An interesting article on the post-war economic boom and the blossoming of the arts, 1945-1975, as well as the ruling class’s involvement with both.
Category: politics
Two of My Poems, ‘Gaza’ and ‘Stomping,’ Included in This Post, ‘Ceasefire Now! #3: Alien Buddha Press online poetry series’
Check out this great set of pro-Palestine poetry!
“The Historiography of Rwanda 30 Years after 1994,” from Dennis Riches’s Blog
As Riches concludes in this article, the Rwandan genocide “was a war that also involved several powerful military forces and governments from outside of Africa supporting the RPF [the exiled Tutsi army] to overthrow the Rwandan government and playing the long game for control of Central Africa, particularly the Congo.”
Stomping
Imagine
a boot
on the
face of
a Gazan
forever,
stomping,
bruising,
beating it
non-stop,
until it’s
squished,
crushed, &
flattened,
shoved all
the way
down ’til
the boot
touches
the dirt
of Rafah.
Planes
Fly
high,
look
down on
those whom
you abuse, and
don’t
look
back
at them.
On
your
laps
sit all the
teen Lolitas. Your
ever silent, winking
pimp
and
madam
grin at you.
You
drop
your
load on
the crying
children down below.
They
hurt
from
your fire.
Who Runs the World?
I: Introduction
No, I’m not correcting Beyoncé’s grammar.
I’m talking about something serious here.
Several weeks before the publishing of this post, I posted a meme on Facebook that says, “Once you learn a sufficient amount of history you must choose to become either a Marxist or a liar”.
A FB friend of mine expressed a sharp disagreement with this message, saying that Marx was a third or fourth cousin of Nathan Meyer, 1st Lord Rothschild [!], and that the latter was “the father of capitalism” [?]. Her source was a book called The Jewish Journey, by Edward Gelles.
According to her, this Gelles originally studied in Oxford University, but later became an independent researcher; which suggests that the academic establishment in Oxford have rejected his ideas as crackpot ones. Now, as an independent researcher myself, I’m no fan of conformist establishment academia, but saying that any one man ‘fathered’ capitalism (if anyone, that was Adam Smith, 1723-1790), as if sprung fully grown from his forehead (assuming Gelles called Meyer capitalism’s “father,” rather than my friend), and polemically linking (Jewish) Marx with the (Jewish) Rothschilds sounds like junk history to me.
Granted, my own grasp of history has more than its share of gaps, but even I won’t oversimplify economic history by claiming that the capitalist mode of production began with one man. Capitalism gradually grew, over a period of centuries within feudalism through merchants (i.e., mercantile capitalism). Marx, in his writing of The Communist Manifesto, was arguably the first theoretician of communism, though there were a host of socialists before him. Capitalism’s beginnings predate Meyer, born in 1840, by many decades.
Personally, I couldn’t care less if a British banker of German descent is connected by blood to Marx; this link, if it’s at all true (and I seriously doubt it), could be explained by the fact that there were small numbers in the said Ashkenazi Jewish community, and with that, the high level of close relatives’ marriages. What’s being implied by this link, though, reeks to high heaven of the old Nazi conspiracy theory known as Judeo-Bolshevism. The Nazis themselves made the Marx/Rothschilds link, which according to Gelles is well-known, casting doubt on the idea that this ‘history’ has been suppressed, as my FB friend imagines it to be.
Just because two people stem from the same family doesn’t mean that they have the same, or even remotely comparable, views on anything, a fact that should go without saying, and one that even my FB friend acknowledged in her comments. Yet many people seem to think that all members of a family, or of a certain tribe–as such paranoiacs would call it–must have the same ideology, or the same political agenda, while their scheme might involve presenting that unity in the form of differences and variations that are only superficial.
If this supposed family link is true and has been suspiciously suppressed, I don’t find it difficult to see why. As I said above, the Nazis made this Marx/Rothschilds link, and such propaganda led to the murder of six million Jews. What needs to be remembered today is that fascism has been coming back in style: liberals have been defending Ukrainian Nazis, minimizing, if not outright denying, their influence in the politics of the area in a way comparable to Holocaust denial; far-right groups have made gains all over Europe; and with this knowledge, I find it easy to believe that some academics with secret fascist sympathies can sneak spurious details into their books.
Israeli atrocities in Gaza are stirring up lots of bad feeling against Jews. The fact that this genocide being perpetrated against the Palestinians is so indefensible is all the more reason to be careful about using the rage we feel, justified as it is in itself, to generalize unfairly about all the Jews of the world, many of whom are as opposed to what the Zionists are doing as everyone else is. For if we do that generalizing, and go around repeating the old paranoid antisemitic slanders about Jews secretly controlling the world, that paranoia could very well result in another Holocaust, the very thing we promised would never happen again.
II: Ancient Antisemitism
The history of antisemitism that I’m summarizing here is far from exhaustive. I’m just touching on a few highlights that I consider relevant for the sake of my argument.
The earliest known examples of antisemitism come from ancient Egypt and Greece. A particularly noteworthy source at the time was Gnosticism, since it influenced Christianity. The Gnostics came to equate Yahweh–the creator of the physical world, and perceived as being angry, judgmental, and overly-legalistic–with the principle of darkness and materiality, as opposed to the principle of light and the spirit.
Gnosticism posited a dualistic universe in which the good principle of light and the spirit is at war with the evil principle of darkness and matter. It isn’t difficult to translate these ideas into the Christian God being at war with Satan…except that the Gnostics tended to equate Yahweh with the Demiurge, an evil or at least inferior god who created the physical world. It also isn’t difficult to see where New Testament verses like 2 Corinthians 4:4 and John 8:44–in which the Devil is portrayed as a ‘god’ and as the ‘father’ of the Jews, respectively–come from as ideas.
My point behind mentioning all of this is that it establishes not only the association of the Jews with the Devil, but also with the rule of the Earth. We can see here just how much of antisemitism is based on superstitious, religious nonsense, not on anything remotely scientific.
It has been noted in a number of sources that the Gospel According to John has strong Gnostic tendencies, if not being outright Gnostic in essence. The Gnostics, as I pointed out above, were strongly antisemitic, and the Gospel of John carries antisemitism to greater lengths than the Synoptics do. In Matthew, Mark, and Luke, the object of Jesus’ moral condemnation is the hypocrisy of the Pharisees (for example, Matthew 23 and Luke 11:37-53). In John, it’s “the Jews” in general who are judged, as seen in John 8:44 and John 7:13.
That all four Gospels worked to shift the blame for the killing of Christ away from the real perpetrators, the Roman authorities, and onto the Jews (see Matthew 27:25), in order to make it easier for the early Church to win over Roman converts, was the Biblical basis for Christian antisemitism over the past two thousand years. That the man who betrayed Jesus for thirty silver pieces was named Judas Iscariot should tell you something. (Read Hyam Maccoby‘s The Mythmaker and Judas Iscariot and the Myth of Jewish Evil for more details.)
We can see in these early New Testament portrayals of the Jews, as linked to the Devil, the god of this age (thanks to the Gnostics), and as having betrayed Christ for money, how such antisemitic slanders as ‘Jewish greed,’ the ‘Jewish genius at making money (i.e., the ‘fathers of capitalism’),’ and the ‘Jewish conspiracy to dominate the world’ (i.e., the ‘fathers of communism’) originated in religious superstition, not fact.
III: Medieval Antisemitism and Money-lending
Of course, the stereotypes of Jewish greed and uncanny talent at making money are not based solely on religious beliefs. Jews in medieval, Christian-dominated Europe made a living largely as tax and rent collectors, and of course as money-lenders. The antisemite believes Jews did this kind of work, considered morally despicable, because it’s in their nature to do such work; the informed reader of history, however, knows that the European medieval Jew did this kind of work because he wasn’t allowed to do much of any other kind of profession.
The Jewish faith itself frowns upon usury just as any other faith does. Still, many have thought of the lending of money at immorally excessive rates of interest as synonymous with being Jewish.
While The Merchant of Venice has often been staged and interpreted as antisemitic (one need only look at productions of the play in Nazi Germany to see how obvious this fact is), it could also be interpreted as simply commenting on the reality of antisemitism. Going against the money-loving stereotype, Shylock would rather have a pound of Antonio‘s flesh than take twice the amount of the original loan; his wish for that flesh, as reprehensible as it may be, is also understandable given the horrendous abuse Shylock has suffered throughout the play, just because he is a Jew.
Now, when the Enlightenment came about around the 18th century, which resulted in the Jewish emancipation from frequently-impoverished ghettos (a fact that knocks a few holes in the ‘rich Jew’ myth), job restrictions, and the like, some Jews became bankers, like the Rothschilds, which leads me to my next point.
IV: The Rothschilds
I’m perfectly aware of the many things out there published on YouTube, etc., claiming that the Rothschild family essentially controls everything: the banks, the media, world governments, and that they’re behind all the wars and political upheavals of the past few hundred years. Just because a nut here, or a nut there, says these things online and presents a pile of ‘evidence’ doesn’t make these claims true, though.
The Rothschilds, some being wealthy bankers, are capitalists. It’s their embrace of capitalism, not their Jewishness, that should be the basis of any criticism of them. While they were much wealthier and more influential back in the nineteenth century, they’d lost much of this preeminence since WWII, when the Nazis confiscated so much of their wealth and property. They’re far from being the world’s wealthiest family now.
The roots of the notion of this family’s ‘Satanic’ influence on world events are in a pamphlet written by someone calling himself “Satan,” of all pseudonyms. He was actually an antisemite named Mathieu Georges Dairnvael who in 1846 wrote about Nathan Rothschild being in Belgium at the time of the Battle of Waterloo in 1815. Learning of the outcome of the battle early, Nathan rushed across the North Sea in a storm to get to London twenty-four hours before Wellington’s messenger could and play the stock market with this knowledge, thus amassing twenty million francs, or a million sterling.
He and his brothers allegedly sold government consols cheaply, and once the prices had dropped, they made massive purchases.
There’s only one problem with this story.
It’s utter unsubstantiated bullocks.
Nathan Rothschild was in neither Wellington nor in Belgium at the time. There was no storm on the water between Belgium and England. He made no great killing on the stock market, either.
Still, Dairnvael’s canard spread all over the place, got translated into many languages, and gained such a hold on history that it’s been referred to in popular culture and scholarly works. Films were made about the story, in Hollywood in 1934, and, surprise, surprise, in a Nazi propaganda film in 1940, called The Rothschilds: Shares in Waterloo.
Alterations were made to the story when parts of it were disproven, such as Nathan’s not being in Waterloo, with such changes as the use of a carrier pigeon or special messenger to get the news to him first while he was in London. Hence, the tenacity of the canard to this day, in combination with antisemites’ tenacity.
Furthermore, Nathan wasn’t the only one to get early news of the outcome of the battle; and he had time to buy shares, apparently, but he couldn’t have had enough holdings, in the thin market of the day, to earn the millions he supposedly earned. He may have done well, but numerous rival investors did far better than he.
In any case, if people on the far right can rant and rave about evil bankers, so can leftists, including one claimed to have been blood-related to the Rothschilds: “In the fierce articles that Marx penned in 1849-1850, published in The Class Struggle in France, he took offense at the way Louise-Napoleon Bonaparte‘s new minister of finance, Achille Fould, representing bankers and financiers, peremptorily decided to increase the tax on drinks in order to pay rentiers their due.” (Piketty, page 132) The subject of this quote now leads us to my next topic.
V: Of Marx and Marxists
Though Karl Marx was ethnically a Jew, his family had converted to Christianity, and as an atheist, he rejected all religion, Christian and Jewish alike, as “the opium of the people.”
What’s more, defying the stereotype of the rich Jew, the fact remains that Marx was a poor man, often in debt. Because of his revolutionary activity, he had to hide from the authorities, often using pseudonyms. He was kicked out of Germany in 1843, and from his move to England in 1849 to his death in 1883 as a stateless man, he was in a state of abject poverty, having to live off the charity of his friend and colleague, Friedrich Engels.
The next thing we must ask is, what is Marxism? We should start by discussing what Marxism is not. It isn’t about edgy young people spiking their hair and dying it pink, wearing body piercing and tattoos, and griping at people who address them with the wrong pronouns. Some of these people may be Marxists, or they may have a smattering of the influence of Marxism, but as such, they don’t constitute the essence of Marxism. Such people are far more likely to be radlibs, who shouldn’t be confused with Marxists, even if there’d be some overlap of the two groups on a Venn diagram. People on the far right tend to think that anyone even a few millimetres to the left of them, including the centre-left liberal, is a ‘commie.’ Ridiculous.
On the other side of the coin, Marxists are sincerely concerned with the plight of the poor, and we’re trying to work out the best solutions possible to the problem of that plight, hence scientific socialism. We aren’t part of some grand Jewish conspiracy for world domination.
I bring up these two examples of what we’re not, caricatured as they may be, as a rebuttal of the ignorant nonsense many on the right believe about us. Marxism isn’t radicalism for its own sake. It isn’t utopian. And it isn’t a plot for world domination. Marxism is economics; it’s a theory about capitalism. It’s dull, dry, and difficult to understand in its statistical detail.
Another important aspect of Marxism is what’s called dialectical and historical materialism. This is derived from Hegel’s dialectic, popularly (though not by Hegel himself) represented as “thesis, antithesis, synthesis,” and understood in terms of philosophical idealism (everything has a spiritual basis), which Marx turned upside-down (or right-side up, as Marx would have had it–Marx, page 102-103) as a form of philosophical materialism (everything has a material basis).
A lot of right-wing conspiracy theorists, including those who believe in the NWO, grossly oversimplify the dialectic by characterizing the above triad as “problem, reaction, solution,” making it into a diabolical formula that the ‘elite,’ or the ‘deep state’ uses to justify bringing in more and more tyrannical legislation. I assure you, Dear Reader, the dialectic, be it Hegel’s or Marx’s version, is much more general and more broadly applied than that.
The dialectic is about reconciling contradictory opposites–theoretically any opposites. In his Science of Logic, Hegel used the example of Being, Nothingness, and Becoming to show how opposites can be sublated and therefore resolved (Hegel, pages 82-83). He used it to show how ideas in philosophy can be refined for better logical thinking. A proposition is negated in order to have the conflicting ideas resolved in a sublation, which is in turn negated and sublated to create an even better idea to be negated and sublated, and so on and so on…
Marx, on the other hand, showed how contradictions have been resolved in the physical world throughout history, in particular, the contradiction between the rich and the poor (“the history of all hitherto existing society is the history of class struggles“). First, there was the ancient slave/master contradiction, which was keenly felt in the old slave revolts led by men like Spartacus. This got sublated into feudalism, which gave us the next major contradiction, that of the feudal lords vs. the poor peasants. The tensions of that conflict climaxed in such events as the French Revolution, whose sublation led to our current contradiction, that of the bourgeoisie vs. the proletariat–capitalism.
It is predicted that our current conflict will be sublated into a socialist revolution, with the dictatorship of the proletariat (a workers’ state, which is a government of the vast majority of the people, also called real democracy) leading to the withering away of the state and the ultimate goal, communist society–a classless, stateless, and money-less society.
Note how with each “problem, reaction, solution,” the world gets better and better, not worse and worse. If I’m wrong, maybe the right-wingers would prefer feudalism or ancient slavery. Of course, they’ll never think the world will get better by going my way, because thanks to the Cold War, anti-communist propaganda for which this very political right is responsible, my way is portrayed as “extremist” and “Satanic.”
And this “Satanic” agenda is perceived by the far right as dominating world politics, rather than mainstream liberalism, since far too few people today can distinguish the left from mere liberals. Added to the right’s paranoia of “Satanism” in today’s politics is a paranoia of Jewish influence in politics, just as the Nazis had a paranoid belief that a huge percentage of the members of the Bolshevik Party were Jews, when actually far fewer than even ten percent of party members, as well as those on the Central Committee, for example, were ethnic Jews in the 1920s.
Believing Jews dominate extreme capitalism (when actually, it was the Nazis and other fascists who represented this extreme) and the far left is a typical far-right mentality. Imagining Marx was related by blood to the Rothschild family is surely a part of that mentality. Fascists may portray their ideology as theoretically a ‘third position‘ between capitalism and communism, but in practice theirs is a violent defence of the former. Beware of people who claim to be ‘neither left nor right.’ These people are rightists–libertarians, ‘Third Way‘ politicians, and Bonapartists.
VI: On Zionism
Now, I’ve been doing a whole lot of defending Jews against antisemitism, which is necessary, especially in today’s world, with the current resurgence of fascist tendencies in many parts of the world. This defence of mine, however, needn’t and mustn’t necessitate a defence of the racist, apartheid, settler-colonialism of Israel. For Zionism is a form of fascism.
Anti-Zionism is not antisemitism, as long as one’s criticism and moral condemnation of Israel’s oppression and victimization of the Palestinians isn’t rooted in the kind of bigoted nonsense I was describing above. If we don’t want Zionists to play the antisemitism card whenever we criticize Israeli brutality, we mustn’t describe that brutality in terms of “Well, they’re Jews! What do you expect?”
Though Israel is the Jewish state, the establishment and maintenance of Zionism is not exclusively or even essentially Jewish. Many critics of Zionism are Jews, including those who practice Judaism. Observant Jews believe that Zion is to be established by God with the coming of the Messiah; man is thus forbidden to establish it secularly.
Many Jews, whether religious or not, have always condemned the creation of Israel on moral grounds, feeling compassion for the suffering of the Palestinians. Some of these Jews are famous: Einstein, Noam Chomsky, etc. To condemn Israel is to be human, not to be anti-Jewish. It’s about loving the Palestinians, not hating the Jews. Listen to Norman Finkelstein‘s passionate advocacy for the Palestinians to see my point. The younger generations of Jews, tending to be more politically progressive, are more critical of Israel than the older generations.
Furthermore, many non-Jews are pro-Zionist, including many evangelical Christians. Biden, a Catholic, has openly, proudly declared his support for Israel, as any American politician (who doesn’t want to kill his or her career) will do. Trump, the ‘antiestablishment president,’ is blatantly Zionist: recall his moving of the American embassy from Tel Aviv to Jerusalem, the latter being deemed Israel’s new capital; this move infuriated the Palestinians, of course, and for very good reason (it happened on the 70th anniversary of the Nakba), and their protests resulted in the IDF shooting and killing a great many unarmed Palestinians along the Gaza border. It’s the kind of thing that helps us understand why Hamas exists.
The motives of those Western leaders, who set up the Balfour Declaration in 1917 to create a Jewish state in the Middle East, were not exactly innocent, by the way. These non-Jewish pro-Zionists were acting out of antisemitic interests–they wanted to use Zion as a way of getting rid of the Jews in their own countries. Recall that at the time, decades before the Holocaust, anti-Jewish prejudice was a common and accepted attitude.
So, why is Israel so important to the Western ruling class? They may rationalize it as a form of atonement for how two millennia of European antisemitism culminated in the Holocaust. Yet if this Western guilt was among the main reasons for backing Zionism, then why did the West, right around the time of the creation of Israel, also not only pardon many ex-Nazis, but also give them high-paying, high-status jobs in the American and West German governments, as well as in NASA and NATO? We have to look elsewhere for that reason, and that elsewhere is imperialism.
Let’s go back to the question that is the title of this article. Many people believe, because of the large Jewish lobby in American politics (AIPAC), that Israel rules the US, and therefore the world, too. The hidden spark of truth behind this antisemitic slander is that the US, the capitalist, imperialist country par excellence, is what actually runs the world.
Seriously: Israel, a tiny sliver of land that’s barely seven miles wide at its narrowest point, with a population of just over nine million–as against a global population of just over eight billion–rules the world, just because those nine million are ‘God’s chosen people’ (translation: the Demiurge’s, or Devil’s, chosen people)? We can see how paranoid anti-Jew fantasies have been kept alive from ancient times by being passed down through our collective unconscious.
American support for Israel is much more rooted in Christian Zionism than in Jewish Zionism. It isn’t that Israel controls the US and the West in general, but vice versa. Christian Zionists, who at least veer dangerously close to, if they don’t completely immerse themselves in, outright fundamentalism, believe that the establishment and maintenance of Israel will speed up the End Times, the Rapture, etc. Then the Bible-thumpers can go up to heaven faster and look down on us unrepentant sinners as we burn in Hell, and they can laugh at us for not accepting Jesus as our personal saviour. How charming.
But religious nonsense aside, there’s a much more pertinent reason that the political right (which of course includes the religious right) supports Israel. The Western capitalist class needs a political ally in the geo-strategically crucial Middle East, and that ally is Israel. There’s a lot of oil in that general area, and the global ruling class needs to have a foothold there for the sake of having political leverage.
Back in the mid- to late 1940s, the Soviet Union recognized the geo-strategic importance of the area, and so regrettably they–in an act of realpolitik—gave some support to the establishment of Israel, hoping it would be a socialist state and an ally during the beginning Cold War. Since socialists have always been anti-Zionists, this brief Soviet support was a momentary lapse of reason, and when it became clear that, despite the socialist leanings of the kibbutzim, Israel would be a bourgeois state, allied with the US, the Soviet government repented of their support and thenceforth remained in total solidarity with the Arabs.
Having global power is based on the ownership of huge masses of wealth and land, not some Satanic Jewish mojo. Look at Israel on a map: it’s tiny. The US, in contrast, has military bases around the world. Israel has been able to defeat its Arab neighbours in numerous wars because of the military and financial aid of the US, the truly powerful country. The US helps Israel because Israel helps the US…and the imperialistic interests of the Anglo/American/NATO alliance.
The West uses Israel to help protect their lucrative oil interests (surely part of why Israel has a ‘secret’ supply of nukes), and so Israel can kick some ass if needed. When Israel does this dirty work, they get scapegoated so the West won’t get blamed (or only minimally blamed). It’s a perfect system for the Western powers.
VII: Conclusion
Now, with all of that said, I must conclude with a bold statement, bluntly given, and which may offend some: Israel should not exist. Let me put this statement in its proper context. As a Canadian, I also believe that Canada should not exist. The United States should not exist. Neither Australia nor New Zealand should exist. The same goes for all the other nation-states of the world founded on settler colonialism.
Does this mean we should kick all the newcomers out of their respective countries? No. As I would have it, negotiations would be made between the indigenous peoples on the one side and the settlers on the other, within the context of these places being federations of socialist communities rather than the bourgeois states that they are currently. Full, equal civil rights would be granted to everyone, regardless of race, colour, ethnicity, religion, sex, sexual orientation or identity, ability/disability, etc. But the land would be understood to be that of the indigenous people. No one would have the right, for example, to construct a gas pipeline on land deemed sacred to the aboriginals.
The same principles should be applied to Palestine, the one and only state that should exist in that area. Jewish communities should be allowed to live there and be given full, equal civil rights, but the land belongs to the Palestinians: it’s to be for Palestinian Jews, Christians, Muslims, etc., equally. The Jews there should no longer have hegemony over the land.
As for all of that antisemitic nonsense, though, I must say that I find it deeply disturbing that so many people out there, including many well-intentioned ones, have confused Nazi propaganda with some kind of ‘deep, arcane, and forbidden knowledge.’ I’d say the promotion of these ideas is yet another indication of the unsettling resurgence of fascism in today’s world. I’d like to be charitable and say that I’m sure that my FB friend, in believing all of that Rothschild nonsense, is not a Nazi sympathizer, but rather just someone who isn’t as well-informed as she thinks she is.
And this all brings us back to the message of that meme I mentioned in the Introduction: are you, or are you not, sufficiently knowledgeable of history? If you are, perhaps you aren’t convinced that you must be either a Marxist or a liar. Fair enough. But those who do know enough about history, and who also present Nazi propaganda as fact, are liars through and through. They’re also truly despicable people.
Oh, and describing oneself as having Jewish blood while believing in this Nazi nonsense doesn’t exempt one from this criticism. Zelenskyy being a Jew doesn’t in itself disprove that there are Nazis in the Ukrainian government and military, though many liberals in the media try to make that argument; there were Jews who fought for Nazi Germany; there’s Israel’s support of the Ukrainian Nazis; and finally, there are those bizarre things Netanyahu said about the Holocaust.
Now, anyone out there who objects to my judgements about the Nazi narratives, and wants to rant at me in the comment section about how the Rothschild conspiracy theories are ‘true,’ and how the Jews are supposedly behind the birth of both capitalism and communism, go ahead and present links to your ‘proof.’ Deny your Nazi sympathies all you want, but the only thing you’ll be accomplishing is outing yourself to the world as a Nazi. I hope you’re proud of yourself.
The fact is, the rulers of the world aren’t any particular ethnic group, merely because they’re of that ethnicity. Such thinking isn’t only irrational, it’s also a political distraction from the real root of the problem. The global capitalist class runs the world, through their vast wealth, political and media influence, and ownership of land. To be sure, some of them are Jews, but many of them aren’t. In any case, it isn’t their Jewishness or non-Jewishness that matters.
There’s only one minority we need to distrust: the rich.
‘A few thoughts about Palestine,’ by Dennis Riches
An important and timely read for the current situation in the Middle East.
Tents
Camping
is supposed to be
for people who are on
vacation, not the homeless.
High rents
can toss you out
of buildings, and into
tents, but so can bombers.
There are
camps for the
summer, and there
are concentration camps.
You are
in the open air,
& yet still, you are
trapped, just like rats.
Rows of
tents replace
the homes of Gaza.
Zion’s a cruel landlord.
Concluding chapter of Bruno Guigues’ “Communisme,” from Dennis Riches’s Blog
Or, on communism vs false leftism.
Analysis of ‘Messiah of Evil’
Messiah of Evil, or Dead People, is a 1974 supernatural horror film written, produced, and directed by Willard Huyck and Gloria Katz. It stars Marianna Hill and Michael Greer, with Anitra Ford, Royal Dano, Elisha Cook Jr., and Joy Bang.
Though a lesser-known film, Messiah of Evil has been generally well-received. It’s wonderfully atmospheric, with beautiful, vividly colourful visuals. It’s been described as “unsettling” by Nick Spacek of Starburst Magazine, having given the film a score of ten out of ten. It was ranked #95 on IndieWire‘s 200 Best Horror Movies of All-Time; they said, “it’s full of iconic and memorable scenes that recall to mind some of George A. Romero’s best work.”
Here‘s a link to quotes from the film, and here‘s a link to the full movie.
As with The Texas Chain Saw Massacre, Messiah of Evil does a subtle critique of capitalism. We see a satirical commentary on consumerism in the supermarket scene, with the ghouls eating all the meat in the meat section, then feeding off of Laura (Ford). We’re reminded of a similar satire on consumerism in Dawn of the Dead, with the zombies haunting the shopping mall.
Recall that this film came out in 1974, when the same manifestations of political upheaval happened that inspired much of The Texas Chain Saw Massacre, which came out the same year and also dealt with cannibalism. Early on in Messiah of Evil, we see Arletty (Hill) drive her car to a Mobil gas station, giving us an association with oil in the early 70s, when the oil crisis happened, an issue I discussed in my analysis of The Texas Chain Saw Massacre.
Note the tension of the Mobil gas station attendant (played by Charles Dierkop), who is first seen shooting at someone (or some animal, as he seems to claim to have been shooting at). Then, when the creepy albino truck driver arrives (played by Bennie Robinson), the attendant, knowing how dangerous this albino is (with the dead victims in his truck, one of whom has a slit throat and was the chased victim seen at the beginning of the film), urgently presses Arletty to drive away without need of paying for her gas with her credit card. Finally, the attendant is killed by the ghouls of Point Dume (an obvious pun on doom), where she is headed to find her father.
My point is that the 1973 oil crisis marked the end of the post-war economic expansion era, which included welfare capitalism, strong unions, Keynesian government intervention to smooth over economic crises, and a strong push for progressive social reforms. The end of this era also meant the beginning of a reactionary, neoliberal push to the right; these trends have continued unswervingly over the past forty to fifty years, leading to the extreme income inequality and endless imperialist wars we’ve been suffering these years.
The evil spreading from Point Dume to the rest of the world, as is understood to be happening by the end of the film, can be seen to allegorize how neoliberalism has engulfed the world by now. The “messiah of evil,” that is, the antichrist, or as he’s called in the film, “the dark stranger,” appeared a hundred years before the events of this movie, when he returns; so he first appeared around 1873-1874, and has returned around 1973-1974. His first appearance would have been around the beginning of the Gilded Age, a time of terrible income inequality (the “gilding” being a gold covering of a far less valuable material, symbolizing wealth masking poverty); and his second appearance coincides with the beginnings of neoliberalism and our new Gilded Age.
Note how the gas station attendant tells Arletty that Point Dume is a “piss-poor” little town. Contrast this poverty with evidently rich Thom (Greer), in his nice suits and his hedonist mini-harem of women, Laura and Toni (Bang), soon to be replaced, it might seem, with Arletty.
One critic of the film, Glenn Kay, complained that the lead characters’ motivations are never explained in a satisfactory way, especially those of Thom; Kay also said that the titular Messiah is never properly identified. What Kay seems to have missed, though, is what is amply implied, but deliberately not explicitly revealed: Thom is the Messiah of Evil. In the flashback sequences, Greer plays the “dark stranger”; if one looks carefully at him in those shadowy scenes, one can recognize Greer’s tall, thin build, with the broad shoulders, in the black coat and hat. In an interview (<<bottom page), Greer even said he was soon to play “the devil’s son” in this movie.
So the hell that is brought to this town, and from thence to the rest of the world, is the evil of the rich, taking from the poor (Thom is wealthy, coming to the “piss-poor” town of Point Dume.). Recall 1 Timothy 6:10. Also note that the Beast came out of the sea (Revelation 13:1), just as the dark stranger comes out of the sea on a night with a blood-red moon.
In her search for her father, Arletty comes to a motel room and meets Thom, Laura, and Toni. Thom is listening to a dirty, poor old drunk named Charlie (Cook Jr.) tell the history of his birth, and of Point Dume. A hint as to Thom’s unsavoury character is how, instead of answering Arletty’s questions about her father, he rudely tells her to close the door, so he can continue to listen to Charlie’s story without any interrupting noise. Thom is fascinated to learn about Point Dume’s legendary history of the “blood moon” and “dark stranger” because he is intimately connected to them.
Arletty discovers a diary her father has written about his disturbing experiences in the town. His art, often black and white images of men in suits (suggestive of businessmen, or capitalists), reflects the change in his mental state, and like the diary, seems to be an attempt, ultimately failing, at therapy through expressing his pain. There seems to be estrangement between him and his daughter; he’s warned her never to come to Point Dume.
Thom, Laura, and Toni come to stay in her father’s home, where she is, for the three have not only been kicked out of their original motel for their questionable behaviour (we learn that Charlie has been killed), but no other hotel or motel will take them in. Since Thom is the antichrist, the refusal to him and his ‘groupie’ friends of accommodations seems like a Satanic version of the Christmas story, when pregnant Mary and Joseph couldn’t find an inn to stay in for the night, and had to make do in a manger.
Since I am linking Thomas with not only the devil, but also class conflict (he’s a Portuguese-American aristocrat), it might seem odd that he would have difficulty finding accommodations. Similarly, towards the end of the movie, he is fending off the ghouls with Arletty. I think the point is that Thom is hiding his true identity from her, because he has special uses for her…so they don’t kill her in the end. Part of the power of evil is how we have difficulty identifying it.
To give explanatory context to the seeming contradictions discussed in the previous paragraph, consider a few quotes by Baudelaire and Ken Ammi about the Devil either supposedly not existing or being the good guy. Similarly, 2 Corinthians 11:14 says that “Satan himself is transformed into an angel of light.” Indeed, in dialectical contrast to the black clothes of the dark stranger, Thom is always wearing light-coloured suits.
Furthermore, while wealthy Thom is largely presented as if he were one of the sympathetic protagonists of the film, many billionaires in today’s world have postured as if they’re friends of the common people: Trump, Soros, Musk, etc., and many of the common people are fooled by this charade. Just as we shouldn’t be fooled by these narcissists in real life, though, neither should we be taken in by Thom, as the mindless ghouls are. Arletty is right, towards the climax of the film, to trust her initial instincts and stab Thom in the arm.
Another example of Thom’s unsavoury character comes out when it’s obvious to Toni and especially Laura that he aims to seduce Arletty. One of the key problems plaguing all human relationships is the jealous competition over who one loves the most…me, or my rival(s)? The prototype of this problem is discovered in the Oedipal conflict over whether the desired parent loves the child, his or her other parent, or his or her siblings. Laura is so disgusted with Thom that she leaves…for this, there will be fatal consequences.
She foolishly chooses to go to town that night by foot. On the way, the albino truck driver drives by and offers her a ride, which she foolishly accepts. He’s playing the music of Wagner (specifically, the Prelude to Act III of Lohengrin), whose name he incorrectly pronounces the English way (actually, an innocent goof made by actor Robinson, but one allowed by Huyck, who found it amusing), instead of the proper German way. Allowing the error in turn allows me to indulge in an interpretation of it: I see in the albino’s mispronunciation his limited, working-class education.
Some interesting associations can be made about the driver and his odd choice to play Wagner’s music in his truck (as opposed to listening to, say, pop music, or R and B). He’s an albino African-American, playing the music of a composer who was an old Nazi favourite. The linking of a ‘white’ black man with music associated with Nazism might make one think of Dr. Josef Mengele, who did such things as alter his patients’ eye colour to make them ‘more acceptable Aryans.’ Recall also that fascism exists to protect the interests of the capitalist class against socialism in part by turning the working class (people like the albino trucker) against the left and towards the right, as Trump did with his followers.
Beyond these political implications are other creepy things about the truck driver. His albino whiteness reminds us of that of Moby-Dick, especially in the chapter, “The Whiteness of the Whale,” in which it’s discussed how frighteningly unnatural the colour white can be. Finally, the disgusting fellow likes to eat living rats!
Laura naturally doesn’t want to stay in the truck of this freak, so she gets out and continues on foot to the town. She ends up in a Ralph’s supermarket, where she sees ghouls in the meat section eating all the meat like a bunch of gluttons. A number of the men among them, in suits and ties, remind us of the black-and-white men in the paintings of Arletty’s father, which gives us a clue as to what he, in his physically and mentally deteriorating condition, has been obsessed with.
The feasting ghouls all look over at Laura, and deciding that her flesh must be much tastier than what they’re currently eating, get up and run after her. Terrified, she runs, but can’t get out in time to save herself.
A key to understanding how this film is a critique, however subtle, of capitalism is seeing how the ghouls eating the meat in the supermarket, then eating Laura, is symbolic of consumerism. Note that in this feeding, we have a pun on consumer, as both eater and as excessive buyer of goods and services.
One way the capitalist class retains its power over us is by keeping us mindlessly buying things–rather like zombies–so we fill their wallets with money, instead of thinking about how to change the system. Volume One of Das Kapital begins with a discussion of the commodity, the basic unit of our economic system, seen as either a use-value or an exchange value, traded in for money. When our buying and selling focuses on only the things involved in the transactions (money and commodities), rather than the people involved, what results is what Marx called the fetishism of the commodity, which exacerbates alienation.
We get a sense, during the supermarket scene, of this excessive preoccupation with things, with products, over people when we see the greedy eating of not only the meat in the meat section, but of Laura, too, who is thus reduced to meat, a commodification of her body, as will later happen to Toni in the movie theatre scene.
Feminists have often written and spoken of how women’s bodies are commodified and exploited through such things as prostitution, stripping, and pornography. The cannibalistic eating of Laura, whom Thom has described as a model (Ford herself was a model), and later of Toni, can thus be seen as symbolic rapes.
Violence against women, as seen in the cannibalistic eating of Laura and Toni, as well as violence against the poor, as with the killing of Charlie, is an example of what I’ve described elsewhere as “punching down.” The capitalist class wouldn’t be able to keep its power over us if we “punched up” instead. We buy the capitalists’ products (we consume them), and we hurt each other (consuming each other, metaphorically speaking), instead of rising up in revolution.
This punching down connects the black albino listening to Wagner with the zombie-like ghouls eating meat, then eating Laura. Fascism is about punching down–that is, attacking foreigners, people of colour, leftists, homosexuals, etc.–to ingratiate oneself with the ruling class, or in a symbolic sense, making oneself ‘whiter,’ more class collaborationist, more pro-capitalist.
Another example of this film pushing the marginalized into the mainstream, that is, making them conform, is the choice of Greer to play Thom. Greer was known not only as one of the first openly gay actors to appear in major Hollywood movies, but also to act in early films that dealt with gay themes, like The Gay Deceivers and Fortune and Men’s Eyes. So in Messiah of Evil, we have in Greer a publicly-known gay actor not only playing a straight man in Thom, but also playing a womanizer.
On a comparable note, Thom as the antichrist is portrayed throughout the film as a normal man–that is, his evil is normalized. We wouldn’t know he was the dark stranger, a descendant of him, or his reincarnation–whichever–if we weren’t paying close attention. The same can be said about how neoliberalism has been insinuated into our lives over the past forty years without most of us even noticing this insidious evil–it has also been normalized for us. The bogus promise of economic prosperity that the “free market” is supposed to provide is an evil that’s been presented as a messianic cure to the ills of “big government” by such demagogic economists has Milton Friedman.
As for Toni, we can sense that her days, if not her hours, are numbered when she sings the famous first verse of “Amazing Grace,” but stops singing conspicuously at “I once was lost, but now…” once Thom enters the area. Like Laura, Toni is getting sick of Point Dume and wants to leave. She can’t even get entertainment from the radio, since it isn’t receiving any stations. Thom suggests that the bored girl go see a movie (he’ll have Arletty to himself that way).
Her in the movie theatre is yet another example of the film doing a social commentary on consumerism, our tendency to pay for pleasure instead of dealing with our relationship problems, such as her jealousy over his preference of beautiful Arletty. Thus we see in both Toni’s jealousy and her retreat to the movies a reinforcement of social alienation.
She watches a Western called Gone With the West, an indulgently violent parody of the genre. The zombie-like ghouls enter later in a large group; their mindless watching of the film is a social commentary on how so many of us do the same thing–pay to be dazzled by the media, which is part of the superstructure influenced by (and influencing) the base of society, or its means and relations of production.
It doesn’t take long for her to realize she has unwelcome company in the theatre, right from the sight of a ghoul staring at her just before the lights go out and the cowboy film starts. She snaps out of the lull the movie experience has put her in, and the ghouls notice her awakening. Then they, including the albino, go after her and indulge in more cannibalism. It’s as though they were punishing her for having woken up and begun thinking for herself.
Another way the capitalist class keeps us under their control is through that superstructure described above–in this particular instance, the media (movies, TV, the radio, the news,…and in today’s world, social media). The superstructure’s media wasn’t nearly as bad back in the early 70s as it is now–with 90% of American media controlled by only six corporations, who thus have control over most of our access to information (which is now extended to a global network)–but it was bad enough back then to deserve a social critique in Messiah of Evil.
I consider this film to be quite prophetic–whether intentionally so or not–through its symbolism and allegory, it being a film that came out during the huge political upheavals of the early 1970s (the Watergate cover-up, defeat in Vietnam, racial conflict, and economic convulsions), these being upheavals some of whose repercussions are being felt in full flower today; I discussed such prophetic, if you will, filmmaking in The Texas Chain Saw Massacre (link above).
The sickness that takes over the people of Point Dume, each with a bleeding eye, can be seen in the context of my capitalist allegory to symbolize how the mindset needed to keep us all subjugated to the new neoliberal order has negatively affected our mental health. We see the world in pain, for we ourselves are in pain–we weep blood instead of tears.
Along with this growing sickness, the ghouls all act as an undifferentiated group, with no sense of individuality. They go to the beach at night, looking up at the moon (waiting for it to turn blood-red) in collective expectation of the return of the dark stranger, an act called “The Waiting.” Similarly, working class people today, far from experiencing the liberation promised after the disastrous dissolution of the Soviet Union, find themselves passively accepting worse and worse jobs, with low pay, reduced benefits, etc. They feel like mere cogs in a machine, pressured to work harder and harder, alienated from their work. The limited range of opinions allowed in the media result in conformist thinking among the masses, just like those ghouls watching the cowboy movie with blank faces.
There are moments when the film is outright surreal, such as when insects come out of Arletty’s mouth. This sense of the surreal adds to the disturbing atmosphere of the movie, and it can explain certain aspects of the plot that don’t seem to be properly developed or explained.
An example of such an unexplained moment, one that seems contradictory to my presentation of Thom as the real villain of the film, is when he, walking the streets of downtown Point Dume alone at night, is briefly chased and attacked by ghouls. The shots of the chase and attack are presented in a choppy way, as jump cuts, suggesting a dream-like quality, as if Thom has merely imagined the attack.
No bad person believes he’s evil; the villains of history have always imagined that their atrocities were meant ultimately for the greater good. These bad people also narcissistically imagine themselves to be the victim, rather than the victimizer…so why would Thom be any different, in wanting to associate himself with the real victims of the story? Recall in this connection what I said above about how the powerful and wealthy like to be associated with the common people, sympathizing with their interests. Thom’s imagining of himself being attacked can be understood in this light.
After Thom gets away from his attackers (imagined, as I see them, for surely they’d still be giving him chase if they were real), he stops to catch his breath, and a poor woman appears, begging him for help from the ghouls. He turns away, especially when he sees her eye bleeding. Of course he won’t help her: he’s the messiah of evil who is bringing on these evils, and he wants her to complete her transformation into another ghoul.
Arletty’s eye is bleeding, too, and like her father in his deteriorating condition, she’s beginning to cut herself. It’s around this time that she sees herself in the mirror, with a bug on her tongue, and she vomits out a host of insects.
Two police arrive on the streets, where Thom is wandering, to deal with the ghouls. One of the cops is bleeding from an eye, and the other shoots him in the neck and tries to run away. The ghoul cop then shoots him dead. In the context of my capitalist allegory, it’s easy to see how a cop could be spontaneously bleeding from an eye and becoming a ghoul: cops have historically existed to serve the ruling class; even if a small minority of cops, like the non-ghoul cop, are good people at heart, it’s the whole system of law enforcement that they work for that is the problem.
Something needs to be said about the origin of the “dark stranger.” He was a former minister (hence, his status as “messiah”) and a member of the Donner Party, who were a group of American pioneers migrating to California in a wagon train from the Midwest. During the winter of 1846-1847, they were snowbound in the Sierra Nevada mountains; some of the migrants resorted to cannibalism to survive, and two Native American guides were deliberately killed to eat the bodies. Our dark stranger seems to have derived his taste for human flesh from this grisly episode, and in Point Dume, he’s been spreading his “religion” with cannibalism as, if you will, a new form of the Eucharist.
It’s interesting to consider the murder and cannibalistic eating of the Native Americans in the light of not only the film but also of the migration of the pioneers out west. The migration is an example of settler-colonialism, associated with the genocide of the natives. It’s also related to imperialism, the theft of others’ land to exploit it and thus enrich oneself with it. Settler-colonialism and imperialism in the modern world are also manifestations of capitalism, which further solidifies the connection of Messiah of Evil with capitalism.
Arletty has been told that her father’s body was found on the beach, him having been building a huge sculpture there, but the tide, it seems, collapsed it on top of him. She doesn’t believe it was really his body on the beach, though, because the coarse hands of the body weren’t the same as those of her father’s. It’s later confirmed that her father is still alive, for he returns to his home to face Arletty. His transformation into ghoul is also just about complete.
He tells her the history of the dark stranger, of how he attacked and ate some of the flesh of a hunter who, as he lay dying, tried to warn others of his killer. They thought him delirious, just as many are thought crazy who try to warn people today of the evils of neoliberalism, which has come “to a world tired and disillusioned, a world looking back to old gods and old dark ways, our world.”
Remembering Charlie’s warning, she has to set her ghoul father on fire to destroy him. In his wild mania, he spreads blue paint all over his face and hands; it’s as if he’s making a desperate attempt to be at one with his art to treat his growing mental illness. Her being forced to commit such a violent, fiery patricide can be seen, in the context of my capitalist allegory, to represent how neoliberalism has exacerbated modern alienation, in this case, alienation in the family.
Thom returns to the house the next morning. His frown at seeing her father’s charred corpse can easily be seen as his sadness at the sight of one of his ghouls–his children–killed. Other ghouls are waiting on the glass roof to attack; for all we know, he’s summoned them there. She, screaming in her traumatized state, attacks him with the shears she used on her father before burning him, cutting a big gash in Thom’s arm.
After he lies in bed, resting a while and recovering from his wound, the ghouls on the glass roof break in, fall into the room, and attack him and Arletty. He helps her fight them off, though in a minimal way, and they run out to the beach. Again, all of this would seem to make him look like a sympathetic character, but I suspect his intention is really just to lure her out to the beach, and his disappearance in the water is to lead to an at least implied plot twist, in which he later reappears from the water as the dark stranger with the appearance of the blood red moon.
As he and Arletty are running together along the shore, we hear Phillan Bishop’s eerie synthesizer ostinato in 17/8 time (subdivided 4+4+4+5). The two briefly embrace like lovers: after all, this is part of Thom’s attempt at a physical and spiritual seduction of her.
The ghouls start to congregate at the beach, staring out into the ocean as they’ve done every night, waiting for the blood moon and the dark stranger. Thom and Arletty go out into the water in an attempt to escape the ghouls by boat. He seems weakened from his arm wound, making it hard for him to swim.
According to the Wikipedia article on the film, Thom drowns; but I don’t think that’s what’s really happened to him, though Arletty seems led to believe this was his fate. As I said above, he merely disappears to get ready for his return as the dark stranger, the Beast, the antichrist (Revelation 13:3-4).
The ghouls get her out of the water at night, but they don’t kill her. They dress her in a pretty gown to offer her to the returning dark stranger at night, under the blood moon and among the ghouls’ bonfires. She’s too horrified, I’d say, to say Thom’s name upon recognizing him. Instead, we get a loud, hysterical scream from her.
She’s taken to an insane asylum, and like her father, she takes up painting, presumably as a kind of art therapy to soothe her madness. Trying to warn the world about the coming evil causes one to think she’s insane. Indeed, this evil is so traumatizing, so crazy-making, that all she can do is scream…yet no one will listen.
The film ends as it began, with a return to a shot in a hall in the insane asylum, with light in the middle, where Arletty can be seen wandering, and dark shadows around the edges of the shot. Just as the dark stranger has returned, so has this shot from the beginning returned, a coming full circle…just as the Gilded Age has returned to us today.
We hear her distraught narration, her trying to warn people of the spreading sickness that makes one a ghoul. Similarly today, some of us try to warn people of the growing sickness caused by neoliberalism and imperialism–the alienation and its attendant mental illness, its pressure to conform to today’s ways, as the ghouls all conform to the grisly ways of the messiah of evil. Yet, just as no one will hear Arletty’s screams, no one will listen to our cries of help.
“No one will hear you SCREAM!!!”
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