country to apprehend him), and now, Ukraine, to name but a few examples. Recall Kissinger’s words on being friends with the US.

Once the USSR and Soviet Bloc were dissolved and Russia was plunged into economic turmoil in the 1990s, with most Russians never having wanted the Soviet system to end, and majorities of them consistently seeing its end as a bad thing, the Western ruling class no longer feared that their oppression of the working class would lead to a socialist revolution. So it was only a matter of time before NAFTA was signed into law, Welfare was gutted, and the Telecommunications Act of 1996 was enacted, allowing mergers and acquisitions in the media to lead eventually to 90% of the US media to be controlled by six corporations, meaning that most of Americans’ access to information would be controlled by the superrich and narrated by their bourgeois agendas.

By the mid-1990s, the Russians disliked their alcoholic president Yeltsin so much that many tried to vote the Communist Party back into power. But the US, under the Clinton administration, liked their Russian puppet so much that they helped manipulate things during the 1996 Russian election so Yeltsin could be reelected. This interference in that election was openly admitted to at the time…on the cover of Time magazine. The US government likes it when Russia is weak, not when she’s strong, as she would become under Putin–hence his demonization in our media.

The situation has been similar with regard to China, which brought back the market in the mid-1980s under Deng Xiaoping. The Western ruling class was content to have China be their factory, where they could outsource labour and pay for it with much lower wages; but now that China has risen economically and politically enough to challenge the global hegemony of the “rules-based international order,” the Western powers don’t like the country anymore, and in selling them billions of dollars in weapons, the US wants to use Taiwan against mainland China the same way they used Ukraine against Russia, as a stick with which to beat the offending country.

Remember that all the mainstream Western political parties support these aggressive policies, with few exceptions. Once the socialist states had been either dissolved, weakened, or made to revert to the market, the Western imperialists knew they could do anything they wanted to any country, and generally get away with it. This is why these political parties, whether right-wing or “left-wing,” should never be voted for by people who care about the working class and the global poor.

Part of thwarting all those countries that won’t bow to the will of the Western empire is to smear them with propaganda hostile to them. A tried-and-true tactic has been to identify ‘evil, tyrannical dictators,’ and insist on the need to remove them and replace them with ‘democratic’ ones (translation: replace them with leaders willing to cater to imperialist interests).

In recent history, we saw this in the first Iraq War against Saddam. Then it happened in the “humanitarian war” against Slobodan Milosevic in Yugoslavia. Then it happened to Saddam again in the 2000s. Then it happened to Gaddafi, who was, contrary to Western propaganda, actually a benevolent dictator who provided lots of social programs that helped Libyans; the resulting US/French/NATO intervention turned the once-most prosperous nation in Africa into a failed state with an open slave market. Then a protracted “civil war” in Syria destroyed the country and replaced the ‘tyrant’ Bashar al-Assad with an Al Qaeda/ISIS affiliated strongman.

Now, none of this is to say that these scapegoated and toppled heads of state were completely blameless. They don’t have to be, though, for us to be justified in opposing their being overthrown. The point is that it is the citizens of their respective countries who should be allowed to decide for themselves whether or not their leaders should have been removed, and not the empire. Furthermore, whoever is to replace them should be people who represent the genuine interests of the citizens of those countries, not the interests of the empire.

The same judgements apply to Iran, Russia, and China, the current targets of imperial aggression. Again, there are many aspects of the governments of these three countries that I, and many others on the left, find fault with. Such faults, however, do not justify starting wars with them.

A big problem with all the mainstream political parties is that they all, to at least some degree, advocate regime change, or have advocated regime change, in all or almost all of these countries with scapegoated governments. For this reason–as well as the reason I gave at the beginning of this section, that none of these parties do anything substantive about capitalist exploitation of the working class and immiseration of the poor–one should never vote for bourgeois political parties if one wants to see genuine progress for the common people. By now, people should know that capitalism and imperialism are inextricably intertwined.

III: Stop Uncritically Believing the Mainstream Media

I mentioned above how Bill Clinton’s signing of the Telecommunications Act of 1996 into law resulted in mergers and acquisitions in the media that in turn have led to 90% of American media being controlled by six corporations, and that this means that most of Americans’ access to information is being controlled by the wealthy and powerful. This means that the superrich, not representatives of ordinary people, decide what ‘the truth’ is and isn’t for us.

This problem is not limited to American reporting. There is a global network of media sources that reports essentially the same news stores with basically the same–typically pro-US/NATO–slant, just liberal and conservative variations on them, at most (note in this connection that ‘conservative’ and ‘liberal,’ properly understood, are just right-wing infighting). The reason for this bias is that the bourgeoisie all over the world have the same interests, in spite of such things as inter-imperialist conflict: they all want more for themselves and less for everyone else; this is why genuine leftist opinions are marginalized, if they’re even represented at all.

Even more fraudulent is that what is understood to be “left-wing” reporting is actually just liberalism: it caters to the interests of the Democratic Party (AOC, Sanders, Obama, “the Squad,” etc.), the Canadian Liberal Party (Justin Trudeau, as unapologetically avowed a Zionist as Biden is), the British Labour Party (whose Tony Blair, recall, backed George W. Bush in invading Iraq and promoting imperialism and neoliberalism in general), etc. Because of all of this deception, a huge swathe of the Western population doesn’t even know what the left actually represents ideologically. I’ve known people who call themselves “left-wing,” and in the same breath said they were going to vote for Kamala Harris!

The ruling class finds such political ignorance to be extremely useful. Let the masses believe the left is only about identity politics (‘The ascent of Obama and Harris means we have racial equality!…doesn’t it?’), vaguely defined notions of raising taxes (which 1., aren’t generally raised on the rich, and 2., are generally used to fund the military), ‘girlbosses’ (while one ‘girlboss,’ Hillary Clinton and her State Department, helped to oppose a pay raise from going to garment workers in Haiti), and…last, but not least…anti-Trump!

Now, I don’t like Trump any more than the average liberal, but if you’re going to oppose him, do so for the right reasons, not the partisan ones presented by the Democratic Party and the mainstream bourgeois liberal media. There is, of course, an epic catalogue of perfectly legitimate reasons to oppose the Trump agenda, but many of these are ignored by the blue side because, to be blunt, the blue supports them, too (or at least doesn’t have the guts to oppose him on them): the ongoing ethnic cleansing of Palestine, no provision for the poor, banging the war drums against China, etc.

While Trump has obvious fascist tendencies (to put it mildly), his proper place in contemporary politics is as controlled opposition. The American public, and the West in general, are being manipulated by the media into believing that he, the GOP and Musk are the only things wrong with American politics, rather than the entire system as a whole, which I’ve been arguing. The entire system created the conditions that gave rise to Trump, and liberals need to confront this reality.

Though Obama has always been a darling of the media, portrayed as all grace, style, and class, with no scandals, the very object of liberal idolatry, what is given short shrift in the media is how he extended the Patriot Act, bailed out the banks just as Dubya did, enabled mass surveillance of American citizens, drone-bombed many, wrecked Libya (check the links above), enabled the genocide in Yemen, was the Deporter-in-Chief, and had seven countries bombed in 2016.

Conservatives made their own idiotic misrepresentations of Obama in the media, calling him a “socialist” and a “communist,” when in reality he was anything but. Apart from this distortion of the facts about him, it also reinforces the false narrative that the Democrats are “left-wing,” when as I explained above about LBJ, the left-leaning Democrats of the 1960s weren’t even all that left-leaning (which goes double for JFK, during whose administration the failed Bay of Pigs Invasion and Cuban Missile Crisis occurred).

Another thing orchestrated during Obama’s administration was yet another CIA-backed coup d’état in 2014 in Ukraine, which the mainstream bourgeois liberal media has called a ‘spontaneous and peaceful Euromaidan “revolution” by freedom-loving people.’ US neocon fingerprints were all over this catastrophe, the evidence including a recorded phone conversation between Victoria Nuland and US Ambassador to Ukraine, Geoffrey Pyatt, in which they discussed their plans for the future of the country and she infamously said, “Fuck the EU.”

Why did this coup have to happen, for the sake of the neocon imperialist agenda? The democratically-elected Viktor Yanukovych had wanted to make arrangements with Russia to sort out Ukraine’s financial problems without needing to resort to loans from the IMF and thus be saddled with crushing debts and neoliberal policies putting the country in economic chains. Working with Putin’s Russia, of course, is absolutely verboten with the US/NATO empire, so Yanukovych had to go.

And who’s played a huge role in the government replacing that of Yanukovych? Ukrainian neonazi groups, including Svoboda, the Azov Battalion, and other Nazi sympathizers who idolize Stepan Bandera, of whom again the mainstream Western media speaks euphemistically as being mere ‘nationalists.’ Prior to the Russian intervention in Ukraine in late February of 2022, there were liberal media sources that would acknowledge Ukraine’s Nazi problem, though they tried to downplay it as best they could. Since the Russian intervention, though, the Western media has suddenly developed amnesia about the Ukrainian Nazis, and instead engages in denial and dismisses the issue as mere “Russian propaganda.”

Contrary to these denials, though, there has been a consistent strand within a significant minority of the Ukrainian population that has sympathized with fascism, a strand that goes back to around WWII. In the West’s Cold War against communism, the CIA gave aid to anti-Soviet resistance groups in Ukraine, including Bandera’s OUN, as can be seen in Operation Aerodynamic.

To get back to Obama’s sweeping deportations of ‘illegal’ immigrants, a policy continued during the Biden administration, the mainstream media says little of their guilt in the problem, while screaming hysterically when the Trump administrations have been guilty of the evil.

Similarly, when the Biden administration was arming and enabling the Israeli genocide of Gaza, little criticism in the mainstream media was given against the Democrats. When Trump, however, announced that he planned to have the surviving Gazans moved to either Egypt or Jordan so he could transform the devastation of Gaza into a kind of Monaco (also an egregious and outrageous continuation of the ethnic cleansing of the area), only then was the mainstream media in a furor over the plan.

The same can be said of Trump’s repressing of pro-Palestinian protestors: the Biden administration, in various forms, was trying to silence protest of the genocide, too.

The larger hypocrisy surrounding the whole Israel-Palestine problem, however, is in how up in arms the media has been about the Russia-Ukraine War–demonizing Putin for intervening in what, as of 2022, had already been going on for about eight years (more on that later)–while being mostly silent about the war crimes of Netanyahu and the IDF. Recall the warm reception that Netanyahu got in Congress, with only one Democrat, Rashida Tlaib, taking a principled stand against him in the room for the sake of the Palestinians.

What both ‘standing with Ukraine’ and being a Zionist have in common is supporting the interests of the Western empire, whether these supporters are consciously aware of it or not. As a racist, apartheid ethno-state, Israel is a crucial ally to the Western imperialists, as I’ve argued elsewhere, helping them gain a foothold in an area that’s extremely important to them geo-strategically and financially (all that Middle Eastern oil!). Because Israel epitomizes the evil of settler-colonialism (which has already caused devastation to the indigenous peoples of such places as what’s now the US, Canada, Australia, and New Zealand), Israel, to put it bluntly, should not exist. A one-state solution, Palestine–where communities of Jews may live with Muslims and Christians with full equal civil rights–is the only viable one to lead to a lasting peace in the region.

Similarly, a lasting peace in Eastern Europe will come only when the US and NATO stop provoking Russia; one wouldn’t know this, however, from listening to the lies and biased reporting of the Western media on the issue. It’s not the job of the Western media to inform us properly on what’s going on in the world. It’s their job, as mandated by their corporate bosses, in cahoots with the imperialist powers-that-be, to manufacture consent for all these wars, not only to advance the interests of managing the globe-spanning empire, but also to sell weapons so that defence contractors like Boeing, Lockheed-Martin, Raytheon, Northrup Grumman, etc., can keep their profits up. After all, the tendency of the rate of profit to fall necessitates this perpetuating of war for the sake of business.

It’s not that the average American consumer, or any Western consumer, of all this media propaganda is stupid: it’s that the manipulation of emotions has gotten that effective. Media manipulation has reached an amazing level of sophistication. It can toy with the fears, anger, and hopes of ordinary people, often enough reasonably intelligent people, in ways that we should find disturbing. For all of us, intelligent, simple, or everything in between, have emotional weaknesses that the ruling class can exploit with the media they own.

Two of the fundamental psychological defence mechanisms we have that they can take advantage of are projection and splitting. I’ve already mentioned the use of reaction formation to trick us into thinking that our governments’ intention is to spread “freedom and democracy” to countries like the former Soviet ones, Iraq, Libya, Syria, Ukraine, and–in their future schemes–Russia and China. What they’ve actually done is wreck those countries and aggravate the oppression there. By “reaction formation,” recall, I mean the pretense of good intentions to mask evil ones.

Allied with reaction formation is psychological splitting, or black-and-white thinking. The fake good intentions of our ruling classes are the “white,” while the intentions of the governments of the countries targeted by imperialism are the “black.” Note how in this black and white, there is no grey area. Good is essentially all good, and bad is all bad. We’re not given the opportunity to explore moral ambiguity or nuance on either side.

Next, we see where projection comes into the mix. All the “black” of our own Western governments gets projected onto the targeted countries. They’re all the bad guys: we could never possibly be the bad guys. They tyrannize their people, so their governments have to be overthrown. Oh, sure, our governments have their share of problems, but they don’t need to be overthrown–they just need to be ‘reformed.’ It doesn’t even occur to us that the governments of the other countries just need reforms to fix what’s actually wrong with them.

Part of the appeal of splitting and projection of our problems onto those other countries is our own collective narcissism, as well as xenophobia towards all those…strange…countries that we actually just don’t know much about. Part of our susceptibility to splitting and projection is in how these defence mechanisms are among our most primitive and infantile emotions.

Melanie Klein noticed how babies of around four to six months old engage in what she called the paranoid-schizoid position–“paranoid,” because of the persecutory anxiety one feels towards those (the mother who frustrates her baby by not, for example, providing milk or other forms of care when the baby wants it) whom we split off as bad, fearing they’ll retaliate; and “schizoid,” referring to the spitting into absolute good and bad, this latter being projected onto the ‘bad’ one.

The paranoid-schizoid position (PS) doesn’t end in infancy, though: it returns again and again, from time to time, throughout one’s life, as does its opposite, the depressive position (D). As Wilfred Bion would put it in his shorthand, we oscillate between the two positions throughout life like this: PS <–> D.

Now, when we apply Kleinian psychoanalysis to our current political situation, in which what is wrong with our Western governments is split off and projected onto countries like Russia, China, Iran, etc., to realize that there’s a mix of good and bad in both Western and Eastern governments (just as a baby soon realizes that its mother is also a mix of good and bad) is a truly depressive position to take.

The West in modern history has always looked for enemies in other parts of the world to scapegoat and project onto: in the 20th century, the enemy was communism; in the 2000s, it was Islamic terrorism; by the 2010s, leaders like Gaddafi and Assad were fingered, while the propaganda against Putin was building; and now, all eyes are on China. This has all gone on while neoliberal capitalism has been tightening its grip on our necks, enabled by both conservative and liberal political parties in the West. It is depressing to realize how depraved the corruption is in our own countries, and how much we must focus on that, rather than what’s going on elsewhere.

Let’s look at what the Biden administration did, and what liberals consider an ‘acceptable’ alternative to Trump. He did little, if anything, significant in terms of improving the American healthcare system, and this is when the pandemic was killing off so many. Instead of using taxpayer money to help the American poor, billions were pumped into providing weapons to Ukraine to fight an unwinnable war with a country armed to the teeth with thousands of nuclear weapons, risking WWIII. Worst of all, his administration also sent millions of dollars worth of weapons to Israel to aid it in its genocide and ethnic cleansing of Palestinians.

We can’t just blame this on one man’s ineptitude. In his mounting dementia, Biden probably didn’t do much more than just sign the paperwork and approve the decisions that those working with him (Harris, Blinken, etc.) made. How much worse does the Democratic Party have to get (nuclear brinksmanship, genocide, widening the gap between the rich and the poor, etc.) before liberals finally face the truth that they aren’t even a “lesser evil” than Trump? The entire system is the problem.

Now, as far as Putin is concerned, he is far from being my political ideal. He’s a bourgeois reactionary politician with obvious authoritarian tendencies, and I disapprove of his conservative stance on LGBT issues. That said, though, people need to grow up and stop seeing him as some kind of comic book villain. He doesn’t have horns or hooves. The Western media has been saturated with scary images and narratives about how ‘evil’ he is and that he wants to build an empire out of Eastern Europe. There is no proof of such ambitions. The annexation of Crimea was supported in a referendum by the great majority of people living there, ethnic Russians who know better than to live in a country with Russophobic Nazis in its government and military. I don’t care that the Western media dismissed the referendum results as ‘illegitimate.’ I’ll believe the Russians before I believe US/NATO propaganda any day, and here’s why:

IV: The Ukraine Debacle

Recall earlier what I said about projection. It applies perfectly to this situation about Putin’s seeming ambitions over dominating Europe, and the way some people idiotically call him “Putler.” It is the US that has had territorial ambitions over Europe, and NATO is used for this purpose, for NATO is an extension of US imperialism.

NATO was originally formed in 1949 as a reaction to the rise of the Soviet Bloc after the end of WWII. When the USSR and the Soviet Bloc had dissolved by the early 1990s, one would have thought that NATO wouldn’t be needed anymore.

But here we are now, with more NATO than ever.

It must be emphasized that NATO was never a friend to Russia, so expanding the alliance closer and closer to Russia’s borders was not going to go over well, and those pushing for NATO’s enlargement would have known Russia’s objections to it better than anyone…but they still pushed for it, which should tell you something about their real motives.

The US, though not formally called an empire, is the real empire of the world, with hundreds of military bases in countries spanning the globe, including many all over Europe, which were put there at the end of WWII. The Marshall Plan further cemented Europe’s economic dependence on the US, as well as the European capitalists’ fears of Soviet revolutions on the continent.

An example of European subservience to the US can be seen in their timid reaction to the Nordstream pipeline bombing, an act of eco-terrorism that was so obviously the result of scheming in the US government (with help from Norway) that Biden and Nuland practically confessed their guilt. Seymour Hersh did so thorough an investigation of what happened that he detailed exactly how the sabotage was carried out. The motive? to get Germany to stop buying Russian oil and instead buy the more expensive American oil. Barely a peep of complaint against the US was made by those in power in Europe, so in the thrall of US hegemony are they; Hersh’s article, of course, has been dismissed, or at least doubted, by the mainstream media.

But to get back to Russia, NATO, and Ukraine, our story really begins back at the time of the reunification of Germany. Gorbachev was promised by the Americans that the absorption of all of Germany into NATO would result in the Western alliance not moving “one inch” eastward. This wasn’t just a promise that would later be broken. It was an outright lie.

In the late 1990s, that move eastward would begin with the inclusion of the Czech Republic, Poland, and Hungary; Russia was already making their displeasure with this enlargement known. Russia was particularly upset when, in 2004, the three Baltic States–Estonia, Latvia, and Lithuania–joined NATO; they were originally part of the Soviet Union, and thus once part of the Warsaw Pact. NATO was creeping closer and closer to Russia’s borders.

Things really came to a head by the late 2000s, when the Bush administration pushed for the inclusion of Ukraine and Georgia in NATO, two countries right on Russia’s border, and thus a red line for Putin.

All of these provocations, combined with the 2014 coup in Ukraine that I discussed above in Part III, give us the needed historical context in which to understand why Russia invaded the country in late February of 2022. The invasion didn’t happen because ‘Putin bad, Putin bad.’ It didn’t happen because Putin has imperialist ambitions to take over Europe. Indeed, though there are some ulterior motives behind the Russian invasion–those of the mundane capitalist sort involving the taking of Ukraine’s natural resources–such an imperialism, if it can even be called that, is minuscule in comparison to that of the US and NATO.

No–the real, essential reason for the Russian intervention is what happened during the years between the 2014 coup and the 2022 intervention. The Nazis, who since the coup became a part of the Ukrainian government and military, hate the ethnic Russians of the eastern Donbass region of Ukraine, and they enacted discriminatory legislation against those Russians, including banning their right to use their language. Naturally, those Russians rebelled against the Nazis’ bigotry, and a civil war began.

The Donbass Russians tried to establish autonomy, similar to the breaking-away of Crimea. The Ukrainian Nazis responded with an eight-year attempt at ethnic cleansing, resulting in turn with the killing of thousands of ethnic Russians in eastern Ukraine. These provocations and atrocities are what distinguish Ukrainian fascism from that of other countries, including even Russia. Was Putin just supposed to sit back and let this killing go on undeterred?

Note that eight years of that civil war went on before he sent his troops in. In the meantime, he acted in good faith with European leaders to work out a peace agreement, the Minsk Accords. During this time, those on the other side of the bargaining table were actually buying time so that a sufficient number of weapons could be sent to Ukraine…including the Javelins that Trump sent!…so the Ukrainians could be ready for war. If it had really been Putin’s intention to invade just for the sake of invading, why wait eight years to do so? Why not go in much sooner, before Ukraine got all the weapons?

It was the US and NATO who wanted this war, not Russia. Because a direct war between Russia and the US/NATO would have meant WWIII and possible nuclear annihilation, even the psychopaths leading the Western governments didn’t want that, so they opted for a proxy war instead, getting the Ukrainians to do their dirty work for them…just as they’d used the mujahideen to bleed the Soviet Union dry in the 1980s, and for the exact same reason.

To understand what’s really going on in the world, one must see it from a global perspective, not just from that of our local area. It is a reality we learn from history that all empires rise and fall: Persia, Ancient Greece, Rome, the Ottoman Empire, Britain, and now, the American empire. The US has been losing a number of wars over the past several decades, two of the prominent ones being Vietnam and, recently, Afghanistan. De-dollarization has played a role, too.

As the US empire is falling, new powers are rising, including Russia and China. The psychopathic leaders of the Western governments will never accept this supplanting of their global hegemony (such a refusal to accept it is implied in the existence of PNAC). This changing global reality, the emergence of BRICS to create a new, multipolar world order, is the real reason for all of this hostility in the media against Russia and China.

Hence, the caricaturing of Putin and Xi Jinping as evil schemers bent on world domination–a projection of that same lust for power that our own Western heads of state have. It’s painful to face the fact that it’s our own leaders in the West who are the bad guys, but it’s a fact that we must face.

A number of Western political pundits have been warning for years that a provocation of war between Russia and Ukraine would not end well. These pundits include John Mearsheimer and Jeffrey Sachs: these two men are Americans, and their opposition to the US/NATO agenda, blaming it for having caused the war, is not “Russian propaganda.” It’s basic common sense. We have seen in recent months (as of this article’s publication) how Mearsheimer’s prediction that Ukraine would “get wrecked” has come all too true.

Now, agreeing with Trump that an end to this war should be sought is not the same as viewing him as a ‘good guy.’ Ending this war is a no-brainer: even an asshole like Trump can see that. Him wanting peace, in and of itself, is a case of broken clocks being right twice a day. To use another clarifying metaphor, Trump’s wish to end the Russia/Ukraine war is a small island of good in an ocean of all the evil things his administration is doing. I assume you already know what many, if not most, of what those evil things are, Dear Reader, so I won’t enumerate them here.

As for Trump’s agenda on Ukraine, though, I feel I should point out a number of the bad things here. His removal of military aid to the country to end the war is not, of course, out of compassion for the suffering Ukrainians; he’s being tight with money, just as he is with making the other NATO members pay ‘their share’ into NATO, or with allowing Musk to cut funding to many American government programs. It’s all part of the whole neoliberal culture of cutting spending, regardless of whether people need that spending or not, that has been plaguing the US and the rest of the world since the Reagan and Thatcher years.

Added to this problem is the fact that Trump wants Ukraine to give the US its rare earth minerals as ‘compensation’ for all the military aid the Biden administration gave to the war-torn country. This is tantamount to a colonizing of Ukraine, imperialistically stealing its natural resources for the profit of the US. The US covets these resources so they can be used for producing electronics, including smartphones, batteries, and electric cars; it also covets them because China has so many of its own rare earth minerals.

So what we see here is yet another example of the American empire in its toxic relationship of ‘idealize, devalue, discard’ in its attitude towards other countries. Ukraine was useful to the US for a time, hence the idolizing of Zelenskyy as a ‘hero’–indeed, provoking Russia with this war has meant that Russia was too busy to continue helping Syria, and now that Assad has been overthrown, replaced with Jolani and his band of murderers killing such groups as Alawites in a new genocide, and Israel is free to capture a big chunk of Syrian land–but now that Ukraine is no longer useful to imperialist interests, the US no longer feels a need to “stand with Ukraine,” and we’ve seen how Zelenskyy has been tossed aside.

So with Ukraine now abandoned, as have so many other puppet states, reminding us of Kissinger’s words about the lethality of friendship with the US, the GOP under Trump can focus on the war that they feel is the urgent one: the coming war on China. As I said above, the US/NATO empire cannot bear to let any other country rise above it, and China’s miraculous rise from the once ‘sick man of Asia’ to an economy to rival that of the US simply cannot be tolerated, hence the Western media’s demonizing of Xi Jinping no less than Putin.

Now, part of Trump’s plan has been to make a deal with Russia so it will team up with the US against China. This is idiotic wishful thinking on Trump’s part. Say what you like against Putin–he isn’t a stupid man, though. After the US has fucked over Russia so many times over the decades, why would Putin trust Russia’s sworn enemy? Speaking of enemies, though…

V: China is Not the West’s Enemy

To be frank, I find a lot to criticize about ‘socialism with Chinese characteristics.’ While I can understand China’s need to bring back the market in order to build up the country’s productive forces, the country’s economic rise has demonstrated that it is ready now to return, in some sense, at least, to its MLM roots. Though the lifting of millions of Chinese out of extreme poverty is both commendable and impressive, and the punishing of Chinese billionaires by the government for fraudulent actions and corruption is a sign that the will of the people is being acknowledged, the very continuing existence of billionaires in the country, a socialist state, with extreme wealth inequality, still sticks in my gut.

That all said, though, the last thing we need is for China to be yet another target for regime change, especially by the American empire. The CPC being the CPC (as opposed to the GOP or the DNC), can be reformed to make the changes I wish to see in the country; its government doesn’t need to be overthrown, as do those of…certain other countries. As with Russia, any changes to be made in the political system of China are to be decided by the locals themselves, not by Western imperialists.

Now that the American empire is turning its gaze away from Russia and Ukraine (having wrecked the latter), it is now aiming its predatory instincts on China. The propaganda machine is going to say that China means to invade Taiwan, so the West must intervene to save the island I live on. Bullshit.

As I said above, the real issue that the US imperialists are worried about is the rise of China as a new global power. Such a rise will compromise American hegemony and preeminence, and the US ruling class cannot tolerate such a sharing of prestige.

Of course, there is the idea that the US and China could simply learn how to cooperate and make business deals that would be mutually beneficial for everyone; but there’s always this mentality that the American political right has to be better than everyone else, they have to compete instead of cooperate, and so a partnership with China is out of the question. Hence, Trump’s tariffs and trade wars, and all the needless destructiveness, price rises, and other problems these will cause.

One thing that particularly upsets the American ruling class is the possibility that China will take control of, and capitalize on, TSMC in Taiwan. This is why a new TSMC foundry is being built in Arizona. It will take a very long time before this new American branch can be brought up to speed so it can be on a level comparable to the Taiwanese foundry, so they can’t outright replace the original any time soon.

Still, there has been contemplation, if a war between China and the US over Taiwan breaks out, of the idea of the US destroying the Taiwanese TSMC so that China can’t take advantage of it at the expense of the US. Such a move on the part of the US would be foolish in the extreme, given how important the Taiwanese foundry is to the world economy and the making of so much of our tech; but the psychopaths in the Western governments are just that desperate to thwart China’s rise.

Regardless of whether or not the US is planning to destroy the Taiwanese TSMC, still, a war with China would still be an utterly insane thing to do. Not only would it be needless–contrary to all the propaganda, China has no desire to invade Taiwan; they want a peaceful reunification with the island, which most countries worldwide have acknowledged as already being a province of China, and they have been amazingly patient about waiting for this reunification, meaning to use military force only as a last resort–it would also be terribly destructive to the world economy, and with China’s hundreds of nuclear weapons, there’s once again the risk of nuclear war, just as there is with hostility to Russia.

As a resident of Taiwan, I naturally want to prevent my home from turning into a war zone. It’s so easy for Westerners to sit at their computers and phones in the safety of their homes there, putting up Ukrainian, or, in this case, Taiwanese flags on their online profile pages, saying “I stand with (either place),” yet they won’t be in the places where the fighting and bombing is going on. I, on the other hand, will be in one of those places.

The fear that foreign forces, be they communists, Islamic terrorists, Russians, Chinese, etc., are trying to come in and destroy the US is not only a right-wing idea, but it’s also another example of projection. As I’ve tried to demonstrate with my many, but far from complete, examples is that it’s the US imperialists and their NATO lackeys who have been going into other countries, interfering with their political processes either through manipulating the vote (Russia, 1996–showing the hypocrisy of the thoroughly debunked ‘Russiagate’ conspiracy theory) or through coups d’état, and bombing and destabilizing them. American conservatives and liberals have to start recognizing their hypocrisy when they imagine others trying to destroy them, while turning the other way when their own leaders destroy other lands, like Syria, Gaza, Libya, Yemen, etc.

And while I have no love for Trump whatsoever, I can also see the idea of him being pals with Putin as yet another wish to project American-born evil out of the US and put it in Russia. Trump’s bigotry and insensitivity to the needs of marginalized people and to those of the Earth are clearly a result of his having been raised in, and receiving the enculturation of, American capitalism. Putin didn’t need to teach Trump any new vices. Trump is no aberration in a country founded on black slavery and the genocide of the Native Americans. He personifies the culmination of centuries of these vices. Trump is the naked empire, as opposed to the clothed Democrats–smooth, glib talkers like Obama. Trump isn’t the entire problem or even the bulk of the problem–the system as a whole is.

VI: Conclusion–What is to be Done?

When we begin to understand that the problem is not this personality vs that one (e.g., Trump vs Biden, or Trump vs Sanders), nor is it this political party vs that one (GOP vs DNC, Tory vs Labour, Conservatives, Liberals, or NDP, etc.), and we realize instead that it’s the entire capitalist/imperialist system that is the problem, then we can orient our thinking towards a real, meaningful solution. Part of that orientation is understanding that voting doesn’t work.

To paraphrase what George Carlin once said, the politicians aren’t worth thinking about because the only reason they’re there is to create the illusion that voters actually have a choice in the direction their government is going…they don’t. They have owners–the capitalist class, who own the politicians, the media (conservative and liberal), the police, the banks, etc.

Multinational investment companies, or “shadow banks,” like BlackRock, Vanguard, State Street, etc., own trillions of dollars each and invest in everything from weapons-making companies to the media to pharmaceuticals to our food. They control just about everything. Do you really think they’re going to allow you to vote in someone who will tax them out of their wealth?

And these considerations bring me to my next point, which I’m sure will be a sensitive one as far as the liberal supporters of Bernie Sanders are concerned. We all know how passionate he is in his denunciations of Trump, Musk, and the rest of the American oligarchy. He has done some good in galvanizing the masses, so I’ll give credit where credit is due.

Still, where Sanders could be a start for many of the left-leaning liberal persuasion, he cannot be the end. He is weak on US foreign policy, he supports Zionism, and he backs a number of, if not most or all of, the establishment policies I critiqued above. To make real, substantive changes in American domestic and foreign policy, and to take down the oligarchs in a way that all his fiery rhetoric against them cannot even come close to doing, liberals must go beyond Bernie Sanders: this article explains why in minute detail, far beyond the scope of my blog post.

What is needed is not another fiery speaker who just denounces Trump, Musk, and the GOP in general, then leads the masses by the nose and at the last minute drops out of the race and tells his followers to go behind the next Democratic corporate whore. Sanders has done this twice already, as I mentioned above, with the awful Hillary Clinton, then with Biden, the worst president the US has had so far (though, to be fair, in Trump’s first few weeks, he has already worked hard to out-worse Biden’s worst, but still…). Sanders is the sheepdog of the US left, and liberals need to face this fact if change is really what they want. He’s betrayed us before; he’ll do it again.

Even if…par miracle!…Sanders, AOC, Jill Stein, or anyone like that got voted in, someone like that in the US, or their equivalents in any of the other countries of the Anglo/American/Western world, there is simply no way that the oligarchs would allow them to legislate them out of their wealth. Nobody knows this reality better than the left-leaning politicians themselves, who are so enmeshed in the corruption of the system. The rhetoric of someone like Sanders is there to raise people’s hope, then in the end, to let us all down.

What the people need to do instead is to start a grassroots political movement, one outside of the corrupt establishment completely. First, we educate, agitate, and organize. Build up the unions. Do a few general strikes. The ultimate goal, however, is not to have a political party to vote for, since as I said above, voting won’t stop the oligarchs by even the weight of an atom.

The political party must prepare for revolution.

Revolution is not voting. It’s not “working within the system.” It isn’t “reforming” the system. It isn’t a dinner party. Revolution is doing something I don’t dare say on FB for fear of enduring the annoyance of FB jail.

Revolution means overthrowing our governments.

I’ve never once said that this would be easy. With militarized police and AI-enhanced surveillance, accomplishing such a feat will be desperately hard.

But there is no other way.

In my heart, I don’t like violence any more than the next person; but it isn’t a matter of liking violence–it’s simply the only way to end our oppression. If we try to keep alive the fruitless hope of voting for the liberal parties again and foolishly thinking we can nudge them to the left by even a millimetre, we’ll only be enabling them, conservative or liberal, to move even further in the direction of fascism.

Young, able-bodied people are going to have to fight this fight. As for people like me, in our mid-50s, we’ll have to pull a Ben Kenobi here: “I’m getting too old for this sort of thing.” The young must go to the gym–work out, lift weights–and get training in the use of weapons and guerrilla tactics. I wish it hadn’t come to this, but it has. They must do this because the right-wing, fascist sympathizers have already been doing this for years, and our side must be ready for them.

Whatever we do, we can no longer afford to fool ourselves with thinking that only the conservatives are the problem (e.g., replace Trump and Musk with another Democrat, and we’ll build from there). The system is the problem. If we want our world to avoid ecological and societal collapse, and avoid nuclear war, the entire global system must be overthrown as soon as possible.

This isn’t about dreaming of a lofty, impossible-to-attain utopia. It’s about our basic survival. Either the system dies, or we die.

Factories

Once,
these
things
pulled
people
from the
commons.
Instead of breezes to breathe, men sucked the smoke
into their lungs, and bosses have become our kings.
Foul filth has replaced fresh air; as it is all puffed out,
through our sooty nostrils, so is it exhaled, all clouds

of black
to infect our
helpless sky.
These
cages,
owned
not by us,
the makers
of our goods,
keep us inside, where we are all paid prisoners’ wages.
Gone are the days when we could roam outside to see
soft blue above, with clouds of white instead of black.
Now, grey concrete has replaced the grassy greenery.

O, horror! Smoke
is floating, spreading
everywhere! Not in
our skies alone,
but also in
each
place
beyond
our land.
Countries
far from us,
contaminated
with this foul sickness, are making men and women
slave away in factories, breathing the noxious fumes.
Often, the doors are locked, so if a fire rages within,
the workers die a flaming doom, for bosses’ profits.

The ailing skies are
never blue, they’re only black
and grey. It’s always night above,
and never day. The air is poison!
These puffing pyramids of
power,
tombs
which
should
be for the
rich, not for
the working man,
will make a cemetery of the Earth. Afar, they look like mushroom clouds.
The world is dying. Greed is making graves. The green of cash supplants
the green of plants. The rule of gold has long replaced the golden rule.
End the reign of fire and stench! Mr. President, tear down these walls!

Lebensraum

Get out. Our home now.

We’re driving our wagons out west.Get out. Our home now.

We’re driving our wagons out west.Get out. Our home now.
We’ve got a chunk of Mexico.

We’re driving our wagons out west.Get out. Our home now.
We’ve got a chunk of Mexico. We’re joining Germany with Austria.

We’re driving our wagons out west.Get out. Our home now. We want the Sudetenland.
We’ve got a chunk of Mexico. We’re joining Germany with Austria.

………………………………………………………………………………………….We’re taking Poland.
We’re driving our wagons out west.Get out. Our home now. We’ve got the Sudetenland.
We’ve got a chunk of Mexico. We’re joining Germany with Austria.

…………………………………………………………………………………………..We’re taking Poland.
We’re driving our wagons out west.Get out. Our home now. We’ve got the Sudetenland.
We’ve got a chunk of Mexico. We’re joining Germany with Austria. We want Ukraine.

…………………………………………………We’re taking Poland. We’re wiping out the USSR.
We’re driving our wagons out west.Get out. Our home now. We’ve got the Sudetenland.
We’ve got a chunk of Mexico. We’re joining Germany with Austria. We want Ukraine.

…………………………………………………We’re taking Poland. We’re wiping out the USSR.
We’re driving our wagons out west.Get out. Our home now. We’ve got the Sudetenland.
We’ve got a chunk of Mexico. We’re joining Germany with Austria. We want Ukraine.
………………………………………………………………………..We’re taking some of Palestine.

………………………………………………….We’re taking Poland. We’re nearing Russia.
We’re driving our wagons out west.Get out. Our home now. We’ve got the Sudetenland.
We’ve got a chunk of Mexico. We’re joining Germany with Austria. We want Ukraine.
………………………………………………………………………..We’re taking more of Palestine.
………………………………..Central and South America are our backyard.

…………………………………………………..We’re taking Poland. We’re nearing Russia.
We’re driving our wagons out west.Get out. Our home now. We’ve got the Sudetenland.
We’ve got a chunk of Mexico. We’re joining Germany with Austria. We want Ukraine.
………………………………………………………………………..We’re taking more of Palestine.
………………………………..Central and South America are our backyard. China’s a problem.

……………………………………………………We’re taking Poland. We’re nearing Russia.
We’re driving our wagons out west.Get out. Our home now. We’ve got the Sudetenland.
We’ve got a chunk of Mexico. We’re joining Germany with Austria. We want Ukraine.
…………………………………………Gaddafi’s a problem. We’re taking more of Palestine.
………………………………..Central and South America are our backyard. China’s a problem.

……………………………………………………..We’re taking Poland. We’re nearing Russia.
We’re driving our wagons out west.Get out. Our home now. We’ve got the Sudetenland.
We’ve got a chunk of Mexico. We’re joining Germany with Austria. We want Ukraine.
…………………Libya is liberated. Assad is a problem. We’re taking more of Palestine.
………………………………..Central and South America are our backyard. China’s a problem.

………………………………………………………We’re taking Poland. We’re weakening Russia.
We’re driving our wagons out west.Get out. Our home now. We’ve got the Sudetenland.
We’ve got a chunk of Mexico. We’re joining Germany with Austria. We want Ukraine.
……………..Libya is liberated. Assad is still a problem. We’re taking more of Palestine.
………………………………..Central and South America are our backyard. China’s a problem.

………………………………………………………We’re taking Poland. We’re weakening Russia.
We’re driving our wagons out west.Get out. Our home now. We’ve got the Sudetenland.
We’ve got a chunk of Mexico. We’re joining Germany with Austria. We want Ukraine.
………………………Libya is liberated. Syria is liberated. We’re taking more of Palestine.
………………………………..Central and South America are our backyard. China’s a problem.

………………….We demand Greenland. We’re taking Poland. We’re weakening Russia.
We’re driving our wagons out west. Get out. Our home now. We’ve got the Sudetenland.
We’ve got a chunk of Mexico. We’re joining Germany with Austria. We want Ukraine.
……………………….Libya is liberated. Syria is liberated. We’re taking more of Palestine.
.Central and South America are our backyard. We want Panama. China’s a problem.

Canada will be the 51st state.
…………………..We demand Greenland. We’re taking Poland. We’re weakening Russia.
We’re driving our wagons out west. Get out. Our home now. We’ve got the Sudetenland.
We’ve got a chunk of Mexico. We’re joining Germany with Austria. We want Ukraine.
……………………….Libya is liberated. Syria is liberated. We’re taking more of Palestine.
Central and South America are our backyard. We want Panama. China’s a problem.

‘Biden in Angola, Rwandan forces in Congo,’ from Dennis Riches’s Blog

On the hypocrisy of the US government’s ‘wish for peace’ between Rwanda and the DRC, while continuing to enable Rwandan aggression against the DRC. Also, on the setting up of a railway system in Angola to counter Chinese infrastructure investments in Africa in recent years, and to transport Congolese minerals out of Africa.

Beards

Jolani,
the———-HTS
terrorist, has been
getting a thoroughly new
look, thanks to the quackery
of Western asses’ jawbones,
as thanks, in turn, for the
toppling of Assad.

Samson
for———–our
time, he had his
teeth, as it were,
removed, and his
hair trimmed, to
seem all tame.

Beards
will———–grow
back, though, and the
renewed strength of HTS
will push apart the pillars
of the Middle East, and
ruin Syrian lives far
more than Assad.